Say one thing for Texas Adios, the 1966 spaghetti Western reissued on Blu-Ray by Arrow Video; it doesn’t hang around. A friend of mine likes to needle me by describing Westerns as a genre where you spend eighty minutes waiting for one action scene, but
Making of’s are a unique beast, most are a means for a fan to interact with the film and experience what it must’ve been like to be on set, feature-length interviews have the same effect. In my experience, there have been few that have changed the
Federico Fellini’s second solo feature, I Vitelloni, is set in an Italian seaside town and delves into the lifestyles of five young men all at separate crossroads. However, and I will say this right off the bat, I Vitelloni isn’t a character study – the
Be you a fan of horror or genre cinema, as much as you’d like the opposite to be true, you can’t know about all movements and styles – it’s that very reason why, I, personally, appreciate Arrow Video more than I can put into words.
A spectre is haunting cinema— the spectre of Italian neorealism. Spectral, because despite the critical and cultural ripples made by films like The Florida Project, American Honey, and Valeska Grisebach’s Western, these non-professional actors, semi-real situations and hitherto unexplored settings tend to be forgotten by
The chances are that you’ve heard of the video nasties panic that gripped the UK during the 1980’s. 72 films were prosecuted by the British government for corrupting public morals, because one of the principal causes of violence and perversion in society are films. At
There are a lot of people who found success in their mid 20s, and I am usually jealous of them. But even I draw the line at Al Capone, despite admiring how he rose to the top of Chicago’s busiest criminal enterprise by age 26.
Ermanno Olmi’s 1978 Palme d’Or winner, ‘The Tree of the Wooden Clogs’, has garnered a reputation for being one of the most underrated Italian films ever made, as well as one of the final films of the Neo-Realist movement. Clocking in at just over 3
I have to level with you. I am besotted with Sophia Loren. She has to be one of the ultimate, if not the ultimate, goddesses of the screen. Frankly, in my eyes she is perfection. And whenever I watch a film with Sophia Loren I
Two years after he dropped the critically lauded Sidney Poitier picture, Guess Who’s Coming to Dinner? Stanley Kramer flew over to Italy to begin what-would-be his next big feature, an adaptation of Robert Crichton’s first novel, The Secret of Santa Vittoria. Kramer, the acclaimed director