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Saturday, Sep 5, 2026
New REVIEWS!
Holy Days (2026) Your Granny’s Feel-Good Movie of the Year
Vampire’s Kiss (1988) The Patient Zero of Nicolas Cage Performances
Hellcat (2025) Breathes Fresh Life into One-Location Horror
Jiří Trnka – Puppet Master: The Czech Year (1947), Old Czech Legends (1953), The Hand (1965)
Stolen Kingdom (2026) – A whole new world behind the curtain
Dead Man’s Shoes (2004) A Taut and Terrifying Tale of Abuse and Revenge
Two Boxes: Televised Terror in Franco’s Spain (1972 & 1974) Unabashed horror that puts most feature lengths to shame
Cruel Hands (2026) A Grim and Tense Domestic Horror of Flight and Fire
Into the Forest: Folktales at DEFA (1955-77) The Film That Made Paul Whitehouse Pee His Pants (as a child)
Desperate Living (1977) The darkest, cruellest, and most shocking entry in Waters’ Trash Trilogy
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker

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1

Commedia all’italiana: Three Films by Dino Risi (1959-1962) (Review)

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Juggernaut (1974): Possibly the Most Accurate Film of Life in 70s Britain

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Another Day to Live Through (2023) Majestic Finland, Less Majestic as a Psychological Thriller (Review)

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The Stunt Man (1980) When Making a Movie Becomes a Matter of Life and Death

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Resurrected: Raw War drama from a debuting Greengrass (Review)

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Potwash (2026, Short) An Intriguing and Enveloping Tale of Work, Music, and Escapism

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From Black (2023) A rehash of very much discovered Horror territory (Review)

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Slap the Monster on Page One (1972): A Still Relevent Look at Media Manipulation

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Blood of Revenge (1965) A Yakuza Tale Characterised by Beautiful Compositions 

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The Adventures of Baron Munchausen (1988) Wacky 1980’s Terry Gilliam Fun (Review)

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Ring (1998) The Most Important J-Horror For Good Reason (Review)

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Jimmy & Stiggs (2024) The Messy, Mean, DIY Splatterfest Begos Was Born to Make

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Liam Willis

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Finis Terrae (1929) An Early Example of Realism in Film

Liam Willis 11/08/2025
Finis Terrae (1929) An Early Example of Realism in Film

I admit that I’m not as well versed in silent cinema as I should be. I’ve seen the odd classics like Metropolis and The Cabinet of Dr. Caligari, but it’s mostly the out-there genre films and comedies are mostly what I’m aware of from the silent era. Out now on […]

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Enemy Territory (1987): Arrow Rescue Another Empire Pictures Hidden Gem from VHS

Liam Willis 06/08/2025
Enemy Territory (1987): Arrow Rescue Another Empire Pictures Hidden Gem from VHS

1987’s Enemy Territory has often been described as a knockoff of John Carpenter’s Assault on Precinct 13. I decided to watch the two together, mainly since I hadn’t actually seen the latter film before. I originally planned on doing an in-depth comparison of the two, yet I found that similarities […]

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May (2002) A Disturbing Yet Emotionally Moving Cult Horror Driven By a Fantastic Lead Performance (Review)

Liam Willis 25/07/2023
May (2002) A Disturbing Yet Emotionally Moving Cult Horror Driven By a Fantastic Lead Performance (Review)

Almost immediately gaining cult status on release, May could easily be mistaken for what is simply an offbeat comedy drama before its horror elements come to the fore in its final act. Yet Lucky McKee’s directorial debut is also an often tragic look into loneliness. The closest thing I can […]

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The Laureate (2021) A Frustrating, Misguided and Melodramatic Biopic of a Fascinating True Story (Review)

Liam Willis 26/06/2023 3
The Laureate (2021) A Frustrating, Misguided and Melodramatic Biopic of a Fascinating True Story (Review)

I recently purchased Jerzy Skolimowski’s The Shout on Blu-Ray, a rather intriguing surrealist horror film based upon a short story by poet Robert Graves, who is played in a fictionalised version in that film by Tim Curry. The Laureate is a far more direct portrayal of Graves’ life, being a […]

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Mystery Train (1989) A Trip to Memphis, With or Without Rose Tinted Glasses (Review)

Liam Willis 24/04/2023
Mystery Train (1989) A Trip to Memphis, With or Without Rose Tinted Glasses (Review)

Mystery Train was director Jim Jarmusch’s 4th film and his first since his low-budget debut, Permanent Vacation, to be shot in colour. His previous two were strikingly shot in black and white, which suggests that Jarmusch wished to visually capture Memphis in the best way that he could. Despite being […]

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The Whisper of Silence (2020) Fascinatingly Meditative Yet Risks Aimlessness at Times (Review)

Liam Willis 27/03/2023
The Whisper of Silence (2020) Fascinatingly Meditative Yet Risks Aimlessness at Times (Review)

The Whisper of Silence is the first film from El Salvador to be given a general release in the UK, and director Alfonso Quijada showcases the country in a way that is very attractive to the viewer. Normally an abundance of establishing shots would strike me as padding but here […]

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The Middle Man (2021) Offbeat Dark Comedy Contains Plenty of Darkness But Not Enough Comedy (Review)

Liam Willis 09/03/2023
The Middle Man (2021) Offbeat Dark Comedy Contains Plenty of Darkness But Not Enough Comedy (Review)

I saw The Middle Man pitched as the Coen brothers meet David Lynch, which certainly piqued my interest, yet after watching the film it turned out to be much more Coen brothers than Lynch. In fact, I feel that the comparison to the latter is only loosely based on the […]

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The Final Programme (1973) 1970s Psychedelic Cult Classic Still Holds Up (Review)

Liam Willis 17/02/2023 2
The Final Programme (1973) 1970s Psychedelic Cult Classic Still Holds Up (Review)

In the new featurette ‘A Feast of Fuest’, Kim Newman proposes that if Robert Fuest had a more successful career, he would’ve possibly become a serious rival to Ken Russell. This is a view that I harboured for most of the time I spent watching The Final Programme. I couldn’t […]