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Saturday, Oct 24, 2026
New REVIEWS!
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema

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1

The Painted Bird (2019): Arthouse or Endurance Test? (Review)

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Tangerine (2015) – a lovely LGBT-positive lo-fi Christmas romp (Blu-Ray Review)

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Extreme Prejudice (1987) Jack of all Genres, Master of Some? (Blu-ray Review)

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Underworld Beauty (1958) A solid noir from Seijun Suzuki

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Good Boy (2025) – Unique Execution Applied To A Barebones Story

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The Sacrifice Game (2023) Festive Horror elevated by its Young Cast (Review)

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Alice Doesn’t Live Here Anymore (1974) From the Exorcist to long-suffering housewife, Ellen Burstyn’s incredible Charismatic Lead (Review)

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Rabid (2019): mutating to its heart’s content (Review)

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Convoy (1978) Peckinpah Takes a Surprising Route from Novelty Record to Box Office Smash

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Homebound (2021) Claustrophobic Debut Horror (Glasgow Fright Fest Review)

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Movies & Documentaries

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Jakob’s Wife (2021) Eternally left-turning Modern Vampire Movie (Review)

Graham Williamson 13/01/2022
Jakob’s Wife (2021) Eternally left-turning Modern Vampire Movie (Review)

Acorn Media’s new Blu-Ray of Jakob’s Wife is their latest physical media release of a title that premiered on the streaming service Shudder, a platform which is probably too new to generalise about but I’m a critic and I’m at a loose end, so here we go. One way of […]

  • Movies & Documentaries
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Dillinger (1973): Print the Legend (Review)

Mark Cunliffe 06/01/2022
Dillinger (1973): Print the Legend (Review)

“When the legend becomes fact, print the legend” is an infamous quote from John Ford’s 1962 classic Western The Man Who Shot Liberty Valance that could arguably be seen as the inspiration for Dillinger, John Milius’1973 directorial debut, dusted down by Arrow Video and given the Blu-ray treatment this week. Based on […]

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In the Realm of the Senses (1976): legendary arthouse shocker returns, its power undimmed (Review)

Graham Williamson 03/01/2022
In the Realm of the Senses (1976): legendary arthouse shocker returns, its power undimmed (Review)

2022’s home releases get off to a dynamite start with Criterion UK’s Blu-Ray of this legendary arthouse shocker by Nagisa Oshima, alternatively known as Ai no Corrida but not – despite the persistent mistake – known as In the Realm of the Senses. (The misunderstanding stems from the opening credits, […]

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2021 Blow Out: Giants & Toys, Running Against the Wind, Menace II Society, The Millionaires’ Express (REVIEW)

Graham Williamson 30/12/2021
2021 Blow Out: Giants & Toys, Running Against the Wind, Menace II Society, The Millionaires’ Express (REVIEW)

Here at Geek Show Towers we don’t always get the time to cover everything we’re sent. In the interests of greeting the new year with a clear desk, here’s a round-up of some of the most noteworthy discs we didn’t get round to. Each of them is from a different […]

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Stage Fright (1987) Slasher turned Silent Liminal Chiller once the lights go out (Review)

Rob Simpson 27/12/2021
Stage Fright (1987) Slasher turned Silent Liminal Chiller once the lights go out (Review)

For a young horror director to the protege of a more seasoned hand, few could have better fortune than Michele Soavi, who sat under the learning tree of Dario Argento. Not only that, he had his directorial debut produced by another substantial Italian genre legend, Joe D’Amato. Soavi exploded out […]

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Original Cast Album: Company (1970) have I got a film for you! (Review)

Graham Williamson 27/12/2021
Original Cast Album: Company (1970) have I got a film for you! (Review)

Before the end of the year, we at The Geek Show plan to take a little look back through some of the home releases we missed when they were released. All of them have their merits, but none have gained retrospective interest like Criterion UK’s release of D.A. Pennebaker’s 1970 […]

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Agnus Dei (1971) Godard & Larping Via a Hungarian Master Director (Review)

Rob Simpson 15/12/2021
Agnus Dei (1971) Godard & Larping Via a Hungarian Master Director (Review)

Rounding out our coverage of Second Run’s acclaimed Hungarian Masters boxset, following Current and Merry-go-round is Miklós Jancsó’s Agnus Dei. The prior have something of a social realist streak to them, whether they were steadfast in their subscription to the stylistic tics or used it as a cinematic tradition to subvert. We’ve featured Jancso’s […]

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Merry-Go-Round (1956) Romeo and Juliet in Communist Hungary (Review)

Mark Cunliffe 14/12/2021
Merry-Go-Round (1956) Romeo and Juliet in Communist Hungary (Review)

Released this week as part of Second Run’s Hungarian Masters limited edition three disc Blu-ray (see m’colleagues reviews on this site for the other two films in the set), Merry-Go-Round, or to give it its original Hungarian title Körhinta, is rightly held up as one of the finest achievements in […]

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Current (1964): a calm surface with a darker undertow (Review)

Graham Williamson 10/12/2021
Current (1964): a calm surface with a darker undertow (Review)

The new Hungarian Masters set is the second time Second Run have released a box set themed around Hungary’s cinema. The previous one was released in 2010 and showcased the work of Miklós Janscó, Károly Makk and Márta Mészáros, three of the most prominent Hungarian directors of the 1950s-1970s era. […]

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The Wraith (1986) Casting confusion, Hyper 80s Camp and Car Crashes (Review)

Rob Simpson 09/12/2021
The Wraith (1986) Casting confusion, Hyper 80s Camp and Car Crashes (Review)

Contains Spoilers On the extras of Vestron Video’s new release, The Wraith, director Mike Marvin is open about liberally borrowing ideas from across cinema – something you won’t catch many directors admitting. And, in putting together all these ideas and threads, including a surprising nod to Clint Eastwood’s High Plains […]

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