Released on Blu-ray by Radiance is yet another slice of classic crime drama from Italian cinema – Elio Petri’s 1967 movie We Still Kill the Old Way, starring Gian Maria Volonté and Irene Papas. The film is an adaptation by Ugo Pirro of the 1966 novel To Each His Own […]
Mark Cunliffe
Senior Contributor
Mark's first cinematic experience was watching the Cannon and Ball vehicle, The Boys in Blue. He hasn't looked back since. Hailing from Lancashire, he is an occasional contributor to Arrow DVD, writing booklet inlay essays on a variety of titles, including Children of Men and The Day of the Jackal. He has also written a chapter for Ste Brotherstone and Dave Lawrence's book, Scarred For Life Vol II. He is often found on Letterboxd, has appeared on the Talking Pictures podcast and also writes for We Are Cult, Horrified and America's left-leaning news outlet ZNetwork. He is also a regular contributor to the Geek Show's podcasts, including Pop Screen and the Uncut series.
The Severed Sun (Fantastic Fest 2024)
Ever since I first clapped eyes on his 2018 short The Sermon, I’ve been assiduously following the work of Cornish based filmmaker Dean Puckett for the last five years. A folk horror tale about a homophobic church community living in rural isolation, the short was imbued with a wonderful 1970s aesthetic […]
Nothing But The Best (1964) A Blackly Satirical Second Cousin of the Kitchen Sink Movie (Review)
Released on Blu-ray by Studio Canal’s Vintage Classics label this week is Nothing But the Best, a rather undervalued and little seen black comedy from 1964 that stars Alan Bates. An adaptation by Frederic Raphael of a short story by American mystery writer Stanley Ellin, the film is directed by […]
Mississippi Mermaid (1969): Truffaut’s Misunderstood Tale of Mystery and Erotic Obsession (Review)
Released to Blu-ray by Radiance Films this week is Mississippi Mermaid, a 1969 Hitchcockian thriller from François Truffaut that tells of an obsessive love affair between Jean-Paul Belmondo and Catherine Deneuve. By the late 1960s, Truffaut had long since earnt his spurs as an acclaimed auteur within the French New […]
The Landlord (1970) Raising Laughs and Awareness not Rent (Review)
Released by Radiance this week is The Landlord, Hal Ashby’s 1970 directorial debut. As a movie, The Landlord may have some of the rough edges of a first effort, but it also has the distinctive offbeat talent and approach that the inimitable Ashby would bring to his successive ventures. Specifically […]
Soldier Blue (1970): Vietnam Allegory Via Violent Revisionist Western (Review)
“I saw the bodies of those lying there cut all to pieces, worse mutilated than any I ever saw before; the women cut all to pieces … With knives; scalped; their brains knocked out; children two or three months old; all ages lying there, from sucking infants up to warriors […]
Rose (2022): Sofie Gråbøl Shines in this Study of Schizophrenia (Review)
Made in 2022, the Danish film Rose has finally made its long-anticipated way to our shores, becoming available in select cinemas and on demand from Friday, June 28th. The popularity of Danish or Scandinavian film and television has risen in recent years, thanks to their many crime dramas that continue […]
A Family Affair (2024) “Bearded Joe Shorn of Jokes” (Review)
Rather famously, the TV critic of the Daily Mirror was not impressed with John Cleese’s sitcom Fawlty Towers when it made its debut in 1975. “Long John Short on Jokes” was the pronouncement of the former Monty Python star’s farcical hotelier comedy, now considered a much loved classic and often […]
Dogfight (1991): Transcending Misogyny to Make a Very Real Human Connection (Review)
Released to the Criterion Collection this week is Dogfight, Nancy Savoca’s 1991 movie that undoubtedly features one of River Phoenix’s finest performances. In a career that burned fast but brightly, the aptly named Phoenix was cast against type here as a belligerent, foul mouthed jarhead; a role that was arguably […]
The Boss (1973) Misogynistic Mafia Movie (Review)
It’s perhaps more than coincidental that Radiance have followed up March’s release of Duccio Tessari’s 1973 Mafia thriller Tony Arzenta with Fernando Di Leo’s The Boss this week. Not just because of the things that these films have in common – both were made in 1973, both are stories about […]