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Tuesday, Oct 20, 2026
New REVIEWS!
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema
Histoire(s) du cinéma (1988-1998): review 1B – the history(s)

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First Love (2019) Miike’s Fountain of Gonzo Youth (Review)

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Rio Grande: John Ford’s Comfortable West (Review)

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Hitler’s Hollywood (2017) Modern History and it’s cinema’s darkest days (Review)

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Mirror (1975): Tarkovsky shows us his dreams, his memories and his lasting influence (Review)

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The Box Man (2024) Gakuryu Ishii’s Boxing Clever (Review)

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Twin Peaks the Return Episode 10 (The Rewatch)

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Under Fire (1983) the exception to the white saviour row? (Review)

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The Runner (2021) The Ideal Actors Showcase (VOD review)

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A Bittersweet Life (2005) One of the Many Guiding Lights of the Korean Golden Age (Review)

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Falling Into Place (2023) From Meet-Cute to Ugly Realities

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Simon Ramshaw

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The Monkey (2025) A morbid, laugh-through-the-pain psycho-comedy 

Simon Ramshaw 21/02/2025
The Monkey (2025) A morbid, laugh-through-the-pain psycho-comedy 

There is no one else in the business making movies as a substitute for therapy quite like Osgood Perkins. While he delighted summer audiences with a dark trip into serial killer mayhem with last year’s most profitable independent movie (Longlegs), it was importantly wrapped up in personal issues and concerns […]

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Sunray: Fallen Soldier (2025): IRL RMCs take easy targets in exploitation actioner

Simon Ramshaw 28/01/2025 1
Sunray: Fallen Soldier (2025): IRL RMCs take easy targets in exploitation actioner

“Alright troops, here’s the mission. We’re on home turf, but things are going to get gritty and dirty; we’re storming warehouses, derelict buildings, maybe even a drug den or two. The odds will be against us: they’ve got the numbers, but we’ve got the know-how to make this work. Our […]

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Critters: A Four Course Feast! (1986-1992) – Ample pickings of cinema’s forgotten freaks

Simon Ramshaw 03/12/2024
Critters: A Four Course Feast! (1986-1992) – Ample pickings of cinema’s forgotten freaks

A physical media habit can be a bit like gorging yourself on junk food. Whenever a label like Arrow Video offers up a curated bunch of greasy, low-brow, nostalgic pleasures, it’s tough not to water at the mouth like a gibbering animal with the mere thought of adding a franchise […]

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Tank Girl (1995) Misunderstood 90s disaster plays brilliantly thirty years later

Simon Ramshaw 25/11/2024
Tank Girl (1995) Misunderstood 90s disaster plays brilliantly thirty years later

The 4D experience of Rachel Talalay’s Tank Girl isn’t exactly something to recommend. Imagine waking up in the morning, attempting to perform one’s first evacuation (a Number One, thankfully) and ablution of the day, only to discover the water supply of your entire local area is off. Then find yourself […]

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Black Tuesday (1954) Roughed-up noir gem with a dark shadow for a soul

Simon Ramshaw 18/11/2024
Black Tuesday (1954) Roughed-up noir gem with a dark shadow for a soul

The tagline of Hugo Fregonese’s Black Tuesday thunderously announces itself as “the most ruthless Robinson of all time!”, putting its rough-and-ready leading man Edward G. Robinson front and centre of the action. And that’s certainly true; today, not even the cumulative power of Tim Robinson’s screaming sketch comedy oeuvre or […]

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Black Cab (2024) – A Frosty reception from a black-hearted cabbie in bleak horror fare

Simon Ramshaw 08/11/2024
Black Cab (2024) – A Frosty reception from a black-hearted cabbie in bleak horror fare

There’s a strange, subtle tension in the experience of calling a cab. Uber gives us a genial thumbnail of our driver and their ratings, some semblance of a comfort blanket of who is going to be taking us from point A to B. But in the traditional lucky dip of […]

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The Lord of the Rings: The Rings of Power – Season 2 (2024) Round-Up

Simon Ramshaw 08/10/2024
The Lord of the Rings: The Rings of Power – Season 2 (2024) Round-Up

How big a budget is too big a budget? There’s a lot to be said for being economy-wise with blockbuster IP; if your fanbase rejects the latest mushed-up remix of their childhood, it’s probably better to keep things cheap. In that respect, there’s perhaps no bigger gamble currently in production […]

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The Valley of the Bees (1968) Brutal Middle Ages yarn with a sting in its tail

Simon Ramshaw 02/10/2024 1
The Valley of the Bees (1968) Brutal Middle Ages yarn with a sting in its tail

It’s easy to think about history in black and white. We’re not just talking about absolute morality here, oh no; some of the best period cinema of all time is defined by its monochromatic stylings, reducing the imaginative colour of times past down to stark impressionism. The leaders of Eastern […]

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Vital (2004) Signs of life in a tale of death and decomposition (Review)

Simon Ramshaw 01/10/2024
Vital (2004) Signs of life in a tale of death and decomposition (Review)

There’s something thrilling about a director zigging when you expect them to zag. The best in the biz operate under a distinct style that can be modulated to suit different stories; whatever they’re saying, you can always tell it’s them saying it. Japanese punk auteur Shin’ya Tsukamoto is one such […]

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Hellboy: The Crooked Man (2024) Faithful adaptation preaches to the converted, forgets to shepherd a new flock (Review)

Simon Ramshaw 27/09/2024
Hellboy: The Crooked Man (2024) Faithful adaptation preaches to the converted, forgets to shepherd a new flock (Review)

The clue should be in the name: there are fewer franchises more cursed than Hellboy. The first two outings for Mike Mignola’s gentle red giant fared well enough, with Guillermo del Toro’s luscious vision and Ron Perlman’s career-defining take on the character proving to be a leftfield refreshment in the […]

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