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Thursday, Apr 23, 2026
New REVIEWS!
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike
Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking
Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend
The Devil’s Hand (1943): A dark wartime parable
Dead Lover (2026): An Unhinged and Colourful Take on Frankenstein

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James Rodrigues

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Sasquatch Sunset (2024) – An absurdist look at the fragility of life (Review)

James Rodrigues 14/06/2024
Sasquatch Sunset (2024) – An absurdist look at the fragility of life (Review)

After directing 3 episodes of the one-of-a-kind TV series The Curse, Nathan and David Zellner craft another experimental work. This time, Sasquatch Sunset unfolds in the misty forests of Northern California following a family of four Sasquatches who may be the last of their kind. Set over the course of […]

  • Movies & Documentaries
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ARROW Short Films (2024) Feat. Bad Acid & Meat Friend

James Rodrigues 10/06/2024
ARROW Short Films (2024) Feat. Bad Acid & Meat Friend

Having built themselves as a name in curated features and impressive physical media releases, ARROW also have a premium streaming platform that is representative of what their brand is known for. An excellent thing they do is showcase short films from exciting new talents, many of which have previously played […]

  • Movies & Documentaries
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Shinobi Trilogy (1962 – 1963) – A fascinating precursor to Ninjas in cinema (Review)

James Rodrigues 31/05/2024
Shinobi Trilogy (1962 – 1963) – A fascinating precursor to Ninjas in cinema (Review)

Released by Daiei Motion Picture Company, Shinobi no Mono was an eight-film series adapted from Tomoyoshi Murayama’s series of novels. Set in 16th century Japan, the story follows outlaw hero and ninja Ishikawa Goemon (Raizō Ichikawa) in his fight against samurai warlords. Radiance Films have collected the first three films […]

  • Movies & Documentaries
  • Reviews

Akira Kurosawa’s Dreams (1990) – A literal title for a one-of-a-kind film (Review)

James Rodrigues 01/05/2024
Akira Kurosawa’s Dreams (1990) – A literal title for a one-of-a-kind film (Review)

Ever since his directorial debut in 1943, legendary director Akira Kurosawa amassed a prolific career which contained some of the greatest features ever made. Dreams was one of the last few films he crafted, which has a unique inspiration of the directors own recurring dreams alongside stories from Japanese folklore. […]

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  • Reviews

Peeping Tom (1960) – A rightfully reappraised masterwork (Review)

James Rodrigues 24/01/2024
Peeping Tom (1960) – A rightfully reappraised masterwork (Review)

Following a run of classics that he created with Emeric Pressburger, director Michael Powell made his second solo feature with 1960’s Peeping Tom. Now considered a masterpiece that is an ancestor of the slasher subgenre, however, the feeling was much different upon release as the film was so vilified that […]

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Typhoon Club (1985) – Raging emotions and worries about adulthood [Review]

James Rodrigues 12/12/2023
Typhoon Club (1985) – Raging emotions and worries about adulthood [Review]

Typhoon Club is based off a screenplay by Yuji Kato, director Shinji Sōmai crafts a coming of age tale without sentimentality for its disaffected youths. This is made clear in the opening scene as teenage girls having an infectious dance party at the swimming pool turn their attentions onto Akira […]

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The Last Picture Show (1971) – A saddening portrait of lonely people lacking direction [Review]

James Rodrigues 08/12/2023
The Last Picture Show (1971) – A saddening portrait of lonely people lacking direction [Review]

After making his directorial debut with 1968’s Targets, the late Peter Bogdanovich followed it up with The Last Picture Show – his breakthrough work that would receive eight Academy Award nominations. His 1971 feature opens on a sight that will break every cinephile’s heart – a cinema on its last […]

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One False Move (1992) – A cyclical tale of lingering violence [Review]

James Rodrigues 10/11/2023
One False Move (1992) – A cyclical tale of lingering violence [Review]

The 1990s is home to a ridicuolous number of crime classics, so much so that new ones are constantly being rediscovered – one of the latest is One False Move. Which also has recieved a newly minted Criterion Collection treatment. Arriving at a friend’s house in the middle of the […]

  • Movies & Documentaries
  • Reviews

Valley Girl (1983) – A cult romance fronted by an engaging pair [Blu-Ray Review]

James Rodrigues 19/09/2023
Valley Girl (1983) – A cult romance fronted by an engaging pair [Blu-Ray Review]

To celebrate its 40th anniversary, Eureka Entertainment has put out a Limited Edition box set of Valley Girl, which also serves as the film’s home video debut in the UK. While this independently produced film was the breakthrough work for director Martha Coolidge, it was also notably the first major […]

  • Movies & Documentaries
  • Reviews

The Last House On The Left (2009) – A distressing remake which eclipses the original [Review]

James Rodrigues 05/09/2023
The Last House On The Left (2009) – A distressing remake which eclipses the original [Review]

The 2000s saw horror enter a phase of remaking older classics, from franchise starters like Halloween to one-off works like Sorority Row. Greek director Dennis Iliadis’ first U.S. feature was the remake of Wes Craven’s directorial debut, 1972’s The Last House On The Left – which itself was also a […]

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