It is the future. 2009. A CGI Anthony Hopkins wants Emilio Estevez’s body, but not in a sex way. Which badass bounty hunter does he dispatch to bring Estevez for processing in the – I swear to god, this is what it’s called – “lobotomizer”? Why, Mick Jagger, of course. That’s the set-up for Freejack, which despite a generous budget and a skilled production team went straight to VHS in the UK. One disappointed Blockbusters patron was Archaeon, aka Prob, who joins Graham to discuss the film this week.
We assess its many bizarre creative decisions, such as the emphasis on dune buggies as a futuristic mode of transport, the outrageous cameo from Amanda Plummer, and Jagger’s singularly unthreatening henchman. We also reveal which 1980s masterpiece Jagger was almost cast in, and talk about that Dutch cartoon show about the man with the very long willy. We’re not quite sure how we got onto that last one, but it’s in there.
If you don’t want to see us reduced to renting our bodies to computer-generated Welsh acting legends, donate to our Patreon and get a monthly bonus episode, as well as our other movie podcast Director’s Lottery (this month: John Waters). Also follow us on Facebook, Twitter and Instagram for the latest.
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In February, Mark Cunliffe joined the podcast to review That’ll Be the Day, a low budget film starring David Essex as wannabe rock star Jim MacLaine. It was a gritty, down-to-earth take on the early days of rock and roll – certainly, you’d never expect it to have a lavish sequel shot by Nicolas Roeg’s regular cinematographer where MacLaine becomes a megastar, goes to LA and alienates all his old friends while making a prog opera about womanhood.
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