The Fearway, the directorial debut from the editor of Lucky (2017), Robert Gajic, has been promoted as horror with quotes like “A Cross between Jeepers Creepers and Duel” appearing in the press materials, it’s also categorised that way on websites like IMDb & Letterboxd. Even if Noah Bessey’s script has […]
Rob Simpson
Chief Editor
Host of the Uncut Network. With a love of movies kicked off by Hong Kong Action and Claymation Monsters, Rob has forever been cradled in the bosom of Cinema. Rob has his hands in many a pie, including no budget film making.
New Religion (Slamdance 2023) (Review)
Here we are, our concluding look at Slamdance 2023 with a movie that made a splash with the most adventurous viewers at last year’s Frightfest. Before that, though, the grand jury decided who is to be awarded the top honours. Narrative Feature: “Waiting for the Light to Change” (Dir. Linh […]
Punk Rock Vegan Movie (Slamdance 2023)
We return to Slamdance for our penultimate day of coverage. Kicking the week off with Mad Cats, then onto The Underbug, Starring Jerry as Himself, The Mad Writer and Stars in the Ordinary Universe, which brings us to one of the festival’s headline films, from Moby – the say what […]
Stars in the Ordinary Universe & The Mad Writer (Slamdance 2023)(Review)
Following Mad Cats, Starring Jerry as Himself and the Underbug, we return to Slamdance for more coverage of a film festival that celebrates new, emerging and alternative voices within the world of art, film and beyond. Thus far, I have been trying to theme my articles and failing miserably because […]
The Underbug & Starring Jerry as Himself (Slamdance 2023) (Review)
We are dropping in on the Slamdance film festival in Utah every day – yesterday we had Mad Cats, and today we have the Underbug & Starring Jerry as Himself. Starting with a punchy Indian horror movie from Shujaat Saudagar called the Underbug. Punchy as it’s only 68 minutes. On […]
MAD CATS (2023) Review (Slamdance Film Festival)
Sometimes things go unnoticed for years until someone draws attention to them. Case in point, in the press kit for Reiki Tsuno’s Mad Cats – he remarks that most Independent Japanese films are “so sad, serious, and depressing most of the time… Budgets for indie movies in Japan are actually […]
Rob’s Music of 2022 (feat. Denzel Curry, Soul Glo, Chat Pile and Witch Fever)
We aren’t a music website, never have been never will be. But that doesn’t mean we can’t dabble when it’s appropriate and right now, at the end of the year, when every website under the sun is doing its 2022 articles and coverage makes it appropriate. Some of the bands […]
Bull (2021) Bull by name, Bull by nature (Blu-Ray Review)
Ahead of the looming release of Tangerine, Bull is the most recent release from the always-strong Second Sight Films. Paul Andrew Williams (London to Brighton, The Cottage) directs and writes Neil Maskell in the titular role, a character you could describe as a savage. The brutality of his actions is […]
Dreaded Light (2022) Modern Day Play for Today (VOD review)
One of the pieces of advice given to prospective writers across any medium, whether visually inclined or literary, it’s to write what you know. Writer/director Mark MacNicol has used that vague counsel to write his debut feature, Dreaded Light – a deeply personal drama that sashays past some horror tropes […]
The Runner (2021) The Ideal Actors Showcase (VOD review)
Independent film is full of people from other professions in the creative industries taking a turn behind the camera. Stunt men, visual effects artists, action choreographers, cinematographers, and stand-up comedians have and continue to make the leaps necessary to direct. With her latest directorial project, The Runner, Michelle Danner is […]