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Wednesday, May 14, 2025
New REVIEWS!
Doctor Who (2025) Lucky Day: An Average Start That Reveals A Sublime and Timely Message (SPOILERS)
Night Moves (1975) Gene Hackman’s Memorable 70’s Thriller Comes to 4K
Tokyo Pop (1988) The Lost Gen-X Cult Classic Gets Its Moment
Freaky Tales (2024): High on Style, Inconsistent on Substance
The Magnificent Trio (1966) & Magnificent Wanderers (1977) Unearthing the Bookends of Chang Cheh’s Wuxia Reign
A Woman of Paris (1923) Chaplin’s First Drama Film Falls Short 
Don’t Torture a Duckling (1972) The Italian Gore Master’s Pivotal Horror
Noise (2017): getting to the truth of true crime
The Ugly Stepsister (2025) a body horror that goes beyond the fairy tale
Kiyoshi Kurosawa’s Cloud (2024) E-Commerce and the End of the World
Dead Mail (2024) 80s Horror, Liminal Dread & A Post Office Under Siege
AUM: The Cult at the End of the World (2025) The Danger of Laughing at Extremists
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  • Clelia McElroy

Clelia McElroy

Clelia McElroy is the founder and director of Monstrous Flesh, a multi-disciplinary venture exploring the representation of women in the horror genre and the origin of tropes with a feminist lens, through curated film courses, screenings, talks and a podcast.
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The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

Clelia McElroy 11/12/2023
The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

Treading the line between gruesome home invasion and dark comedy, Jenn Wexler’s second feature, The Sacrifice Game, is a welcome addition to the Yuletide horror subgenre. Set during Christmas 1971 at the ominously named Blackvale Catholic girls’ boarding school, The Sacrifice Game follows Samantha (Madison Baines), and school outcast Clara […]

  • Movies & Documentaries
  • Reviews

Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)

Clelia McElroy 10/11/2023
Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)

Amanda Kramer’s new reverie Give me Pity! is a strange and unsettling affair. At once a parody and an ode to 70s and 80s TV variety shows, the film – on its glitzy surface at least – focuses on Sissy St Claire (played by U.S. actress and daughter of Bette […]

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