There’s a famous idiom that, in simple terms, states that comedy is simply tragedy plus time, but is the reverse also true? Recently released on Blu-ray by Studio Canal, Alvin Rakoff’s The Comedy Man (1964), is a satirical take on the kitchen sink dramas that were popular during that period, […]
Billy Stanton
In The Rearview (Kinoteka 2024)(Review)
When Maciek Hamela was shooting this documentary on the roads between Ukraine and Poland there was probably still hope that this would remain a relatively short-lived war. Indeed, several of Hamela’s passengers – refugees carried in his volunteer’s van from urban and rural areas across the nation – often speak […]
Horror Story – (Kinoteka 2024)(Review)
As the feature debut of writer-director Adrian Apanel, Horror Story pulls off a nice little magic trick. When fresh-faced finance graduate Tomek (Jakub Zajac), rents a room in a crumbling boarding house that’s straight out of the horror cinema interior decorating textbook, we expect things to go full-blown supernatural (or […]
Doppelganger. The Double (2023) (Kinoteka 2024)
Here’s useful viewing for anyone wondering what the attitude of the Polish public towards the USSR might be almost forty five years on from the forming of Solidarity. Doppelganger. The Double is a new thriller from film-maker Jan Holoubek that’s set between the late-seventies and mid-eighties, and is currently showing […]
Lone Star (1996) Lightning Paced Tour of John Sayles’s America (Review)
John Sayles, the Don of American independent cinema, has dedicated much of his career to examining and exploring buried and ‘unofficial’ histories. This fascination, this need to tell, has taken Sayles far, from the coal-mining hollers of West Virginia (Matewan) to the tundras of Alaska (Limbo) to Latin/Central America (Men with Guns) and out […]
Eureka (2024) The Glorious Antithesis of the Issue Movie (Review)
Slow, slow, slow. That is the word, the descriptor, that has been repeated over and over in reviews of Argentinian director Lisandro Alonso’s masterpiece, reoccurring with fevered intensity even in those most positive of responses, and usually attached to a warning that the audience will need to recalibrate their expectations. […]
Tchaikovsky’s Wife (2023) Biopic Anchored by the brilliant Alyona Mikhaylova (Review)
Tchaikovsky’s Wife – at first it may seem incongruous that Kirill Serebrennikov (Petrov’s Flu & LETO) – a parodist of contemporary Russia and two-year victim of a politically motivated house arrest who now lives in exile, would tackle an iconic Russian figure who’s central to understanding the nation’s cultural identity. […]
World Noir Vol. 1 (1957-59) Long May These Radiance Boxsets Continue (Review)
It was the French critic Nino Frank who famously first applied the term ‘film noir’ to the series of hardboiled Hollywood crime pictures that finally appeared in France after the Occupation. He was acting under the influence of the acclaimed, and rightfully famous, Gallimard crime fiction imprint Série noire – […]
A Forgotten Man (2022) The Seperation of Established History from Story (Review)
First things first. A Forgotten Man, despite its stage inspirations (Thomas Hürlimann’s Der Gesandte [The Envoy]), is a film made by a cinephile. The clue is the use of black-and-white, in most films now shot in monochrome, the art is often that of a below-average collagist. The awkward and unintended incongruity of […]