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Saturday, Sep 5, 2026
New REVIEWS!
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker

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Clelia McElroy

Clelia McElroy is the founder and director of Monstrous Flesh, a multi-disciplinary venture exploring the representation of women in the horror genre and the origin of tropes with a feminist lens, through curated film courses, screenings, talks and a podcast.
  • Movies & Documentaries
  • Reviews

The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

Clelia McElroy 11/12/2023
The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

Treading the line between gruesome home invasion and dark comedy, Jenn Wexler’s second feature, The Sacrifice Game, is a welcome addition to the Yuletide horror subgenre. Set during Christmas 1971 at the ominously named Blackvale Catholic girls’ boarding school, The Sacrifice Game follows Samantha (Madison Baines), and school outcast Clara […]

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Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)

Clelia McElroy 10/11/2023
Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)

Amanda Kramer’s new reverie Give me Pity! is a strange and unsettling affair. At once a parody and an ode to 70s and 80s TV variety shows, the film – on its glitzy surface at least – focuses on Sissy St Claire (played by U.S. actress and daughter of Bette […]