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Monday, Jul 27, 2026
New REVIEWS!
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker
The Caretaker (2025) Bittersweet, Awkward, and Quietly Unsettling
The Boxer (1977) Rocky by quality, not by name
The Mortuary Assistant (2026) A Horror Game’s Logic Trapped in a Linear Film
Cold Prey (2006-2010) A Rare Nordic slasher Trilogy gets its due
Nirvanna the Band the Show the Movie (2025)(II) – Long-gestating gutbuster from Canada’s finest pranksters
Love is the Monster (2026) A Handsome, Horny, Hopelessly Chaotic Horror
Madhouse (1974) The Price is Right
Kraken (2026) A tale of tension, patience, and a creature waiting in the wings
Signal One (2026) A small‑scale sci‑fi that refuses to stay small
Empire of the Ants (1977) The Surprising Liminality of a B.I.G Killer Ant Movie
Familiar Touch (2024): dementia drama without the melodrama

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Reviews

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Adoption (1975) A Personal Film from an Unsung Female Director (Review)

Mark Cunliffe 14/07/2021
Adoption (1975) A Personal Film from an Unsung Female Director (Review)

Released to Blu-ray by Second Run this week is Adoption, or Örökbefogadás to give it its native Hungarian title. A 1975 film from director Márta Mészáros, it tells the story of Kata (Katelin Berek), a forty-three-year-old factory worker embroiled in a longing-standing love affair with a married man, Jóska (László […]

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Straight Shooting (1917) and Hell Bent (1918): John Ford quietly establishes the Western’s essentials (review)

Graham Williamson 05/07/2021
Straight Shooting (1917) and Hell Bent (1918): John Ford quietly establishes the Western’s essentials (review)

The history of silent cinema is famously patchy, and it’s not surprising when you look at how these films were churned out. Straight Shooting, the first film in Eureka Masters of Cinema’s double-bill of silent-era John Ford films, is the earliest surviving film from the future director of The Searchers. […]

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Flowers of Shanghai (1998) a Beautiful, Languid Taiwanese Movie for the patient viewer (Review)

Aidan Fatkin 01/07/2021
Flowers of Shanghai (1998) a Beautiful, Languid Taiwanese Movie for the patient viewer (Review)

The first thing to note about Hou Hsaio-hsien’s dreamlike and vague period drama, Flowers of Shanghai, is just how unhurried it is with plot and pacing. If you are not a fan of slow cinema or don’t like films that are dense and are stray observations on character and mood, […]

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One-Armed Boxer (1972) The Good, The Shaft and the Okinawan Karate Vampire (Review)

Rob Simpson 24/06/2021
One-Armed Boxer (1972) The Good, The Shaft and the Okinawan Karate Vampire (Review)

Perhaps I should’ve seen this coming. When I watched the cult favourite, Master of the Flying Guillotine, the arrival of the bad guy was scored by krautrock legends Neu!. While not strictly legal, this use of music made the threat to the heroes feel more dangerous and substantial than any […]

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But I’m a Cheerleader! (1999): the best John Waters film Waters never made (Review)

Graham Williamson 23/06/2021
But I’m a Cheerleader! (1999): the best John Waters film Waters never made (Review)

It’s all very well if you’re a Jack or a Sarah, apparently, but us Grahams have few iconic movie characters who share our name. Even more reason, then, to cheer for Lionsgate’s new Blu-Ray of Jamie Babbit’s cult comedy But I’m a Cheerleader, which gives us a Graham for the […]

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Encounters of a Spooky Kind (1980) Funny and Spooky, the perfect antidote to a bad day (Review)

Rob Simpson 22/06/2021 1
Encounters of a Spooky Kind (1980) Funny and Spooky, the perfect antidote to a bad day (Review)

Sammo is much more than Jackie Chan’s friend and co-collaborator and the butt of so many fat jokes in the 80s and 90s, he also happens to be one of the best action directors Hong Kong cinema ever produced. At his peak he was just as good behind the camera […]

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The Night of the Hunter (1955): The First Shall Be Last and the Last Shall Be First (Review)

Mark Cunliffe 21/06/2021
The Night of the Hunter (1955): The First Shall Be Last and the Last Shall Be First (Review)

By the late 1940s, it seemed that Charles Laughton, that great Scarborough-born star of the silver screen, was losing interest in acting. Believing his performances in films like The Private Life of Henry VIII (1933), Mutiny on the Bounty (1935), Rembrandt (1936) and The Hunchback of Notre Dame (1939) were […]

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Merrily We Go to Hell (1932): a devil of a time with a future star (Review)

Graham Williamson 15/06/2021
Merrily We Go to Hell (1932): a devil of a time with a future star (Review)

It was a truism, once, that Hollywood portrayals of alcoholism were glib, comic affairs until Billy Wilder made The Long Weekend. While nothing can take away the quality of Wilder’s film, one of the pleasures of living at this particular moment in history – yes, there are some – is […]

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Before Tonight is Over (1965) “Someone Will Die” (Review)

Mark Cunliffe 14/06/2021
Before Tonight is Over (1965) “Someone Will Die” (Review)

Released to Second Run Blu-ray this week, Peter Solan’s 1965 film Before Tonight is Over is a real hidden gem waiting to be discovered by all like-minded fans of the Czech New Wave movement. It tells the story of an evening in a nightclub in the Slovak mountain resort of […]

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Lake Mungo (2008) The Most Hauntingly Real Horror One Of A Kind (Review)

Rob Simpson 03/06/2021
Lake Mungo (2008) The Most Hauntingly Real Horror One Of A Kind (Review)

In the incredibly generous extras section of Second Sight’s new release – Lake Mungo, are appreciation videos from Rob Savage (Host) and Justin Benson & Aaron Moorhead (indie mainstays). Both open with the same throughline, they were looking for genuinely scary movies beyond the same cliched selection of classics and […]

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