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Monday, May 6, 2024
New REVIEWS!
All That Money Can Buy (aka The Devil and Daniel Webster)(1941) Reclaiming of a Lost Expressionist Classic (Review)
Akira Kurosawa’s Dreams (1990) – A literal title for a one-of-a-kind film (Review)
Boy Kills World (2023) Skarsgård Kills Role (Review)
The Boss (1973) Misogynistic Mafia Movie (Review)
China O Brien I & II (1990) The Simple Pleasures of the Straight to Video Years(Review)
The End We Start From (2023) A Very British, Very Woman-Centred Apocalypse (Review)
Misunderstood (1966) Beautiful and genuine Italian Melodrama (Review)
Black Mask (1996) Hong Kong’s Answer to the 1990s Superhero Boom (Review)
Infested (2023) Shudder by Name, Shudder by Nature (Review)
The Cat and the Canary (1927) Hauntingly Expressionist Silent Classic Struggles without Words (Review)
Peter Five Eight (2024) An Attempt was Made by Spacey (Review)
The Bounty Hunter Trilogy (1969/72) Samurai Western Trilogy by way of James Bond? (Review)
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1
Mirror (1975): Tarkovsky shows us his dreams, his memories and his lasting influence (Review)
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Goodbye and Amen (1977): Diplomacy and Dirty Tricks (Review)
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The Man Between (1953) A tense prototype for the behind enemy lines political thriller (Review)
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Corruption (1968) Camp British Proto-Slasher with a surprisingly game Peter Cushing (Review)
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Sake Bomb (2013): far lovelier than a film about racism has any right being (Review)
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You Resemble Me (2021): the real person behind the fake news (Review)
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Tales from the Urban Jungle: Brute Force (1947) and The Naked City (1948) (Review)
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Yes Madam! (1985) Enjoyably inconsistent Hong Kong Action with Michelle Yeoh & Cynthia Rothrock (Review)
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Wild Things (1998) 90s Hollywood or Hollyoaks Later? (Review)
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The Last Picture Show (1971) – A saddening portrait of lonely people lacking direction [Review]
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Something In The Dirt (2022) Making Movies With Your Friends Is A Blessing (Cinema Review)
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The Shop on the High Street (1965) a perfume to mask the smell of death (Review)
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