Derelict is a curious combination of gritty social realism and arthouse stylistics, the former coming from the locations, characters and narrative. Set, and largely filmed, in the English Midlands (but including Hereford, Manchester and London), we’re introduced (via the title card), to Abigail (Suzanne Fulton), who lives in a small […]
Vincent Gaine
The Haunting at Jack the Ripper’s House (Frightfest 2025)
“Screen life” or “livestream” films have become prominent in contemporary horror, and from Unfriended to Deathstream to Dashcam, this concept has many of the same ideas as found footage. Viewers are vicariously put in the position of the characters, and therefore experience a sense of immediacy – the trend reflecting […]
Five (Frightfest 2025)
Hallmark films have a reputation for being obvious, laboured, schmaltzy and (perhaps impressively), both cheesy and corny, which makes them a fairly soft target for humour, and one that gets skewered in Five – a comedy horror from writer, director, and actor Dani Barker. The story follows the (mis)fortunes of […]
Witness (1985) Harrison Ford’s Finest Hour
Upon first glance, Peter Weir’s Witness appears as a straightforward detective thriller with some romance and fish out of water comedy. An Amish mother and son, Rachel (Kelly McGillis) and Samuel (Lukas Haas) are involved in a murder investigation once Samuel witnesses a murder in Philadelphia. A homicide detective, John […]
Superman (2025) Rebooting for a more colourful universe
Is it a bird! Is it a plane! No, it’s James Gunn – the strange filmmaker with a Troma background who’s come to DC Studios from another comic book franchise, and as the writer-director of Superman, he’s rebooting the DC Extended Universe (DCEU), into the new DC Universe (DCU), for […]
Cobra (1986) Stallone’s Clunky Hard Body Classic Shows it Age
Somewhere between Dirty Harry and Lethal Weapon is a man called Marion Cobretti, aka Cobra. Released in 1986, at the height of Hollywood hard bodies action cinema, Cobra re-teams writer-star Sylvester Stallone with Rambo: First Blood Part Two director George P. Cosmatos. Like that film, Cobra features much violence, one […]
Lethal Weapon (1987) Melancholia, Balance & Brotherhood in this 1980s Cop Action Classic
When approaching movies from prior decades, there is always the question of whether they will hold up. Sometimes this concern relates to outdated attitudes or forms of representation, and other times it relates to more recent discoveries about the people involved. In the case of Lethal Weapon, there is a […]
Dressed to Kill (1980) Dressed to Thrill, or Dressed to Disappoint?
Brian De Palma has garnered significant levels of criticism for being sexist over the years, and this is at its most relevant in the ways he likes to film women in the shower, as seen in the opening of both Carrie and Dressed to Kill, De Palma also includes shower […]
Psyche (Glasgow Frightfest 2025)
Take Alex Garland’s Annihilation with a smidgen of the budget and far fewer trees. Blend this with Ingmar Bergman’s The Seventh Seal and filter the result through Terrence Malick. That is a reductive description of Psyche, a discordant but striking journey through landscapes and mindscapes alike that received its UK […]
Demolition Man 4K (1993) Shrewder, Clever and Much More than the three Seashells
Cinematic visions of the future often lean towards the grim and dystopian. From Blade Runner to Total Recall to Equilibrium, a dark future allows for social tensions to inform character dynamics and visual design. In the case of 1993’s Demolition Man, decisions were made to create a weird movie to […]