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Thursday, Jul 23, 2026
New REVIEWS!
The Caretaker (2025) Bittersweet, Awkward, and Quietly Unsettling
The Boxer (1977) Rocky by quality, not by name
The Mortuary Assistant (2026) A Horror Game’s Logic Trapped in a Linear Film
Cold Prey (2006-2010) A Rare Nordic slasher Trilogy gets its due
Nirvanna the Band the Show the Movie (2025)(II) – Long-gestating gutbuster from Canada’s finest pranksters
Love is the Monster (2026) A Handsome, Horny, Hopelessly Chaotic Horror
Madhouse (1974) The Price is Right
Kraken (2026) A tale of tension, patience, and a creature waiting in the wings
Signal One (2026) A small‑scale sci‑fi that refuses to stay small
Empire of the Ants (1977) The Surprising Liminality of a B.I.G Killer Ant Movie
Familiar Touch (2024): dementia drama without the melodrama
Affection (2026): A Familiar but Disturbing Twist on Memory-loss Thriller

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Robyn Adams

Robyn Adams is an actress from Stockport, Greater Manchester, who spends a lot of her time watching horror films, feeding the pigeons in her garden, and being annoying on Twitter. She has previously written for Ghouls Magazine, hosted a panel talk on LGBTQ+ representation in horror in partnership with Forward Stockport and Grimmfest, and been a guest on numerous genre film podcasts. Her friends don't trust her to pick films on movie nights anymore.
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From Hollywood To Heaven (III)(1971-77) (Review) Part Two – Ron Ormond’s Bogus Journey

Robyn Adams 21/06/2023
From Hollywood To Heaven (III)(1971-77) (Review) Part Two – Ron Ormond’s Bogus Journey

Continuing on our journey From Hollywood to Heaven, we must first take the road through The Burning Hell (1974), with the Reverend Estus Pirkle as our Dante, Ron Ormond our Virgil, and The Neon Demon (2016) director Nicholas Winding Refn still ever-present for some as-of-yet indiscernible reason. The Ormond family’s […]

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From Hollywood To Heaven (III)(1971-77) (Review) Part One – All Ormonds Go to Heaven

Robyn Adams 20/06/2023 1
From Hollywood To Heaven (III)(1971-77) (Review) Part One – All Ormonds Go to Heaven

Can a born-again Christian really become an exploitation movie superstar? Picture, if you will, one Ron Ormond, a Louisiana-born screenwriter, author, magician, showman and, most relevant to the subject of this review, director of motion pictures. If you’ve heard that name before, it may be because Ormond was a rather […]

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Repulsion (1965) Jeanne Dielman for the beat ‘60s with a supremely knotty director in tow (Review)

Robyn Adams 24/05/2023
Repulsion (1965) Jeanne Dielman for the beat ‘60s with a supremely knotty director in tow (Review)

Before we begin, I feel as though my review must be prefaced with a trigger warning; Repulsion is not exactly light viewing. As you may know, Repulsion was directed by the Academy Award-winning filmmaker Roman Polanski, a man whose directorial back-catalogue contains some of the most celebrated examples of the […]

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Creeping Horror (1933-46)Perfect Marathon for Enthusiasts of Classic Horror (Review)

Robyn Adams 27/04/2023
Creeping Horror (1933-46)Perfect Marathon for Enthusiasts of Classic Horror (Review)

Not all monsters are supernatural in origin, nor do they always have fangs and claws. Many would (fairly) assume that Hollywood wasn’t ready to accept that idea until audiences saw Janet Leigh get sliced up in a motel shower in Hitchcock’s Psycho (1960). Still, in reality, filmmakers were already depicting […]

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Kids Vs Aliens (2022)The perfect gateway horror fodder for 13-year-olds (Review)

Robyn Adams 14/04/2023
Kids Vs Aliens (2022)The perfect gateway horror fodder for 13-year-olds (Review)

A group of young boys let loose with a video camera, a forbidden house party whilst the parents are away, the arrival of malicious extraterrestrial kidnappers… if the premise of cult genre filmmaker Jason Eisener’s latest, Kids vs. Aliens, sounds familiar to you, it’s probably because he was also the […]

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Julia Scott: Funny That Way (2020) Nothing short of fantastic for both the familiar and unfamiliar (Review)

Robyn Adams 05/04/2023
Julia Scott: Funny That Way (2020) Nothing short of fantastic for both the familiar and unfamiliar (Review)

For those of you who don’t know, the 31st of March marked Transgender Day of Visibility, a worldwide event first observed in 2009 which celebrates trans and non-binary individuals, in addition to helping raise awareness of anti-trans discrimination. I suppose there’s no better day that Bohemia Media and playwright Susan […]

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The Perpetrators (BFI Flare 2023) bite-sized cinematic rumination on depictions of queerness and villainy (Review)

Robyn Adams 27/03/2023
The Perpetrators (BFI Flare 2023) bite-sized cinematic rumination on depictions of queerness and villainy (Review)

The Perpetrators is a ghost story. This is likely obvious to anybody familiar with the film’s concept, with its lead character being a pre-pubescent phantom, but beyond that, this 14-minute short is a tale of the collective ghosts of a queer past, ones which still continue to haunt the LGBTQ+ […]

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The House that Screamed (1969)Messy Spanish Proto-slasher almost saved by a ghoulish, genius finale (Review)

Robyn Adams 07/03/2023
The House that Screamed (1969)Messy Spanish Proto-slasher almost saved by a ghoulish, genius finale (Review)

If Spanish horror was a man, his name would be Narciso Ibáñez Serrador. Known as “Chicho” by fans, Serrador brought stories of the thrilling and chilling to Spain’s television screens for almost three decades with his popular anthology series Tales to Keep You Awake – though, to international viewers, he’s […]

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DotCom for Murder (2002) Dial M for Mastorakis (Review)

Robyn Adams 06/02/2023
DotCom for Murder (2002) Dial M for Mastorakis (Review)

The advent of the internet, as with all great advancements in communication technology, brought with it myriad new ways for nefarious individuals to find and lure in their unsuspecting victims. Those of you who, like me, have grown up in the digital age will undoubtedly be all-too-familiar with how the […]

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Skinamarink (2022) the Liminal Horror of 2023’s most divisive movie (Review)

Robyn Adams 30/01/2023
Skinamarink (2022) the Liminal Horror of 2023’s most divisive movie (Review)

As a child, were you ever afraid of going to the bathroom at night? If you were (or still are), there’s a good chance that you’ll relate to the sense of primal terror that drives Skinamarink. An overnight social-media sensation following its Fantasia Festival premiere (and subsequent online leaking), Skinamarink, […]

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