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Saturday, Jun 6, 2026
New REVIEWS!
Hi Mom! (1970) De Palma’s Wildest Early Provocation
Slither (2006) – Silly Schlocky Blast of Smalltown Sci-Fi Fun
Hacked: A Double Entendre of Rage-Fueled Karma (2025) A chaotic act of cinematic payback
The Criminal Life of Archibaldo de la Cruz (1955): audacious thought crimes in Buñuel’s serial killer satire
Diabolic (2026) Conventionally plotted Religious Horror that drips with Dread and Atmosphere
The Professional (1981) Belmondo Goes Rogue for Revenge
Taxidermia (2006) A Disgusting, Controversial and Deceptively Beautiful Underground Classic
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”

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  • Clelia McElroy

Clelia McElroy

Clelia McElroy is the founder and director of Monstrous Flesh, a multi-disciplinary venture exploring the representation of women in the horror genre and the origin of tropes with a feminist lens, through curated film courses, screenings, talks and a podcast.
  • Movies & Documentaries
  • Reviews

The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

Clelia McElroy 11/12/2023
The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

Treading the line between gruesome home invasion and dark comedy, Jenn Wexler’s second feature, The Sacrifice Game, is a welcome addition to the Yuletide horror subgenre. Set during Christmas 1971 at the ominously named Blackvale Catholic girls’ boarding school, The Sacrifice Game follows Samantha (Madison Baines), and school outcast Clara […]

  • Movies & Documentaries
  • Reviews

Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)

Clelia McElroy 10/11/2023
Give Me Pity! (2022) – Fear and loathing rolled in glitter (Review)

Amanda Kramer’s new reverie Give me Pity! is a strange and unsettling affair. At once a parody and an ode to 70s and 80s TV variety shows, the film – on its glitzy surface at least – focuses on Sissy St Claire (played by U.S. actress and daughter of Bette […]

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