“Folk horror” is a term which has been applied to a large variety of vastly different, and occasionally disparate, pieces of genre film and fiction – yet what ties together almost all of those works is one central, core concept; that which is past is not dead, and furthermore, it […]
Robyn Adams
Robyn Adams is an actress from Stockport, Greater Manchester, who spends a lot of her time watching horror films, feeding the pigeons in her garden, and being annoying on Twitter. She has previously written for Ghouls Magazine, hosted a panel talk on LGBTQ+ representation in horror in partnership with Forward Stockport and Grimmfest, and been a guest on numerous genre film podcasts. Her friends don't trust her to pick films on movie nights anymore.
Nightmares in a Damaged Brain (1981) Formerly Banned Video Nasty launches Severin in the UK (Review)
The die-hard cult genre cinema fans that make up The Geek Show’s reader base will undoubtedly already be deeply familiar with the name Severin Films, but for those of you who aren’t, allow me to quickly introduce you to your latest obsession. Severin are a US-based physical media label renowned […]
History of Evil (2024) A Thoroughly American Horror Story (Review)
If you haven’t heard anything about the latest “Shudder Original”, History of Evil (2024), prior to its recent arrival on the platform, then you’re not alone; seemingly little information was made public on the film prior to its release, aside from its cast list and a vague, one-sentence plot summary. […]
High Tension (2003) Loved and Loathed in Equal Measure (Review)
Saw may have ushered in a new wave of gritty “torture-porn” horror in the States, but by the time that James Wan’s modern classic hit U.S. cinemas in late 2004, filmmakers in France were already two steps ahead of the curve. Characterised by bleak tones, grungy colour palettes, and extended […]
Femme (2023) An Engaging, Intelligent, and sometimes Shocking Experience (Review)
What if the true revenge was the friends we made along the way? 2023, whilst perhaps not the greatest year for LGBTQ+ representation in mainstream cinema, has certainly had its fair share of interesting titles. Queer cinema is all about breaking rules: the anarchic irreverence of Bottoms; the rebellious spirit […]
Satan Wants You (Soho Horror Fest 2023)(Review)
In November of 1980 a psychiatrist by the name of Dr. Lawrence Pazder from Victoria, British Columbia, wrote and published “Michelle Remembers” – an allegedly factual account of the childhood abuse of his patient, Michelle Smith, by a Satanic cult. Co-written by Smith herself, the book graphically describes how Michelle […]
Saint Drogo (Soho Horror Festival 2023)(Review)
In Catholicism, Drogo is considered to be the patron saint of the unsightly and the outcast, shepherding a flock made up of those who are exiled and shunned for their perceived ugliness. The Flemish martyr’s relevance to Provincetown, Massachusetts (a small holiday town on the New England coast), may not […]
The Horrible Dr Hichcock (1962) & The Night of the Devils (1972) Radiance Italian Gothic (Review)
It’s that time of year again. The nights are getting longer and darker, all the leaves are brown, and everywhere you go, jack-o’-lanterns and fake cobwebs adorn windows and doorways – the season of the witch is well and truly upon us. Brand-new Blu-Ray distribution label Radiance Films have had […]
The Psycho Collection (1983-1990) Rehabilitating the Most Unlikely of Horror Franchises (Review)
On June 16th 1960 New York cinemagoers saw Janet Leigh step into a shower, and the world was forever changed. Even 63 years later, Alfred Hitchcock’s classic suspense stunner Psycho (1960), is widely regarded to be one of the greatest films of all time – a statement which this reviewer […]
Trim Season (Frightfest 2023)(Review)
Cannabis and horror have a complicated relationship that should be no surprise considering that the drug has been the focus of conservative moral panic from the reefer madness of the ‘30s to the D.A.R.E. campaigns of Reagan’s America. The genre has a history of playing on and exploiting the cultural […]