Be you a fan of horror or genre cinema, as much as you’d like the opposite to be true, you can’t know about all movements and styles – it’s that very reason why, I, personally, appreciate Arrow Video more than I can put into words.
A spectre is haunting cinema— the spectre of Italian neorealism. Spectral, because despite the critical and cultural ripples made by films like The Florida Project, American Honey, and Valeska Grisebach’s Western, these non-professional actors, semi-real situations and hitherto unexplored settings tend to be forgotten by
The chances are that you’ve heard of the video nasties panic that gripped the UK during the 1980’s. 72 films were prosecuted by the British government for corrupting public morals, because one of the principal causes of violence and perversion in society are films. At
There are a lot of people who found success in their mid 20s, and I am usually jealous of them. But even I draw the line at Al Capone, despite admiring how he rose to the top of Chicago’s busiest criminal enterprise by age 26.
Ermanno Olmi’s 1978 Palme d’Or winner, ‘The Tree of the Wooden Clogs’, has garnered a reputation for being one of the most underrated Italian films ever made, as well as one of the final films of the Neo-Realist movement. Clocking in at just over 3
I have to level with you. I am besotted with Sophia Loren. She has to be one of the ultimate, if not the ultimate, goddesses of the screen. Frankly, in my eyes she is perfection. And whenever I watch a film with Sophia Loren I
Two years after he dropped the critically lauded Sidney Poitier picture, Guess Who’s Coming to Dinner? Stanley Kramer flew over to Italy to begin what-would-be his next big feature, an adaptation of Robert Crichton’s first novel, The Secret of Santa Vittoria. Kramer, the acclaimed director
The Giallo is the oddest of beasts – formulaic with a wildly eccentric code at the same time. Ostensibly murder mysteries with penchants for extreme violence and sex, they also played host to some of the most visually inventive names from Italian cinema. The last
What does realism mean to you? Too often, it’s discussed as if it’s self-evident: a realistic film is one that resembles reality. To say that, though, is to unconsciously admit a number of blind spots. How do we judge something to be realistic? Is it
Reaction of any art form is at its most visceral as the credits roll, typically appraisal of a given film falls into the sub-divisions of tone, atmosphere and narrative. At least that is the theory, every so often a film comes out of the ether