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Sunday, Jun 7, 2026
New REVIEWS!
Hi Mom! (1970) De Palma’s Wildest Early Provocation
Slither (2006) – Silly Schlocky Blast of Smalltown Sci-Fi Fun
Hacked: A Double Entendre of Rage-Fueled Karma (2025) A chaotic act of cinematic payback
The Criminal Life of Archibaldo de la Cruz (1955): audacious thought crimes in Buñuel’s serial killer satire
Diabolic (2026) Conventionally plotted Religious Horror that drips with Dread and Atmosphere
The Professional (1981) Belmondo Goes Rogue for Revenge
Taxidermia (2006) A Disgusting, Controversial and Deceptively Beautiful Underground Classic
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”

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Doctor Who A-Z #41: The Web of Fear (1968)

Graham Williamson 21/01/2025
Doctor Who A-Z #41: The Web of Fear (1968)

Asked what the appeal of Doctor Who was, Jon Pertwee said that other science fiction shows will give you monsters on other planets, or on spaceships, but in this show you might find “a Yeti sitting on your loo in Tooting Bec”. When Pertwee was announced as the Doctor, he took part […]

  • Pop Culture
  • Doctor Who

Doctor Who A-Z #40: The Enemy of the World (1967-8)

Graham Williamson 19/01/2025
Doctor Who A-Z #40: The Enemy of the World (1967-8)

The Enemy of the World is famously the odd man out in Season Five’s run of monster-driven stories. That’s true, but how unusual is it as part of the Second Doctor’s era in general? Troughton’s second story, after all, was the last of the ‘pure’ historicals, while it’s seldom noted […]

  • Pop Culture
  • Doctor Who

Doctor Who A-Z #39: The Ice Warriors (1967)

Graham Williamson 17/01/2025
Doctor Who A-Z #39: The Ice Warriors (1967)

There’s a case you could make against the Second Doctor’s era, that it represents a retreat from the wide-open possibilities of the Hartnell years into formula. Previously, the series could and did go from telling a story about a planet inhabited by giant psychic ants to a sober drama about […]

  • Pop Culture
  • Doctor Who

Doctor Who A-Z #38: The Abominable Snowmen (1967)

Graham Williamson 15/01/2025
Doctor Who A-Z #38: The Abominable Snowmen (1967)

Back in the William Hartnell days, Doctor Who managed to get around the world on the wings of audience expectations: people in the early 1960s didn’t mind if a television serial used a soundstage with a painted backdrop to represent an Aztec temple. Even by 1967, though, audiences were starting […]

  • Pop Culture
  • Doctor Who

Doctor Who A-Z #37: The Tomb of the Cybermen (1967)

Graham Williamson 13/01/2025
Doctor Who A-Z #37: The Tomb of the Cybermen (1967)

There’s a very slight oddity in The Tomb of the Cybermen which is all but ignored now, and which is hard to appreciate unless you’re watching these stories in order. It has to do with the Cybermats, the weird robot rat-bugs the Cybermen use as henchmen. This is their first […]

  • From the Festivals

Succubus (London International Fantastic Film Festival 2024)

August 27/12/2024
Succubus (London International Fantastic Film Festival 2024)

Nobody is proud to be on Hinge – least of all Chris (Brendan Bradley), a new father and the conflicted protagonist of Succubus. The film is nothing if not reminiscent of giants of the horror genre in its exploration of cultural unease around sex and vulnerability. In Succubus, R.J. Daniel […]

  • Outside the Blue Box
  • Pop Culture

Outside the Blue Box: A Christmas Carol (2000)

David O Hare 22/12/2024
Outside the Blue Box: A Christmas Carol (2000)

AAll Doctor Who fans know that it’s canonically true that the Doctor knows Charles Dickens. After all, they defeated the Gelth together on Christmas Eve 1869. But here’s a question no one ever asked: I wonder what Charles Dickens would have made of EastEnders? Moreover, can comparisons be drawn between […]

  • Pop Culture

2024 in Review: A Mad Year For Cinema, and For Me

Alex Paine 22/12/2024
2024 in Review: A Mad Year For Cinema, and For Me

In 2022, I did a roundup of my favourite films of the year, even though I’d only managed to see a small handful of new films that came out. Last year I did the same, and I was fairly proud that I’d managed to see nearly 20 films at the […]

  • From the Festivals

King Baby (London International Fantastic Film Festival 2024) A Royally Horny Romp

Jake Kazanis 22/12/2024
King Baby (London International Fantastic Film Festival 2024) A Royally Horny Romp

Patriarchy, masculinity, the royal establishment, British theatre duo Kit Redstone and Arran Shearing take it all on in this bizarre lo-fi period comedy. The story takes place in a desolate castle ruin in France, the time period is left ambiguous though. In this kingdom live the King, his loyal Servant… […]

  • From the Festivals

Self Revolutionary Cinematic Struggle (London International Fantastic Film Festival 2024)

Rob Simpson 21/12/2024
Self Revolutionary Cinematic Struggle (London International Fantastic Film Festival 2024)

Gakuryu Ishii’s second movie of the year is half a dozen things at once, with so much going on that it has taken me a week—after its premiere at the inaugural London International Fantastic Film Festival —to begin processing everything it offers. This menagerie exemplifies the ethos I yearn for […]

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