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Thursday, Mar 5, 2026
New REVIEWS!
ELSE (2024) A Claustrophobic French Body Horror That Gets Under Your Skin
The Stunt Man (1980) When Making a Movie Becomes a Matter of Life and Death
The Ugly Stepsister (2025) A Beautifully Deranged Fairy Tale
Libido (1965) Argento may be The Artist, but Gastaldi is The Man
Redux Redux (2025) Reclaiming the Multiverse, One Brutal Reality at a Time
Jimmy & Stiggs (2024) The Messy, Mean, DIY Splatterfest Begos Was Born to Make
Charisma (1999) / Cloud (2024): A Showcase for One of the Greatest Living Filmmakers
Illustrious Corpses (1976): The Paranoid Style in Italian Thrillers
Potwash (2026, Short) An Intriguing and Enveloping Tale of Work, Music, and Escapism
Blood of Revenge (1965) A Yakuza Tale Characterised by Beautiful Compositions 
Tim Travers and the Time Travelers Paradox (2024)  The Grandfather Paradox Gets a Splatter-Comedy Makeover
The Strange Dark (2024) A Cosy Thriller Where The Twilight Zone Invades a Hallmark Movie
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  • Clelia McElroy

Clelia McElroy

Clelia McElroy is the founder and director of Monstrous Flesh, a multi-disciplinary venture exploring the representation of women in the horror genre and the origin of tropes with a feminist lens, through curated film courses, screenings, talks and a podcast.
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  • Reviews

The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

Clelia McElroy 11/12/2023
The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

Treading the line between gruesome home invasion and dark comedy, Jenn Wexler’s second feature, The Sacrifice Game, is a welcome addition to the Yuletide horror subgenre. Set during Christmas 1971 at the ominously named Blackvale Catholic girls’ boarding school, The Sacrifice Game follows Samantha (Madison Baines), and school outcast Clara […]

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Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)

Clelia McElroy 10/11/2023
Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)

Amanda Kramer’s new reverie Give me Pity! is a strange and unsettling affair. At once a parody and an ode to 70s and 80s TV variety shows, the film – on its glitzy surface at least – focuses on Sissy St Claire (played by U.S. actress and daughter of Bette […]

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