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Monday, Jun 9, 2025
New REVIEWS!
Falling Into Place (2023) From Meet-Cute to Ugly Realities
Dangerous Animals (2025) The Must-See Bloody Horror Film of the Summer
Darling (1965) The New Morality of the 1960s
Ishanou (1990) Indian regional cinema probes the mystery of faith
The Umbrellas of Cherbourg (1964): Colourful But Lifeless Musical Drama
Andor Season 2 (2025) Round-up: Star Wars’ hard-to-swallow epic is just what fans needed
The Railroad Man (1956) A Year in the Life of a Working Class Family
Themroc (1973) The Urban Caveman and the Red Triangle
Strange New Worlds: Science Fiction at DEFA (1960 to 1976) Socialism Among the Stars
Sinners (2025) A Must See Theatre Experience
Oil Lamps (1971) Juraj Herz’s dazzling and decadent psycho-sexual period piece
Doctor Who (2025) Lucky Day: An Average Start That Reveals A Sublime and Timely Message (SPOILERS)
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She Dies Tomorrow (2020) An Exciting, Existential Premise That Ultimately Fails To Deliver (Review)

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Cure (1997) Modern Horror Masterpiece about Evil’s absolute power to indoctrinate

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Graham Williamson

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Rams (2020): not quite the GOAT, but a touching shaggy sheep story (Review)

Graham Williamson 05/02/2021
Rams (2020): not quite the GOAT, but a touching shaggy sheep story (Review)

Hollywood’s voracious consumption of other countries’ IP has made it easy to identify when a film has been Americanised, but what do we expect when a film transfers from Iceland to Australia? Grímur Hákonarson’s 2015 film Rams was voted the second-best Icelandic film of all time by the Icelandic website […]

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A Rainy Day in New York (2019): and a grim day for Woody Allen fans (Review)

Graham Williamson 21/01/2021
A Rainy Day in New York (2019): and a grim day for Woody Allen fans (Review)

You might have missed it, but A Rainy Day in New York briefly became the first Woody Allen film to hit number one at the global box office. This is, admittedly, because it was May 2020 and nothing else was out – a strong showing in South Korea was enough […]

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Liberté (2019) If you go down to the woods today… (Review)

Graham Williamson 11/01/2021
Liberté (2019) If you go down to the woods today… (Review)

There’s an image late on in Albert Serra’s Liberté which seems to contain something of the film in its entirety. A woman is walking through the woods, the scene of an orgy held by decadent aristocrats exiled from the court of France’s last king Louis XVI. She is in period […]

  • Pop Culture

2020 Films You Might Have Missed…

Graham Williamson 04/01/2021
2020 Films You Might Have Missed…

Recently we’ve been giving a good old clean to the website, a not quite spring clean, and one of the things we haven’t done for a while is an annual review of the year in the movies. 2016 was the last one, I believe. So, with 2020 being the biggest […]

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The New World (three cuts, 2005-8): choose your own adventure (Review)

Graham Williamson 30/12/2020
The New World (three cuts, 2005-8): choose your own adventure (Review)

Terrence Malick is often caricatured as the Fotherington-Tomas of cinema, whose tendency to wander around saying hullo birds hullo trees hullo skies can appear ridiculous in modern-day films like Lawless [5]. If you want to see Malick’s style and thematic concerns in a world where they make absolute, perfect sense, […]

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Symbiopsychotaxiplasm: Two Takes by William Greaves (1968/2005) red-hot takes (Review)

Graham Williamson 14/12/2020
Symbiopsychotaxiplasm: Two Takes by William Greaves (1968/2005) red-hot takes (Review)

Symbiopsychotaxiplasm: Two Takes by William Greaves is the new Blu-Ray release from Criterion UK. It contains genuine footage of the Roswell incident, cast-iron evidence of voter fraud, and natural health secrets that THEY don’t want you to know. None of the preceding sentence is true, but if I hadn’t come […]

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Mouchette (1967) The kind of serious art cinema that just isn’t made anymore (Review)

Graham Williamson 08/12/2020
Mouchette (1967) The kind of serious art cinema that just isn’t made anymore (Review)

It can be daunting watching a film with a Mouchette-sized reputation. Robert Bresson’s second adaptation of a novel by Georges Bernanos (after 1951’s Diary of a Country Priest) is one of the most acclaimed works from one of France’s most heavyweight directors; it’s been cited as a favourite by everyone […]

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How You Live Your Story: Selected Works by Kevin Jerome Everson (2005-2020)(Review)

Graham Williamson 09/11/2020
How You Live Your Story: Selected Works by Kevin Jerome Everson (2005-2020)(Review)

If I had to choose one film from Second Run’s new double-disc Blu-Ray of Kevin Jerome Everson’s work to sum up his appeal to the uninitiated, it would probably be the 2015 short Grand Finale. That’s not to say it’s the best thing on offer, merely that it offers the […]

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Sweet Charity (1969): a musical for its time and ours (Review)

Graham Williamson 27/10/2020
Sweet Charity (1969): a musical for its time and ours (Review)

Put yourself in the mind of a moviegoer in 1969. At the time, it seemed like Hollywood was dying, struggling to compete with new, disruptive home-entertainment innovations. Even if they didn’t exist, though, the industry would be in trouble. Studios were ruinously focused on spectacle-driven tentpole films that were often […]

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Eraserhead (1976) A Treasure Trove Release for Fans of David Lynch (Review)

Graham Williamson 16/10/2020
Eraserhead (1976) A Treasure Trove Release for Fans of David Lynch (Review)

“It’s like a guy with a hunchback growth, and you meet a pretty good surgeon who takes it off, cleans it up, hardly any scars, and you go away. And you’re very thankful that that’s gone.“ That’s David Lynch – what am I talking about, of course, it’s David Lynch […]

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