2017 has been a watershed year for Korean cinema. Park Chan-Wook, Kim Jee-Woon, and Joon Ho-Bong returned with the latter directing one of the largest budgets for a Netflix original. Beyond that upper echelon, cult aficionados Arrow Video have finally engaged with Korean cinema by releasing the acclaimed action film, […]
Rob Simpson
Chief Editor
Host of the Uncut Network. With a love of movies kicked off by Hong Kong Action and Claymation Monsters, Rob has forever been cradled in the bosom of Cinema. Rob has his hands in many a pie, including no budget film making. Filthy
Shaft (1971) The icon behind the legendarily cool music (Review)
Few things in pop culture have an associated piece of music that precedes it as widely as Shaft. Isaac Hayes legendary and academy recognised score and song is identifiable from its first few bars and with good reason too, Hayes is one of the kings of soul music in an […]
The Party (1968) Peter Sellers as the Elephant in the Room (Review)
There are Elephants in the room that are both literal and metaphorical in the Party, the latest release from Eureka. One appears in the final chaotic throes of the titular party and the other is represented by Peter Sellers in brownface adopting an Indian accent. Positioned somewhere between the horrifically […]
S15E01 – Glam Rock and New Beginnings
We were off for a while, launching our Youtube, travelling about and doing things we utterly regret. You know? Normal Summer stuff. After a couple of months off we return with a new form. We’ve changed a lot over the years, but this is (probably) our final form – we […]
The Howling (1981) The great werewolf transformation movie (Review)
Joe Dante is a beloved man, his films are among the most humble and darkly funny the genre world has to offer. His work is the point which light and dark intersect within the horror and science fiction cannons. That is true save for the exception, that one film which […]
Kills on Wheels (2016) Two brilliant, searingly honest films flimsily stuck together (Review)
Representation is the big issue – who is having their stories told and which actors are being deprived of acting opportunities. Unfortunately, race and gender are as far as this dialogue has been extended. People who have lifelong disabilities either by accident or birth are seeing opportunities hoovered up by […]
Erik the Conqueror (1961) One of Cinema’s best visual artists turns to the Viking movie (Review)
In “Gli Imatori”, a visual essay featured in an uncharacteristically spartan selection of arrow video features, Michael Mackenzie comments on Italian cinema’s propensity to copy (Escape from New York becomes 2019: After the Fall of New York, for example) as this latest Mario Bava title released under the now transatlantic […]
The Saga of Anatahan (1953) The creativity of the final film and the significance of subtitles (Review)
Josef Von Sternberg’s final film was 1953’s The Saga of Anatahan, out today from Eureka’s Masters of Cinema. Its status as a final film and some of the choices it makes become very interesting when paired with a comment Brian De Palma made in his recent self-titled documentary. He stated […]
Wolf Warrior II (2017) Flag waving aside, this is the perfect antidote to modern action cinema (Review)
How American cinema has changed since the 1980s, I’ll use the action film as the conduit to make this point. Back then we had ridiculously over the top, jingoistic, star vehicles centred around a handful of names. Now, those films are shot and financed exclusively in Europe, the quality of […]
Doberman Cop (1977) A peculiar Sonny Chiba character in an endlessly odd police thriller (Review)
Once upon a time, it was instantly apparent when a film was based on a comic or graphic novel as those films concerned themselves with the super-powered and the otherworldly, then around the mid-1990s there was a paradigm shift and the nature of these titles became indistinguishable from the more […]