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Thursday, Apr 23, 2026
New REVIEWS!
Extreme Private Eros: Love Song 1974 (1974): emotional violence transcending the limits of documentary form
Salem’s Lot (1979): A Masterclass in Slow-Burn Horror
New Directors from Japan: Takashi Ono (2016-2023)
Knights of the Teutonic Order (1960): most super of the Polish “super productions”
Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike
Hard Boiled 4K (1992) Where John Woo pushed action cinema to its extreme
Long Live the Republic! (1965): World War II through the eyes of a Czech Fellini
Redoubt (2026) Turning Video Art Into A Visually Compelling Feature
Haunters of the Silence (2025) A lo‑fi plunge into the uncanny space between dreaming and waking
Excalibur (1981) Boorman’s bold, mystical retelling of Arthurian legend
The Devil’s Hand (1943): A dark wartime parable
Dead Lover (2026): An Unhinged and Colourful Take on Frankenstein

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The Olive Tree (2016) Spanish Social Realism and the history of our homelands (Review)

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Late Mizoguchi (1951-1956): The final years of one of Japan’s Greatest Masters (Review)

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Royal Warriors (1986) – Fast-paced action with little regard for human life (Blu-Ray Review)

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Frankenstein (2025) Visually Dazzling and Emotionally invested take on a Literary Legend

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Possum (2018) a bleakness from beyond the dark place (Review)

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Movies & Documentaries

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Ishanou (1990) Indian regional cinema probes the mystery of faith

Graham Williamson 03/06/2025
Ishanou (1990) Indian regional cinema probes the mystery of faith

Standard screenwriting advice has it that nothing confuses an audience faster than unclear character motivations, but some of the most powerful stories succeed by refusing to do exactly that. We never learn what made Daniel Plainview so embittered, or why Iago hates Othello, and nobody worth listening to would say […]

  • Movies & Documentaries
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The Umbrellas of Cherbourg (1964): Colourful But Lifeless Musical Drama

Mike Leitch 03/06/2025
The Umbrellas of Cherbourg (1964): Colourful But Lifeless Musical Drama

If you wanted to be mean, you could describe The Umbrellas of Cherbourg as what people who don’t like musicals think all musicals are like – big emotions, melodramatic story, characters singing all the time when they could just talk normally. On the flip side, it is also a musical […]

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The Railroad Man (1956) A Year in the Life of a Working Class Family

Mark Cunliffe 20/05/2025
The Railroad Man (1956) A Year in the Life of a Working Class Family

The second Radiance release this week is Pietro Germi’s 1956 film The Railroad Man, or Il ferroviere in its native Italian. As well as directing and having a hand in the screenplay, Germi also stars in the lead role of Andrea Marcocci, the train operator of the title and patriarch of a working-class […]

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Themroc (1973) The Urban Caveman and the Red Triangle

Mark Cunliffe 19/05/2025
Themroc (1973) The Urban Caveman and the Red Triangle

Released to Radiance this week is Claude Faraldo’s notorious 1973 French satire, Themroc, a film that gained its notoriety here in the UK on account of it being the first film broadcast in Channel 4’s Red Triangle season on 19th September 1986. The Red Triangle season was the informal title […]

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Strange New Worlds: Science Fiction at DEFA (1960 to 1976) Socialism Among the Stars

Ethan Lyon 18/05/2025
Strange New Worlds: Science Fiction at DEFA (1960 to 1976) Socialism Among the Stars

Eureka have scored another tremendous success with their “Strange New Worlds: Science Fiction at DEFA” boxset that brings four fascinating glimpses at a Socialist approach to the genre beyond the traditional USSR output of On the Silver Globe, Dead Mountaineer’s Hotel or Stalker. The first entry, Silent Star, was one […]

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Sinners (2025) A Must See Theatre Experience

Ben Chambers 18/05/2025
Sinners (2025) A Must See Theatre Experience

I was surprised before seeing Ryan Coogler’s Sinners how well it was being received both critically and commercially, by audience members. Of course, after seeing it, I’m not surprised at all. It’s quite an original project, something that is unfortunately a rarity in Hollywood these days. But I do not […]

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Oil Lamps (1971) Juraj Herz’s dazzling and decadent psycho-sexual period piece

Jimmy Dean 16/05/2025
Oil Lamps (1971) Juraj Herz’s dazzling and decadent psycho-sexual period piece

I’m a little late to the latest Second Run party because I’ve been caught up moving house. As a welcome escape from packing stress, I found myself lost in the Blu Ray World Premiere of Juraj Herz’s Oil Lamps (1971). Second Run have been a long-time champion of Herz’s work, […]

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Night Moves (1975) Gene Hackman’s Memorable 70’s Thriller Comes to 4K

Ben Chambers 05/05/2025
Night Moves (1975) Gene Hackman’s Memorable 70’s Thriller Comes to 4K

I ended up seeing Night Moves (1975) about a month before this Criterion edition came out, due to the passing of its star, Gene Hackman. I will admit, I thought the film was fine, though many people consider it to be a much better film than I did. Hackman’s performance […]

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Tokyo Pop (1988) The Lost Gen-X Cult Classic Gets Its Moment

Nora Rawn 05/05/2025
Tokyo Pop (1988) The Lost Gen-X Cult Classic Gets Its Moment

If you’ve heard an extra joyful noise in the air this spring, it may be coming from devotees of Tokyo Pop. Victim of a failed distribution company that kept it from taking its rightful status as a cult classic, the time for Fran Rubel Kuzui’s debut to have its moment […]

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Freaky Tales (2024): High on Style, Inconsistent on Substance

Alex Paine 01/05/2025
Freaky Tales (2024): High on Style, Inconsistent on Substance

The amount of 80s nostalgia there has been over the last ten years or so has meant that it’s harder and harder for films set in the decade stand out: regardless of quality, there’s nothing that stops them being seen as cynical bursts of nostalgia for a time gone by, […]

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