There’s always something interesting about seeing the directorial debut of a filmmaker whose work you are very familiar with, and who has carved out their own unique style that is extremely popular with audiences. James Gunn is a mainstay in blockbuster cinema nowadays, turning a D-list group of Marvel characters […]
Alex Paine
Outside the Blue Box: Truckload (2025)
Whenever I’ve done an article for Outside The Blue Box, it tends to be a project where its creator uses Doctor Who to raise their profile. Sallie Aprahamian directed some ambitious episodes of Doctor Who after cutting her teeth on Wolfblood, Jamie Childs cast his partner Jenna Coleman in his […]
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
2026 seems to be the year of horror films where our protagonists are trapped in claustrophobic spaces. We had Markiplier emerge onto the film scene with Iron Lung, we’re about to have Kane Parsons capitalise on his Backrooms success with a full feature film, and here, from Japan, we have […]
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
What film could be more appropriate to release in 2026 than a man building a fortified shelter in case of war? The topical irony of John Skoog’s narrative feature debut Redoubt was certainly not lost on me from the moment the film opens. A pamphlet showing what to do in […]
Matapanki (Slamdance 2026) North American Premiere
In its setup, director Diego “Mapache” Fuentes’s Matapanki struck me as a Chilean version of Josh Trank’s Chronicle: a young man acquires superhero-like powers and soon becomes unable to control his newfound abilities. What Matapanki adds to this story, however, is a really nifty concoction of political satire matched with […]
28 Years Later: The Bone Temple (2026) A Sequel That Gains Focus and A Whole Lot More Darkness
By arriving just six months after the previous instalment, The Bone Temple might have unknowingly set itself up for a fall. Those who weren’t particularly keen on 28 Years Later, and particularly its bizarre cliffhanger, might not like a follow-up that dives headfirst into the cult that were responsible for […]
2025: Alex’s End-Of-Year Awards
Congratulations everybody, we made it to the end of 2025! This year has certainly been something to behold, and there’s a lot of unfortunate reasons for that, but a way we can look back on this year fondly is by looking at the films released over these last twelve months. […]
What The Tide Dragged In (Sohome Horror 2025)
Premiering at Soho Horror Fest is Chilean drama-horror What The Tide Dragged In, an intriguing but ultimately underwhelming exploration of grief from director Patricio Valladares. What The Tide Dragged In fits into the burgeoning world of mumblecore cinema. Yes, I hate that term as much as you do (‘elevated horror’ hasn’t […]
I Live Here Now (Imagine Film Festival 2025)
Since its premiere at Fantasia a few months ago, I Live Here Now has been gaining some traction among festival goers and horror fans. The directorial debut of Julie Pacino (yes, she’s related), is a surrealist and claustrophobic piece of horror where one budding actress’s stay in a hotel quickly […]
Shelby Oaks (2024) Chris Stuckmann’s Confident If Cluttered Directorial Debut
Watching Shelby Oaks in cinemas was a far more cathartic experience personally than previously anticipated. Chris Stuckmann is, in my humble opinion, the best movie critic to come out of YouTube throughout the 2010s. He’s always been more critically-minded than Jeremy Jahns (no disrespect to him, who I also watch […]