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Wednesday, Apr 22, 2026
New REVIEWS!
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike
Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking
Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend
The Devil’s Hand (1943): A dark wartime parable
Dead Lover (2026): An Unhinged and Colourful Take on Frankenstein

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Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form

Graham Williamson 22/04/2026
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form

Some directors are primarily famous for one scene, and in the case of Kazuo Hara it’s easy to pinpoint which one it is. Hara’s 1987 documentary The Emperor’s Naked Army Marches On is notorious for a moment in which the film’s subject Kenzo Okuzaki, a Japanese World War II veteran […]

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Salem’s Lot (1979): A Masterclass in Slow-Burn Horror

Jessica McKeown 22/04/2026
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror

Strange things are happening in Jerusalem’s Lot – the residents are turning into vampires! Salem’s Lot (1979) is a two-part miniseries based on the 1975 Stephen King novel of the same name, following author Ben Mears (David Soul), who returns to his hometown to write about the mysterious Marsten House, […]

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  • Reviews

New Directors from Japan: Takashi Ono (2016-2023)

Graham Williamson 20/04/2026
New Directors from Japan: Takashi Ono (2016-2023)

Every now and then you see a film where the only viable response is: where did that come from? The beauty of Third Window’s new Takashi Ono collection is that it answers that question. As collections go, it’s modestly-scaled stuff; three shorts and a feature, and the feature’s only just […]

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Knights of the Teutonic Order (1960): most super of the Polish “super productions”

Graham Williamson 13/04/2026
Knights of the Teutonic Order (1960): most super of the Polish “super productions”

For a company that’s over twenty years old, Second Run are finding a gratifying number of new strings to their bow. The largely untapped seams of world cinema they’ve been exploring recently include Indian independent films like The Circus Tent, Manthan and Ishanou, all of which reveal a very different […]

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Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike

Rob Simpson 06/04/2026
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike

Takashi Miike is a rogue whose legend has long been cemented in cinema lore. He has directed 127 features and TV shows at the time of writing, six of which came from his legendary 2001 run. He makes a mockery of auteur theory because every other film feels like the […]

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Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme

Rob Simpson 03/04/2026
Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme

90s American action cinema was running out of road. The superstars who defined the 1980s – Jean-Claude Van Damme, Steven Seagal, Dolph Lundgren, Arnold Schwarzenegger, Sylvester Stallone – were still motoring along, but the downward trajectory was obvious. Straight-to-DVD purgatory, drastic reinvention or retirement awaited most of them. A few […]

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Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini

Graham Williamson 01/04/2026
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini

Karel Kachyňa can be a hard director to pin down, which is probably for the best considering that, for a lot of his career, Czechoslovakia’s intelligence agencies were trying to do just that. Like a surprising amount of the country’s best directors, he did not flee after the Soviet invasion […]

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The Invisible Half, The Hole, and Janur Ireng: Three New Asian Horror Films from EST N8

Robyn Adams 01/04/2026
The Invisible Half, The Hole, and Janur Ireng: Three New Asian Horror Films from EST N8

If you ask a horror fan what they think is the most interesting, entertaining, and frightening horror film from the past ten years, there’s a good chance that they’ll choose something by an Asian filmmaker. From Korean shockers like Yeon Sang-ho’s Train to Busan (2016), Indonesian creep-shows like Joko Anwar’s […]

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Redoubt (2026) Turning Video Art Into A Visually Compelling Feature

Alex Paine 29/03/2026
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature

What film could be more appropriate to release in 2026 than a man building a fortified shelter in case of war? The topical irony of John Skoog’s narrative feature debut Redoubt was certainly not lost on me from the moment the film opens. A pamphlet showing what to do in […]

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Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking

Robyn Adams 29/03/2026
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking

When I was very young I used to experience nightmares where I felt as though I had “woken up” in my bed, but was still at the mercy of whatever dreamt-up horrors might lurk beyond the wall of sleep. Given how young I was at the time, as well as […]

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