Final films of legendary directors is a fascinating topic. For every Kenji Mizoguchi who bowed out with a genuine masterwork like 1956’s Street of Shame, there are stories of directors who couldn’t finish their final works or an untimely passing that required someone else to pick up the baton. Looking […]
Rob Simpson
Chief Editor
Host of the Uncut Network. With a love of movies kicked off by Hong Kong Action and Claymation Monsters, Rob has forever been cradled in the bosom of Cinema. Rob has his hands in many a pie, including no budget film making. Filthy
Stage Fright (1987) Slasher turned Silent Liminal Chiller once the lights go out (Review)
For a young horror director to the protege of a more seasoned hand, few could have better fortune than Michele Soavi, who sat under the learning tree of Dario Argento. Not only that, he had his directorial debut produced by another substantial Italian genre legend, Joe D’Amato. Soavi exploded out […]
Agnus Dei (1971) Godard & Larping Via a Hungarian Master Director (Review)
Rounding out our coverage of Second Run’s acclaimed Hungarian Masters boxset, following Current and Merry-go-round is Miklós Jancsó’s Agnus Dei. The prior have something of a social realist streak to them, whether they were steadfast in their subscription to the stylistic tics or used it as a cinematic tradition to subvert. We’ve featured Jancso’s […]
The Wraith (1986) Casting confusion, Hyper 80s Camp and Car Crashes (Review)
Contains Spoilers On the extras of Vestron Video’s new release, The Wraith, director Mike Marvin is open about liberally borrowing ideas from across cinema – something you won’t catch many directors admitting. And, in putting together all these ideas and threads, including a surprising nod to Clint Eastwood’s High Plains […]
Swallow (2019) the Horror of Control (Review)
A theme of David Cronenberg’s work with horror was the tenet that the human body is far more terrifying than any monster or external violence. His work revolved around the corruption of the human form with all manner of disturbing aberrations. Post-Cronenberg, the concept of body horror has become inanely […]
Sailor Suit and Machine Gun (1981) The Cutest Yakuza Film in Town (Review)
The 1980s weren’t exactly a golden era for Japanese cinema. The masters that put the country on the global stage had either passed away or were in the twilight of their careers, offering the world their final works. Instead, the 1980s were much more of a transitionary era with a […]
Toshiaki Toyoda (2005-2021/Part II) Kubozuko & filmmaking with conviction (Review)
Third Window Films released their second edition of boxsets collecting the work of unsung cult Japanese cinema icon, Toshiaki Toyoda, following their previous “early year’s” collection. I previously talked about the 2nd collection yesterday, specifically around the first three movies – Hanging Garden, Day of Destruction and Monster’s Club. The […]
Toshiaki Toyoda (2005-2021) (Part I) Unpredictable, Stylish Japanese Punk Fury (Review)
In a little peek behind the curtain, I usually like to leave it until the concluding paragraphs to reveal the essence of my opinion of a film or indeed a collection. I’m not going to do that here. Instead, I am completely jumping the gun to say that over the […]
Celia (1989) Dense, Political and Brilliantly Evasive (Review)
Australian cinema is exceptionally hard to get hold of here in the UK, due to so little of it being released on these shores. The only saving grace is that the ones that do make it over here have something approaching classic status, whether earned and deserved or unsung – […]
Monstrum (2018) A Blockbuster Monster Movie, Korean Style (Review)
Squid Game may be leading the charge for wider awareness and appreciation of Korean pop culture, however, there was a series that got there first. That series was Kingdom. Now, Kingdom is important when talking about Acorn Media’s Blu-ray release of Shudder’s Monstrum, as they are both cut from the […]