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Thursday, Mar 5, 2026
New REVIEWS!
ELSE (2024) A Claustrophobic French Body Horror That Gets Under Your Skin
The Stunt Man (1980) When Making a Movie Becomes a Matter of Life and Death
The Ugly Stepsister (2025) A Beautifully Deranged Fairy Tale
Libido (1965) Argento may be The Artist, but Gastaldi is The Man
Redux Redux (2025) Reclaiming the Multiverse, One Brutal Reality at a Time
Jimmy & Stiggs (2024) The Messy, Mean, DIY Splatterfest Begos Was Born to Make
Charisma (1999) / Cloud (2024): A Showcase for One of the Greatest Living Filmmakers
Illustrious Corpses (1976): The Paranoid Style in Italian Thrillers
Potwash (2026, Short) An Intriguing and Enveloping Tale of Work, Music, and Escapism
Blood of Revenge (1965) A Yakuza Tale Characterised by Beautiful Compositions 
Tim Travers and the Time Travelers Paradox (2024)  The Grandfather Paradox Gets a Splatter-Comedy Makeover
The Strange Dark (2024) A Cosy Thriller Where The Twilight Zone Invades a Hallmark Movie
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  • Nora Rawn

Nora Rawn

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Tokyo Pop (1988) The Lost Gen-X Cult Classic Gets Its Moment

Nora Rawn 05/05/2025
Tokyo Pop (1988) The Lost Gen-X Cult Classic Gets Its Moment

If you’ve heard an extra joyful noise in the air this spring, it may be coming from devotees of Tokyo Pop. Victim of a failed distribution company that kept it from taking its rightful status as a cult classic, the time for Fran Rubel Kuzui’s debut to have its moment […]

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AUM: The Cult at the End of the World (2025) The Danger of Laughing at Extremists

Nora Rawn 11/04/2025
AUM: The Cult at the End of the World (2025) The Danger of Laughing at Extremists

Debuting at Sundance earlier this year, Aum: The Cult at the End of the World brings renewed attention to Tokyo’s infamous 1995 sarin attack, balancing a wealth of archival footage from Aum’s rise with some occasionally more heavy-handed true crime notes. Based on an eponymous book by Western journalists, Andrew […]

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