For a decade which produced some of the most enduring, beloved hits in American cinema history – everything from The Sound of Music to Psycho – it can be hard to love 1960s Hollywood in toto. The Golden Age was over, the 1970s New Hollywood was yet to be born, […]
Graham Williamson
Rams (2020): not quite the GOAT, but a touching shaggy sheep story (Review)
Hollywood’s voracious consumption of other countries’ IP has made it easy to identify when a film has been Americanised, but what do we expect when a film transfers from Iceland to Australia? Grímur Hákonarson’s 2015 film Rams was voted the second-best Icelandic film of all time by the Icelandic website […]
A Rainy Day in New York (2019): and a grim day for Woody Allen fans (Review)
Liberté (2019) If you go down to the woods today… (Review)
2020 Films You Might Have Missed…
The New World (three cuts, 2005-8): choose your own adventure (Review)
Terrence Malick is often caricatured as the Fotherington-Tomas of cinema, whose tendency to wander around saying hullo birds hullo trees hullo skies can appear ridiculous in modern-day films like Lawless [5]. If you want to see Malick’s style and thematic concerns in a world where they make absolute, perfect sense, […]
Symbiopsychotaxiplasm: Two Takes by William Greaves (1968/2005) red-hot takes (Review)
Symbiopsychotaxiplasm: Two Takes by William Greaves is the new Blu-Ray release from Criterion UK. It contains genuine footage of the Roswell incident, cast-iron evidence of voter fraud, and natural health secrets that THEY don’t want you to know. None of the preceding sentence is true, but if I hadn’t come […]
Mouchette (1967) The kind of serious art cinema that just isn’t made anymore (Review)
It can be daunting watching a film with a Mouchette-sized reputation. Robert Bresson’s second adaptation of a novel by Georges Bernanos (after 1951’s Diary of a Country Priest) is one of the most acclaimed works from one of France’s most heavyweight directors; it’s been cited as a favourite by everyone […]
How You Live Your Story: Selected Works by Kevin Jerome Everson (2005-2020)(Review)
Sweet Charity (1969): a musical for its time and ours (Review)
Put yourself in the mind of a moviegoer in 1969. At the time, it seemed like Hollywood was dying, struggling to compete with new, disruptive home-entertainment innovations. Even if they didn’t exist, though, the industry would be in trouble. Studios were ruinously focused on spectacle-driven tentpole films that were often […]