Horror works when it taps into something primal that you can feel in your bones. As dramatic as that sounds, it doesn’t need to something hard, deep or physical, it can invoke something mundane, twist it and there we have it – the uncanny. The uncanny is not only where […]
Rob Simpson
Chief Editor
Host of the Uncut Network. With a love of movies kicked off by Hong Kong Action and Claymation Monsters, Rob has forever been cradled in the bosom of Cinema. Rob has his hands in many a pie, including no budget film making. Filthy
Hellcat (Fantasia International Film Festival 2025)
Isn’t it funny how time can heal all wounds in the world of movies? Just a few short years ago, the words “contained”, “chamber” or “one location horror” had utterly exhausted the genre audience – to the extent that people didn’t want to see another film set in one place […]
Hold the Fort (Fantasia International Film Festival 2025)
William Bagley’s Hold the Fort received its world premiere at the 2025 Fantasia Festival, and two movies in, the director of The Murder Podcast seems to be flying his flag for comedy horror. It’s a sub-genre that’s often deemed unbankable by the studio system and those who finance movies, so […]
The Well (Fantasia International Film Festival 2025)
Apocalypse cinema is fairly self-explanatory and, if you listen to certain fatalistic people in the media and on social media, we’re currently living through one. Post-apocalypse, in which the end has happened and society falls into a violent anarchy, has been endlessly mined as part of the zombie sub-genre – […]
Kiyoshi Kurosawa’s Cloud (2024) E-Commerce and the End of the World
Many modern Japanese directors don’t operate in the same way as their Western counterparts. When a Western director goes quiet for years, it’s often assumed they’re struggling to get funding or have fallen out of favour. In Japan, while funding can absolutely be an issue, the industry has pivoted in […]
Yokohama BJ Blues (1981) Grim Satire of America’s influence on Japan
TThe 1980s was an odd era for Japanese cinema, caught between the end of one golden generation and the rise of another. That’s not to say nothing of note was produced—directors like Shōhei Imamura and Akira Kurosawa were still working, albeit sporadically, and a new generation was on the rise. […]
Self Revolutionary Cinematic Struggle (London International Fantastic Film Festival 2024)
Gakuryu Ishii’s second movie of the year is half a dozen things at once, with so much going on that it has taken me a week—after its premiere at the inaugural London International Fantastic Film Festival —to begin processing everything it offers. This menagerie exemplifies the ethos I yearn for […]
The Gesouidoz (London International Fantastic Film Festival 2024)
From its influence on pop culture to the music scenes popping up in every corner of the world, it’s frustrating as a signed-up fan of punk rock to be forever told that it is dead. For one, no music scene can truly die, and two, where is the rebellious spirit […]
The Sword (1980) A King Hu-like Martial Arts Rarity
Sound, particularly music, is such a key component of movies. It is pivotal in creating an era, atmosphere, tension, and emotions to the extent that a great deal of the work in a horror movie comes from effective scoring and sound design. Key word there: effective. See, anachronistic music and […]
Japan Organised Crime Boss (1969) The Yakuza Movie Before Yakuza Movies
It’s curious the idea that there was a time when the modern yakuza movie wasn’t a thing, but as yakuza film historian Akihiko Ito says, in the extras of Radiance Films lush new release of Kinji Fukasaku’s Japan Organised Crime Boss, that was once the case. They used to be […]