Skip to content
Tuesday, Oct 20, 2026
New REVIEWS!
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema
Histoire(s) du cinéma (1988-1998): review 1B – the history(s)

The Geek Show

Reviews, Podcasts and More by Geeks, for Geeks

  • About
  • Movies & Docs
    • Film Festivals
  • Pop Culture
    • Doctor Who
    • Twin Peaks
  • Podcasts
    • All Of Us Are Lost
    • Pop Screen
    • The Geek Show
    • UNCUT
  • Patreon
  • YouTube
  • Get In Touch
  • Join Us

Trending Now

1

Vampyr (1932) Pivotal Player in Vampire Horror History (Review)

10/05/2022
2

Society (1989) The Most Infamous Third Act in 80s Horror (Review)

05/07/2015
3

Black Mask (1996) Hong Kong’s Answer to the 1990s Superhero Boom (Review)

24/04/2024
4

Tokyo Pop (1988) The Lost Gen-X Cult Classic Gets Its Moment

05/05/2025
5

Andrzej Żuławski: Three Films (1971-1988): A Triptych of Trauma (Review)

05/09/2023
6

The Last American Virgin (1982): The 1980s sex comedy with a conscious

16/09/2013
7

Let’s Go Karaoke! (Japan Foundation Touring Film Programme 2025)

24/02/2025
8

Stockholm, My Love (2016) The audacity that marks out the best documentary-fiction hybrids is missing (Review)

26/06/2017
9

V/H/S 99 (2022) Ambitious Latest Entry into Found Footage Anthology Franchise (Review)

23/03/2023
10

The Colour of Pomegranates (1969) impenetrably profound and dazzlingly superficial (Review)

14/02/2018
11

The Mystery of Picasso (1956) A meeting of Auteurs, Picasso & Clouzot (Review)

29/01/2018
12

Fast Times at Ridgemont High (1982); So Fast Even Modern Hollywood Hasn’t Caught Up With it Yet (Review)

17/05/2021
  • Home
  • Clelia McElroy

Clelia McElroy

Clelia McElroy is the founder and director of Monstrous Flesh, a multi-disciplinary venture exploring the representation of women in the horror genre and the origin of tropes with a feminist lens, through curated film courses, screenings, talks and a podcast.
  • Movies & Documentaries
  • Reviews

The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

Clelia McElroy 11/12/2023
The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

Treading the line between gruesome home invasion and dark comedy, Jenn Wexler’s second feature, The Sacrifice Game, is a welcome addition to the Yuletide horror subgenre. Set during Christmas 1971 at the ominously named Blackvale Catholic girls’ boarding school, The Sacrifice Game follows Samantha (Madison Baines), and school outcast Clara […]

  • Movies & Documentaries
  • Reviews

Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)

Clelia McElroy 10/11/2023
Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)

Amanda Kramer’s new reverie Give me Pity! is a strange and unsettling affair. At once a parody and an ode to 70s and 80s TV variety shows, the film – on its glitzy surface at least – focuses on Sissy St Claire (played by U.S. actress and daughter of Bette […]