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Saturday, Sep 5, 2026
New REVIEWS!
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker

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Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini

Graham Williamson 01/04/2026
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini

Karel Kachyňa can be a hard director to pin down, which is probably for the best considering that, for a lot of his career, Czechoslovakia’s intelligence agencies were trying to do just that. Like a surprising amount of the country’s best directors, he did not flee after the Soviet invasion […]

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The Invisible Half, The Hole, and Janur Ireng: Three New Asian Horror Films from EST N8

Robyn Adams 01/04/2026
The Invisible Half, The Hole, and Janur Ireng: Three New Asian Horror Films from EST N8

If you ask a horror fan what they think is the most interesting, entertaining, and frightening horror film from the past ten years, there’s a good chance that they’ll choose something by an Asian filmmaker. From Korean shockers like Yeon Sang-ho’s Train to Busan (2016), Indonesian creep-shows like Joko Anwar’s […]

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Redoubt (2026) Turning Video Art Into A Visually Compelling Feature

Alex Paine 29/03/2026
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature

What film could be more appropriate to release in 2026 than a man building a fortified shelter in case of war? The topical irony of John Skoog’s narrative feature debut Redoubt was certainly not lost on me from the moment the film opens. A pamphlet showing what to do in […]

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Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking

Robyn Adams 29/03/2026
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking

When I was very young I used to experience nightmares where I felt as though I had “woken up” in my bed, but was still at the mercy of whatever dreamt-up horrors might lurk beyond the wall of sleep. Given how young I was at the time, as well as […]

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Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend

Ben Chambers 29/03/2026
Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend

John Boorman’s Excalibur (1981) is an adaptation of one of the more well known stories of western mythology. There have been countless versions of the tale of King Arthur and his knights, but Excalibur remains one of if not the best one. My only other experience with a Boorman film […]

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The Devil’s Hand (1943): A dark wartime parable

Ethan Lyon 26/03/2026
The Devil’s Hand (1943): A dark wartime parable

When France was occupied by Nazi Germany from 1940 to 1944 all aspects of life were affected, and cinema was no exception as the Germans set up Continental Films to provide the French populace with an escape from the horrors of real life. Most of films made were harmless escapism, […]

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Dead Lover (2026): An Unhinged and Colourful Take on Frankenstein

Mike Leitch 26/03/2026
Dead Lover (2026): An Unhinged and Colourful Take on Frankenstein

Grace Glowicki and Ben Petrie are proving to be the horror power couple of 2026 after starring in Dead Lover and Honey Bunch, both of which were released this year after a successful tour of the festival circuit. Although both films use the horror genre to explore the demands of […]

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Cutter’s Way (1981): Passer, paranoia and the *other* great Vietnam-vet vigilante movie

Graham Williamson 24/03/2026
Cutter’s Way (1981): Passer, paranoia and the *other* great Vietnam-vet vigilante movie

Asked about the ambiguous plot of his 1976 neo-noir Night Moves, Arthur Penn shrugged “We’re part of a generation that knows there are no solutions”. He didn’t reveal what was on his mind, but it’s pretty easy to guess. The generation who grew up in the 1960s and 70s were […]

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The Birthday (2004) More Lost Oddity than Cult Classic for Feldman’s Formerly Lost Movie

Jessica McKeown 24/03/2026
The Birthday (2004) More Lost Oddity than Cult Classic for Feldman’s Formerly Lost Movie

Recently restored, The Birthday is a quirky little film. Taking place in a hotel that could rival the Overlook as far as bad visits go, this Corey Feldman film begins as a surrealist comedy that follows Norman Forrester, a painfully awkward man who is attending his posh girlfriend’s father’s birthday and […]

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Special Effects (1984) New York sleaze with a Stern Gaze on Hollywood Power

Robyn Adams 24/03/2026
Special Effects (1984) New York sleaze with a Stern Gaze on Hollywood Power

Manhattan-born genre auteur Larry Cohen, best known for his slimy, effects-laden creature-features, is the brain behind such cult favourites as It’s Alive (1974), Q: The Winged Serpent (1982), and most famously, The Stuff (1985) – all of which have goopy gore and rubber monsters aplenty. When the late, great director […]

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