Existentialism is often considered a crisis. When an individual thinks about their life and it’s meaning, impossible questions are posed. It is a common recurrence for those, like me, who have no idea what they are doing with themselves, their lives or their emotions. I Was at Home, But… the award-winning film […]
Philosophy
Classic Film Kid: The Matrix
The Sacrifice (1986) Tarkovsky’s Acutely Intelligent Swansong (Review)
Released just six months before his death from cancer, Andrei Tarkovsky’s The Sacrifice is commonly held to be an uncomfortably elegiac, melancholy note for the great director to bow out on, which considering the rest of his films were hardly Duck Soup is saying something. In tackling the central threat […]
Stalker (1979) Tarkovsky’s Infamous & Unfettered Artistic Vision (Review)
Solaris got the remake, Andrei Rublev got the Vatican’s thumbs-up, and Mirror famously caused Lars von Trier to declare Andrei Tarkovsky was God. But the biggest cultural footprint of all the Russian director’s seven feature films undoubtedly belongs to Stalker. His adaptation of Arkady and Boris Strugatsky’s novel Roadside Picnic has inspired a […]
Solaris (1972) Full of complex ideas and emotions, must be seen at least once (Review)
Andrei Tarkovsky’s third film, following his chilling debut Ivan’s Childhood and the mammoth Andrei Rublev, Solaris is a film that is more about experience and environment than enjoyment or leisure. Clocking in at 2 hours and 40 minutes, this science-fiction voyage into the human soul is anything but fun and […]
Suture (1993) Philosophy of the self and the elephant in the room (Review)
A keen suspension of disbelief is key to enjoy genres founded on wonder, whimsy and exaggeration, not having a healthy penchant to believe the unbelievable locks swathes of the more imaginative hues of cinema behind locked doors. Curious it is then that 1993’s existentialist noir about the reconstruction of the […]