The third film in Arrow’s acclaimed series of Walerian Borowczyk restorations, Blanche is an entry into the late 1960s and early 1970s cycle of Medieval films that produced notable work by Jacques Demy and Pier Paolo Pasolini, before Borowczyk’s disciple Terry Gilliam helped to lovingly spoof it to death with […]
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Goto, Isle of Love (1968) Boro thriving on artifice and precision (Review)
The second feature in Arrow’s extensive restoration of Walerian Borowczyk’s work, Goto, Isle of Love is a live-action French film that cannot be anything other than the work of a Polish animator. Its venomous contempt for authority and its poker-faced sense of humour are both unmistakably Eastern European, and its […]
Walerian Borowczyk Short Films and Animation (1959 to 1984)(Review)
The story of Michael Brooke’s [EDIT – actually Daniel Bird; see comments section] restoration of the films of Walerian Borowczyk deserves to be film-restorer’s folklore by now, a Cinderella story about one of cinema’s least Disney-esque animators. After facing plenty of indifference, Brooke turned to Kickstarter to try and raise […]
Sullivan’s Travels (1941) One of the Greatest Comedies of all time (Review)
During Hollywood’s golden era, the industry was anchored by studios and producers, compared to now the director has become the lead creative talent on any given movie, and whenever a production goes awry an overeager producer is usually to blame. All the same, a few directors carved out names for […]
The Killers (1964): Remake of Classic Noir triumphs through its characters (Review)
The second adaptation of an Ernest Hemingway short, the Killers is the latest release from Arrow’s Academy label. The first adaptation was the feature acting début of Burt Lancaster and is regarded as a film noir classic; this 1964 adaptation directed Don Siegel is a much more traditional crime thriller, […]