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Sunday, Oct 25, 2026
New REVIEWS!
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema

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1

Hamlet (2024): Age cannot wither McKellen’s Great Dane (Review)

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Mississippi Mermaid (1969): Truffaut’s Misunderstood Tale of Mystery and Erotic Obsession (Review)

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A Small Fortune (2021) Dying Town Malaise and Small-time Canadian Crime (Review)

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Merry-Go-Round (1956) The Realism of Love from a Hungarian Classic (Review)

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The Guernsey Literary and Potato Peel Pie Society (2018) a must for period drama fans, an easy skip for everyone else (Review)

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The Sting of Death (1990) Scenes From a Marriage (Review)

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Modern Romance (1981) Yet more proof that the Rom-Coms best days are behind them (Review)

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The Informer (1929) 90-year-old silent political thriller feels timeless (Review)

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Maniacal Mayhem (1936/1940/1951) (Blu-Ray Review)

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Luminous Procuress (1971): if an alien made a film about human sexuality, it would look like this (Review)

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The Boy And The Heron (2023) – A Triumphant If Flawed Comeback For An Animation Titan

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Cobra (1986) Stallone’s Clunky Hard Body Classic Shows it Age

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Movies & Documentaries

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Mark Isaacs: Five Films, One Filmmaker (2001-2017)(Review)

Aidan Fatkin 22/10/2018
Mark Isaacs: Five Films, One Filmmaker (2001-2017)(Review)

Second Run dropped a bombshell of a box set dedicated to the films of Marc Isaacs, a British documentary filmmaker known for creating closed-off, intimate films with a cast of many memorable and sometimes eccentric personalities. It doesn’t matter if his contributors are small-time BNP supporters, nobody street sweepers, or […]

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Wild Rose – London Film Festival 2018

George Hardy 18/10/2018
Wild Rose – London Film Festival 2018

“No black ties (far from it!). Although members may complain about the ticket prices, they are at least no higher than ordinary West End cinemas— which, considering the expense of putting on a film festival, is more than reasonable. We are non-competitive, feeling that it is impossible to choose […] […]

  • Movies & Documentaries
  • Reviews

Monkey Shines (1988) Lesser Romero Doesn’t Mean Bad Romero (Review)

Rob Simpson 18/10/2018
Monkey Shines (1988) Lesser Romero Doesn’t Mean Bad Romero (Review)

One of the issues I have always had with the 70s and 80s horror is George A. Romero. Not his movies as I love more of them than I don’t, more the way the industry dealt with him. First and foremost he was a satirist who wanted to tell stories […]

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The Comfort of Strangers (1990) High-Art Horror? Erotica Thriller? or Both? (Review)

Mark Cunliffe 15/10/2018
The Comfort of Strangers (1990) High-Art Horror? Erotica Thriller? or Both? (Review)

Paul Schrader’s 1990 film, The Comfort of Strangers, is an adaptation of Ian McEwan’s 1981 novel of the same name and boasts a screenplay by Harold Pinter. It tells the story of an attractive, middle-class British couple named Mary and Colin (Natasha Richardson and Rupert Everett) who have arrived in […]

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Eye of the Needle (1981) Rescue Under Fire (2017): Two War Reviews

Graham Williamson 12/10/2018
Eye of the Needle (1981) Rescue Under Fire (2017): Two War Reviews

The release of a book about Where Eagles Dare by no less a high-culture luminary than Geoff Dyer has us wondering: when did the war movie stop being a pillar of mainstream entertainment? The simple answer might be once the politics of war became divisive, but recent films like Lincoln […]

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  • Reviews

City of the Living Dead (1980) Gratuitously cruel and inappropriately violent fun (Review)

Andrew Young 11/10/2018
City of the Living Dead (1980) Gratuitously cruel and inappropriately violent fun (Review)

October is upon us once again and with Halloween lurching inexorably towards us, there is no better way to get into the spooky spirit than with a good old-fashioned schlocky horror B-movie. With that in mind, let us turn to face the ghastly visage of the 1980’s City of the […]

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The Knack… and How to Get It (1965) caprice and candyfloss with a dark undercurrent (Review)

Sarah Hayton 10/10/2018
The Knack… and How to Get It (1965) caprice and candyfloss with a dark undercurrent (Review)

 Navigating the Tricky Sexual Waters of the Past Through the Lens of a Comedy Puffball. Inspired by the original stage play by Ann Jellicoe, a leading proponent of the 1960s New Wave theatre, The Knack is a tale of a naïve northern lass, Nancy, (Rita Tushingham) who comes to live […]

  • Movies & Documentaries

House of Salem (2016) a confidently staged British occult-kidnap thriller debut (Review)

Graham Williamson 01/10/2018
House of Salem (2016) a confidently staged British occult-kidnap thriller debut (Review)

Sometimes you have to remind yourself that British people were frightened by things before the 1970s. Whether they’re sociopolitical (VIP paedophile rings, tensions with the EU and the Irish border) or cultural (strange electronic music, unnerving children’s programming), all of our modern nightmares come from the Glam Decade. James Crow’s […]

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Redcon-1 (2018) the micro-budget zombie film with ants in its pants (Review)

Rob Simpson 28/09/2018
Redcon-1 (2018) the micro-budget zombie film with ants in its pants (Review)

Here we go again, Redcon-1. A thousand different websites for a thousand different zombie movies all say the same thing, this is one monster who has been exhausted way past the breaking point. In other news, rain is wet. I mock but in the past twenty years, you could probably […]

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  • Reviews

Madame (2017) A comedy of upper-class errors (Review)

Sarah Hayton 18/09/2018
Madame (2017) A comedy of upper-class errors (Review)

Ah, Paris: City of Romance. You can tell from the get-go that our lead couple are artsy types. He wears Truman Capote glasses and she simply must cycle through the streets of Paree, an accordion trilling in her mind. So is our introduction to Anne and Bob Fredericks (Toni Colette […]

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