A trope of the 90s thriller was born out of films like Single White Female, Fatal Attraction, Misery and the like – films that turned possessive women into vehicles for violent thrillers. Moving the goalposts away from that idea for a moment, many directors use the model of taking an […]
Reviews
Host (2020): as good on Blu-Ray as it was streaming (Review)
The Ascent (1977) The Greatest Anti-War Film You Haven’t Seen (Review)
Released on Blu-ray this week via the Criterion label comes arguably the best war, or rather anti-war film, you’ve never seen. What’s that at the back? You’ve seen Melville’s Army of Shadows already? Well that’s OK, because I’m not talking about that. I’m talking about Larisa Shepitko’s stunning 1977 Golden […]
Charade (1963) one perfect story-telling machine (Review)
The Owners (2020) A very British home invasion horror movie (Review)
Rams (2020): not quite the GOAT, but a touching shaggy sheep story (Review)
Hollywood’s voracious consumption of other countries’ IP has made it easy to identify when a film has been Americanised, but what do we expect when a film transfers from Iceland to Australia? Grímur Hákonarson’s 2015 film Rams was voted the second-best Icelandic film of all time by the Icelandic website […]
Saint Maud (2019) the incredible morphing empathy of psychological seaside horror (Review)
Synchronic (2019) Some of Benson & Moorhead’s best work (Review)
Since they announced their arrival with a bang in 2012 with Resolution, Aaron Moorhead and Justin Benson have been two of the more captivating talents on the independent genre circuit. They followed that up with Spring and Resolution quasi-sequel, The Endless. In 2021 (debuting in America in 2019), the director […]
Tomorrow I’ll Wake Up and Scald Myself with Tea(1977) A fantastic, vicious attack on the modern age of serious science fiction (Review)
Opening with a blend of orchestral beauty and vague pangs of Kool & The Gang, Tomorrow I’ll Wake Up and Scald Myself with Tea, from director Jindřich Polák, shows off its frivolous, light-hearted antics immediately. Pairing this high quality, era-defining funk with reversed and repetitive footage of soulless vermin Adolf Hitler, the […]
12 Hour Shift (2020) Another Bettis Star Turn (Review)
Frightfest Presents returns in 2021 to release a smaller title that played a previous Festival, this time it’s the turn of actor/sophomore director, Brea Grant and her Crime Thriller/Comedy Horror, 12 Hour Shift. Grant made her name as an actor who works within the American indie horror scene, a highlight, […]