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Friday, Mar 29, 2024
New REVIEWS!
You’ll Never Find Me (2024): Visually Ambitious Slow-Burn Aussie Horror (Review)
Possessor (2020): Prestige Treatment for Gory Modern Classic (Review)
The Origin of Evil (2022) Two Thirds of a Fascinating Familial Thriller (Review)
Swordsman of all Swordsmen (1968) Essential Viewing for Fans of East Asian Action (Review)
Three films by Jerzy Skolimowski: Walkover, Barrier and Dialogue 20-40-60 (1965-68) (Blu-Ray Review)
The Lavender Hill Mob (1951): Comedy Gold from Ealing Studios (Review)
The Comedy Man (1964) The Kitchen Sink of an England Long Gone (Review)
Happy End (1967): the kind of film that could spark a lifelong obsession with Czech comedy (Review)
Tony Arzenta (1973): A Hitman’s Revenge (Review)
A Million Days (2023)Hard Sci-Fi or Hardly Sci-Fi?(Review)
Late Night with the Devil (2023) Old Standard Freshened In Engaging and Thrilling Ways (Review)
Damsel (2024) – Millie Bobby Brown Showcase Only Delivers Some Of The Goods (SPOILER Review)
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