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Saturday, Jun 6, 2026
New REVIEWS!
Hi Mom! (1970) De Palma’s Wildest Early Provocation
Slither (2006) – Silly Schlocky Blast of Smalltown Sci-Fi Fun
Hacked: A Double Entendre of Rage-Fueled Karma (2025) A chaotic act of cinematic payback
The Criminal Life of Archibaldo de la Cruz (1955): audacious thought crimes in Buñuel’s serial killer satire
Diabolic (2026) Conventionally plotted Religious Horror that drips with Dread and Atmosphere
The Professional (1981) Belmondo Goes Rogue for Revenge
Taxidermia (2006) A Disgusting, Controversial and Deceptively Beautiful Underground Classic
Exit 8 (2025) Liminal Horror More Emotionally Potent than Horrific
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”

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Lone Star (1996) Lightning Paced Tour of John Sayles’s America (Review)

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The Most Dangerous Game (1932) Ripe for critical re-evaluation… not to mention rediscovery and celebration (Blu-Ray Review)

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The Human Condition (1959) a must-see for any fan of world cinema (Review)

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Pocket Money (1976): joyful, humane, ripe for rediscovery

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Beauty and the Beast (1978) A Grim Fairytale (Review)

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The Breaking Point (1950) Dark, Sweaty Classic Noir Lost in the Shadow of Legends (Review)

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  • Megan Kenny

Megan Kenny

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Chopper (2000) A Darkly Comic True Crime Story (Review)

Megan Kenny 01/12/2023
Chopper (2000) A Darkly Comic True Crime Story (Review)

Out now with a glorious Second Sight blu-ray is Chopper, which tells the story of Mark “Chopper” Read – a modern day Robin Hood (in Read’s version), a career criminal according to his criminal record. Written and directed by Andrew Dominik, the film takes its liberties from Read’s own autobiographical […]

  • Movies & Documentaries
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Messiah of Evil (1973) “They say that nightmares are dreams perverted” (Review)

Megan Kenny 26/10/2023
Messiah of Evil (1973) “They say that nightmares are dreams perverted” (Review)

In Messiah of Evil (1973), co-written, produced and directed by Gloria Katz and William Huyck, Arletty travels to the seaside town of Point Dume to visit her estranged father. Upon arrival, she finds her father’s house deserted and the town inhabited by sinister locals. As she tries to unravel the […]

  • Movies & Documentaries
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Cronenberg’s Crimes of the Future (2022): The Body Is Reality (Review)

Megan Kenny 08/09/2023
Cronenberg’s Crimes of the Future (2022):  The Body Is Reality (Review)

*This review contains minor spoilers* Crimes of the Future – the 22nd film from the godfather of body horror, David Cronenberg – has been described as a science fiction body horror drama. It tells the story of Saul Tenser (Viggo Mortensen), and his partner, Caprice (Léa Seydoux) – a performance […]

  • From the Festivals

Werewolf Santa & Cold Meat (Frightfest 2023)(Review)

Megan Kenny 30/08/2023
Werewolf Santa & Cold Meat (Frightfest 2023)(Review)

In Werewolf Santa we follow Lucy, the host of a YouTube channel called Monster Hunters that’s not doing too well. Returning to her hometown for Christmas only emphasises all the ways her life is going off the rails, and after a tense Christmas Eve with her mum (Carol), Lucy and […]

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Brooklyn 45 (2023) “I’ve Got No Faith Left”: Grief, Trauma and Haunting (Review)

Megan Kenny 27/06/2023
Brooklyn 45 (2023) “I’ve Got No Faith Left”: Grief, Trauma and Haunting (Review)

In Brooklyn 45, Maria, Archie and Paul regroup in the devastation of postwar America to support Clive, who is bereft following the death of his wife Susan. As they start to exorcise their metaphorical ghosts, spectres from the past begin to knock, determined to be let in, to the locked […]

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Medusa Deluxe (2022) Social Realist Murder Mystery with all the Pizzazz (Review)

Megan Kenny 08/06/2023
Medusa Deluxe (2022) Social Realist Murder Mystery with all the Pizzazz (Review)

Medusa Deluxe (2022) is a murder mystery thriller set in the backbiting world of competitive hairdressing. Big hair and even bigger egos collide in a tense and taut mystery that keeps the viewer guessing until the very end. Medusa Deluxe is like Showgirls with more hair extensions. Fabulous, extravagant and […]

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Huesera: The Bone Woman (2022) One of the best representations of motherhood committed to film (Review)

Megan Kenny 12/05/2023
Huesera: The Bone Woman (2022) One of the best representations of motherhood committed to film (Review)

In Huesera (2022) we meet Valeria, a woman who has always wanted to be a mother. But when she finally falls pregnant, rather than feeling happy, she feels that something is off. As she progresses through her pregnancy, these feelings intensify and she is haunted by sinister visions and threatened […]

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Living with Chucky (2022) Peeking Inside the Heart of the Controversial Horror Franchise (Review)

Megan Kenny 09/05/2023
Living with Chucky (2022) Peeking Inside the Heart of the Controversial Horror Franchise (Review)

Living with Chucky (2022) is the long-awaited (at least for us Chucky superfans) documentary of the charmingly maniacal killer doll franchise. Full of interviews with those central to the story, including writer/director Don Mancini, Brad Dourif and Jennifer Tilly, this documentary charts the rise, and sometimes fall, of the Chucky […]

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Morgiana (1972) A weird, stimulating, terrible and beautiful dreamscapes of malice (Review)

Megan Kenny 03/05/2023
Morgiana (1972) A weird, stimulating, terrible and beautiful dreamscapes of malice (Review)

Morgiana tells the twisted tale of sisters Klára and Viktoria, torn apart by jealousy, greed and malice. When Klára inherits their father’s estate, leaving Viktoria with the wind battered, remote country house, Viktoria seethes. When the man Viktoria loves falls in love with Klára, Viktoria boils. And when Klára continues […]

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George A. Romero’s Martin (1977) Vampire horror through the hazy gaze of an Antisocial Creep (Review)

Megan Kenny 17/03/2023
George A. Romero’s Martin (1977) Vampire horror through the hazy gaze of an Antisocial Creep (Review)

Martin (1977) is the fifth film from George Romero, coming hot on the heels of The Crazies (1973). It follows the eponymous Martin, a troubled young man who believes he is an 84-year-old vampire. This belief is endorsed by many of his family members who call him Nosferatu and spend […]

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