In literature, the phrase J’accuse is most associated with Émile Zola, who used it for the title of an essay accusing the French government of corruption and anti-Semitism in the case of Alfred Dreyfus. (Dreyfus, a Jewish artillery officer, was charged with treason in a clumsy attempt to cover up […]
BFi
Daughters of the Dust (1991) recalls Tarkovsky, Resnais or any other sanctified European arthouse auteur you might care to name (Review)
Julie Dash’s debut film turned 25 last year, but even without the anniversary, this sumptuous BFI restoration would still probably exist. In the late 2010s, the film has become more relevant than ever. It is an inspiration for a new generation of African-American directors – Ava DuVernay has repeatedly cited […]
Stockholm, My Love (2016) The audacity that marks out the best documentary-fiction hybrids is missing (Review)
Minute Bodies: The Intimate World of F. Percy Smith (2016) it’s a tribute to life, in all its messy glory (Review)
Now here’s a real curio, and one you might be utterly beguiled by. Minute Bodies is a compilation of work by the British biologist and pioneering filmmaker F. Percy Smith and his colleague and editor Mary Field. Smith was quite a celebrity in his day, cultivating an eccentric domestic-boffin image […]
Madame De… (1953) Much more satisfying than high-society glitz and melancholy (Review)
If you know anything about the German director Max Ophüls, you probably know Stanley Kubrick’s famous quote to the effect that his camera could pass through walls. Watching the BFI’s new sumptuous restoration of 1953’s Madame de…, one of his final films, it’s easy to see what Stanley meant. James […]
Film / NotFilm (1965/2015) Samuel Beckett only foray and Buster Keaton’s final one (Review)
Playwright Samuel Beckett’s only foray into filmmaking, the aptly titled Film is a 1965 silent short starring the famed movie clown, Buster Keaton. Before anyone makes any assumptions, no, this is not a comedy that made Keaton famous during the golden age of silent cinema along with Charlie Chaplin and […]
The Informer (1929) 90-year-old silent political thriller feels timeless (Review)
There are features on the disc and in the booklet accompanying the BFI’s new dual-format release of Arthur Robison’s 1929 thriller The Informer describing how long and careful the restoration process was. Just as well; anyone under the delusion that a silent film could be restored in a couple of weeks […]
Letter to Brezhnev (1985) A tough, rough and influential British Rom-Com (Review)
Alice Doesn’t Live Here Anymore (1974) From the Exorcist to long-suffering housewife, Ellen Burstyn’s incredible Charismatic Lead (Review)
Who’s That Knocking At My Door (1968) Right from the off, Scorsese proved himself to be very special (Review)
Who’s That Knocking At My Door, Martin Scorsese’s black and white debut feature film from 1968, originally started out life as his NYU graduation project some three years earlier. Aged just 23, armed with a minuscule budget and relying on numerous favours, Scorsese took to the familiar streets of his […]