Cinematic visions of the future often lean towards the grim and dystopian. From Blade Runner to Total Recall to Equilibrium, a dark future allows for social tensions to inform character dynamics and visual design. In the case of 1993’s Demolition Man, decisions were made to create a weird movie to […]
Vincent Gaine
Godzilla Minus One (2023) Community, Camaraderie, and Godzilla at his most Terrifying
In 1954, a giant creature entered the frame of a Japanese monster movie. A name (with two forms) echoed around the world like a deafening ‘Skreeonk,’ and this name has continued to echo for 70 years. Gojira/Godzilla is one of the most iconic and recognisable figures in popular culture, perpetuated […]
Watership Down (1978) The Crown Prince of Kindertrauma
Since its original release in 1978, several generations, especially in the United Kingdom, Watership Down has been synonymous with trauma. Following subsequent television broadcasts, Martin Rosen’s adaptation of Richard Adams’ novel has secured its place in animated film history, not least because of the controversy provoked by its brutal violence […]
Apartment 7A (Fantastic Fest 2024)
The horror genre is often characterised by ongoing sequels, as filmmakers devise ever more convoluted ways to bring back the threat. In recent years, the legacy sequel has become popular, from Scream V (and VI) to Halloween (2018 and its sequels) to The Exorcist: Believer. Amongst these continuations, there have […]
The Power of the Dog (2021) A Film that gets Under the Skin and Into the Mind (Review)
At the 2022 BAFTA awards, Benedict Cumberbatch had the dubious honour of being nominated, but rather than winning, he instead collected the Best Director award on behalf of Jane Campion for The Power Of The Dog – which would also go on to collect Best Film. It received twelve nominations […]
Derelict (Frightfest 2024) Review
Derelict is a curious combination of gritty social realism and arthouse stylistics, the former coming from the locations, characters and narrative. Set, and largely filmed, in the English Midlands (but including Hereford, Manchester and London), we’re introduced (via the title card), to Abigail (Suzanne Fulton), who lives in a small […]
THE DAEMON (Frightfest 2024) Review
It can be argued that film doesn’t work for someone not because of what it’s about, but how it’s done. Familiar, and even cliched features can receive imaginative and effective treatment that provoke emotions in people and draw us closer to the characters. The Daemon features many familiar tropes, but […]
The Beast Within (2024) An intricate, Slow Burn tale of Dread & Secrets (Review)
From the opening shots of dark woods and a woman calling a name, The Beast Within creates an ominous atmosphere that doesn’t let up throughout its running time. Director Alexander J. Farrell weaves an intricate, slow burn tale of dread, secrets, and various forms of bodily betrayal that both rewards […]
Dial (2024)(Short Film) The Horror of Isolation (Review)
Grief, mental illness and haunting are common bedfellows in cinema, and major feature films like The Babadook, The Father and Relic have interwoven these tropes, manifesting them as something potentially supernatural. Into this fertile emotional ground comes Dial – a short film by writer-director Josh Trett that tells the story […]
Point Break 4K (1991) 100% Pure Adrenaline from Kathryn’s Bigelow’s Iconic Crime Thriller (Review)
The cultural reputation of Point Break might characterise it as a silly film, with gunplay resting alongside homoeroticism, and some new age, hippy-dippy mumbo-jumbo bound up with surfing (Hot Fuzz has a lot to answer for). If one looks closely at the film itself however, Kathryn Bigelow’s action heist/buddy flick […]