Wes Anderson’s films always have a sense of existing outside of time, in an indefinably old-fashioned present. It makes a perverse sort of sense, then, that when he finally made one set in the 1960s it stood out for not having the Kinks and the Rolling Stones on the soundtrack. […]
Reviews
The Emperor’s Naked Army Marches On: A visceral indictment of war (Review)
A Good Woman is Hard to Find (2019): But Well Worth Seeking Out (Review)
And Soon the Darkness (1970): the horror of language barriers? (Review)
Fright (1971): Suburban 1970s Horror, British Style (Review)
Angel Heart: Dark Intrigue and Sinister Seduction (Review)
Suspiria (2018): the horror remake as high art (Review)
Horror remakes have been a hot topic for what feels like forever. Personally, nothing will reach the nadir of remakes whose sole purpose is so people don’t have to read subtitles. That happened on a near-monthly basis in the J-Horror cycle. Another wing of horror remakes is revisiting classics, there […]
Rabid (2019): mutating to its heart’s content (Review)
While writing his 1977 film Rabid, David Cronenberg had a crisis of confidence. In Chris Rodley’s book Cronenberg on Cronenberg, he remembers saying to his producer John Dunning: “…I just woke up this morning and realised this is ridiculous. Do you know what this movie’s about? This woman grows a […]