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Thursday, Mar 5, 2026
New REVIEWS!
ELSE (2024) A Claustrophobic French Body Horror That Gets Under Your Skin
The Stunt Man (1980) When Making a Movie Becomes a Matter of Life and Death
The Ugly Stepsister (2025) A Beautifully Deranged Fairy Tale
Libido (1965) Argento may be The Artist, but Gastaldi is The Man
Redux Redux (2025) Reclaiming the Multiverse, One Brutal Reality at a Time
Jimmy & Stiggs (2024) The Messy, Mean, DIY Splatterfest Begos Was Born to Make
Charisma (1999) / Cloud (2024): A Showcase for One of the Greatest Living Filmmakers
Illustrious Corpses (1976): The Paranoid Style in Italian Thrillers
Potwash (2026, Short) An Intriguing and Enveloping Tale of Work, Music, and Escapism
Blood of Revenge (1965) A Yakuza Tale Characterised by Beautiful Compositions 
Tim Travers and the Time Travelers Paradox (2024)  The Grandfather Paradox Gets a Splatter-Comedy Makeover
The Strange Dark (2024) A Cosy Thriller Where The Twilight Zone Invades a Hallmark Movie
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She Dies Tomorrow (2020) An Exciting, Existential Premise That Ultimately Fails To Deliver (Review)

Tom Spoors 16/05/2023
She Dies Tomorrow (2020) An Exciting, Existential Premise That Ultimately Fails To Deliver (Review)

Not every film’s priority is to entertain its audience. In some cases, filmmakers strive for something entirely different. Perhaps they want to terrify their audience, move them emotionally, or in some cases, try something slightly more unique. Rather than strive for a certain emotion they want to elicit or tell […]

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