I only watched Goodbye Dragon Inn for the first time in 2022. I hadn’t seen anything like it before. I wasn’t new to slower cinema, but I was new to Tsai Ming-liang, who seemed to have cast a spell on me — I was transfixed by his images and blown […]
Reviews
Tank Girl (1995) Misunderstood 90s disaster plays brilliantly thirty years later
The 4D experience of Rachel Talalay’s Tank Girl isn’t exactly something to recommend. Imagine waking up in the morning, attempting to perform one’s first evacuation (a Number One, thankfully) and ablution of the day, only to discover the water supply of your entire local area is off. Then find yourself […]
Super Spies and Secret Lies: Three Undercover Classics from Shaw Brothers (1966-9) (Review)
Have you ever seen a spy movie from Hong Kong? My guess is, if you have any interest in Far Eastern cinema at all, you probably have. Enter the Dragon, no less, sees Bruce Lee going undercover at the behest of British intelligence; Jackie Chan and Stephen Chow have also […]
The Sword (1980) A King Hu-like Martial Arts Rarity
Sound, particularly music, is such a key component of movies. It is pivotal in creating an era, atmosphere, tension, and emotions to the extent that a great deal of the work in a horror movie comes from effective scoring and sound design. Key word there: effective. See, anachronistic music and […]
Japan Organised Crime Boss (1969) The Yakuza Movie Before Yakuza Movies
It’s curious the idea that there was a time when the modern yakuza movie wasn’t a thing, but as yakuza film historian Akihiko Ito says, in the extras of Radiance Films lush new release of Kinji Fukasaku’s Japan Organised Crime Boss, that was once the case. They used to be […]
Haxan (1922) One of the Single Most Important Texts for Folk Horror
Sometimes it can be hard to know where to begin with a review, especially when it’s a title like Haxan – Benjamin Christensen’s 1922 hybrid horror documentary-esque essay that, it could be argued, created this type of film. It walks a strange tightrope between over-familiarity and freshness, shock and nostalgia […]
Tomie (1998) She may keep coming back, but the audience won’t be
One of the most common tropes of all time in media is that of a missing or murdered teenage girl — a horror story that is tragically a reality for far too many. Typically, the narrative opens with the detective protagonist studying the life of the subject of their case; […]
Black Tuesday (1954) Roughed-up noir gem with a dark shadow for a soul
The tagline of Hugo Fregonese’s Black Tuesday thunderously announces itself as “the most ruthless Robinson of all time!”, putting its rough-and-ready leading man Edward G. Robinson front and centre of the action. And that’s certainly true; today, not even the cumulative power of Tim Robinson’s screaming sketch comedy oeuvre or […]
Bookworm (2024): Offbeat Coming-of-Age Struggles with Tone
A reunion of Come to Daddy director Ant Timpson, writer Toby Harvard and stars Elijah Wood and Michael Smiley, with the addition of Nell Fisher after her star making turn in Evil Dead Rise, would pique the interest of most horror fans, but despite showing at Frightfest earlier this year, […]
Slap the Monster on Page One (1972): A Still Relevent Look at Media Manipulation
Released to Blu-ray by Radiance this week, Slap the Monster on Page One is a 1972 thriller with a political conscience from director Marco Bellocchio. It stars the great Gian Maria Volonté as Bizanti, the editor of Il giornale, a fictitious right-wing Italian newspaper. The action takes place in Milan, […]