In 2021, the Netflix original movie is an established industry release line, one that has become synonymous with directors making passion projects that wouldn’t be possible elsewhere. Back in 2015, all of this was but a glimmer in the eye of the then Netflix Executives with one of the first […]
Rob Simpson
Chief Editor
Host of the Uncut Network. With a love of movies kicked off by Hong Kong Action and Claymation Monsters, Rob has forever been cradled in the bosom of Cinema. Rob has his hands in many a pie, including no budget film making. Filthy
The Power (2021) Female Solidarity & a Fear of the Dark (Review)
Acorn Media are doing great work, bringing movies previously locked away on Shudder, presenting them to the home video market. Corinna Faith’s The Power isn’t the first to receive this treatment, but it is the latest. And before launching in to what the movie is and my feelings on it, you need to present […]
Gaia (2021) Challenging Ecological South African Body Horror (Review)
While horror cinema has always been away from the gaze of the mainstream, that doesn’t make it less susceptible to trends. Ghosts and zombies are unaffected by the passing trends of the time. Everything else though passes with whatever is the cutting edge discourses of the time. Now, it is […]
Duel to the Death (1983) One of the unsung action movies of the 1980s (Review)
Duel to the Death, 1983, Hong Kong, Dir. Ching Siu-tung (A Chinese Ghost Story) Set up as a modern facing alternative to the then traditionalist Shaw Brothers, Golden Harvest is an icon for any fan of martial arts cinema albeit one that Jackie Chan built. It was through Golden Harvest […]
Children of the Corn (1984 -1995) The also-ran horror franchise that keeps on motoring (Review)
Stephen King must be the most adapted author in horror: there are over 60 direct efforts to bring his work to the big screen. The number of movies that those 60 have inspired or the sequels they have spawned, his influence is indisputable. One of the weirder is the Children […]
Cat O Nine Tails (1971) Dario Argento’s Grizzly Americanised Giallo (Review)
In 1970, Dario Argento came flying out of the gates with one of the best genre debuts you’re likely to see. Bird with the Crystal Plumage not only made a lot of money on the international box-office, it also made Argento a name on the international scene. He followed that […]
PTU (2003) The work of a heroic bloodshed artist (Review)
Hong Kong Action, when you hear that term, a few things come to mind – first will be one of the biggest movie stars of the past 40 years, Jackie Chan. Second is balletic shootouts, thanks to John Woo, Tsui Hark and Ringo Lam and their stunningly choreographed movies that […]
Blow Out (1981) Travolta & De Palma’s Masterpiece (Review)
Getting right to it, the 1981 movie, Blow Out, is Brian De Palma’s masterpiece – with Carrie a close second. The Philadelphia shot movie is based on Antonioni’s 1966 classic, Blow-Up, albeit with all the danger and purpose of the New Hollywood era and a focus on the craft of […]
Vengeance Trails (1966-70) Four Classic Westerns (Review)
Westerns have always been one of the more troubling genres for me, not because of any traits or questionable standards, on the contrary, I love martial arts cinema which is far more problematic on that level. My problem with westerns is that I am not a fan, and from the […]
The Psychic (1977) Style, legacy, and Lucio Fulci’s Halloween 3 (Review)
Lucio Fulci, there’s a name from horror cinema that has a unique legacy. Known for the like of The Beyond, City of the Living Dead and Zombie Flesh Eaters – his filmography is one of over the top gore and nightmare logic, well, logic is a strong word, his films […]