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Tuesday, Oct 20, 2026
New REVIEWS!
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema
Histoire(s) du cinéma (1988-1998): review 1B – the history(s)

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Eye of the Needle (1981) Rescue Under Fire (2017): Two War Reviews

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The Purple Rose of Cairo (1985) Perfectly captures our love affair with movies (Review)

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Slaughter in San Francisco (1974) One for the Brucesploitation Faithful (Review)

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The Florida Project (2017): Reality in the Shadow of a Fantasy

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Performance (1970) Nicholas Roeg and Donald Cammell’s Exile on Notting Hill

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Straight Shooting (1917) and Hell Bent (1918): John Ford quietly establishes the Western’s essentials (review)

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Rob Simpson

Chief Editor Host of the Uncut Network. With a love of movies kicked off by Hong Kong Action and Claymation Monsters, Rob has forever been cradled in the bosom of Cinema. Rob has his hands in many a pie, including no budget film making. Filthy
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Critters Attack!: Amblin Adventure with extra headsplosions (Review)

Rob Simpson 28/08/2019
Critters Attack!: Amblin Adventure with extra headsplosions (Review)

Along with many other of his projects, Joe Dante’s Gremlins was one of my gateways to horror. I wasn’t the only one who was bowled over as its success spawned a generation of cheap rip-offs full of small monster anarchy. There was Ghoulies, Spookies, Munchies, Hobgoblin’s, C.H.U.D. and the rip-off […]

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A Blonde in Love: atypically typical Czech brilliance (Review)

Rob Simpson 02/08/2019
A Blonde in Love: atypically typical Czech brilliance (Review)

While watching Second Run’s latest, A Blonde in Love, the thought entered my head. The internet is littered with clickbait articles such as the best films ever made, “the best films you’ve never seen” and “the best directors ever”. It would be something if these lists furthered people’s understanding of […]

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The House That Dripped Blood: All Things to All British Horror Fans (Review)

Rob Simpson 30/07/2019
The House That Dripped Blood: All Things to All British Horror Fans (Review)

In the 1950s and 60s British horror was booming. Most of the fame and infamy was enjoyed by Hammer but forever in their shadow was Amicus. Amicus was known for horror anthologies, a production model based on not being able to afford name actors for a whole shoot. Instead, they […]

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When a Stranger Calls: the scariest phone call in horror (Review)

Rob Simpson 01/07/2019
When a Stranger Calls: the scariest phone call in horror (Review)

While up for debate, one of the most famous scenes in any of Wes Craven’s work is in Scream. Drew Barrymore deals with a man calling her again and again, ending with the question of “what is your favourite scary movie?” subsequently she is chased and offed by Ghost-face. Turns […]

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The Night Sitter (2019) Evil Dead in the Suburbs (Review)

Rob Simpson 27/06/2019
The Night Sitter (2019) Evil Dead in the Suburbs (Review)

For any aspiring screenwriter, a tried and tested method for both selling and creating a new project is to take a film and move it somewhere else. How about Jaws in Space? or Die Hard in the white house? maybe, Evil Dead in the upper-middle-class American suburbs? That last one […]

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Giant Killer Ants/Dead Ant: Creature Feature vs Tom Arnold’s bad jokes (Review)

Rob Simpson 26/06/2019
Giant Killer Ants/Dead Ant: Creature Feature vs Tom Arnold’s bad jokes (Review)

With this new Frightfest Presents title, Dead Ant, the plight of the creature feature came to mind. They were responsible for an entire generation getting interested in things that plant their roots in the genre spectrum, I count myself among them. Being such a slave to trends as it is, […]

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Terror of Hallow’s Eve (2019) passionate creature feature featuring a soulless epilogue (Review)

Rob Simpson 13/06/2019
Terror of Hallow’s Eve (2019) passionate creature feature featuring a soulless epilogue (Review)

I don’t understand the 1980s. Sure, the ’80s and horror were very good to one another, many a classic and new voice climbed out of that decade. However, the films of that decade didn’t stylise themselves with kitschiness in mind, that’s merely the way that things were back then. Now, […]

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Nightfall (1956): An Unsung Noir by one of the Great Unsung Directors (Review)

Rob Simpson 05/06/2019
Nightfall (1956): An Unsung Noir by one of the Great Unsung Directors (Review)

Jacques Tourneur is the kind of director that has been consigned to the history books, the RKO-man was well known for his many low-budget horror films (including the pre-Romero, I walked with a Zombie), he also did many noirs, westerns and epics. Filmmakers just aren’t allowed that level of liberation, […]

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Level 16 (2019) how and how not to do low-budget Sci-Fi (Review)

Rob Simpson 03/06/2019
Level 16 (2019) how and how not to do low-budget Sci-Fi (Review)

Over the years, low budget movies have changed exponentially. In 2019, independent filmmakers are getting an awful lot more bang for their buck. Look at 1970s low budget film, for example, as excellent as those genre films could be, some elements of their production lacked. The audio was either weak […]

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The Big Clock: Charles Laughton powered noir (Review)

Rob Simpson 24/05/2019
The Big Clock: Charles Laughton powered noir (Review)

A good extra can take your appreciation of a movie to a whole new level. On Arrow Academy’s newly issued [the] Big Clock, Simon Callow has done just that with his video appreciation of Charles Laughton’s performance as the despotic magazine magnate, Janoth. Callow goes on to say that this […]

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