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Monday, Oct 26, 2026
New REVIEWS!
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema

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Jubilee (1978) Pure Punk and Pure Derek Jarman (Review)

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Taskafa, Stories of the Street/Estate, a Reverie: Two Films by Andrea Luka Zimmerman

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The Horrible Dr Hichcock (1962) & The Night of the Devils (1972) Radiance Italian Gothic (Review)

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A Jester’s Tale (1964) Karel Zeman’s Astonishing Anti-Historical War Epic (Review)

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Yakuza Graveyard (1976) A Chaotically Rewarding Yakuza Classic That Demands All of Your Attention (Review)

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Kumiko, The Treasure Hunter (2015) Sobering portrait of Japanese loneliness (Review)

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Slap the Monster on Page One (1972): A Still Relevent Look at Media Manipulation

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Luminous Woman (1987) – A surreal Japanese study of alienation, violence and societal corruption (Review)

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Antonio Gaudí (1984): pure cinema explores pure imagination (review)

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Don’t Go In The House (1980) Schlocky psychological video nasty? (Blu-Ray Review)

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Golgo 13 (1973) Ken Takakura at his Effortless Best (Review)

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Psycho Goreman (2021) Just shy of Potential New Gateway Horror Classic (Review)

04/10/2021
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Movies & Documentaries

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Manina, the Lighthouse-Keeper’s Daughter (1949) Host to the Best Extra Feature of 2017? (Review)

Graham Williamson 15/11/2017
Manina, the Lighthouse-Keeper’s Daughter (1949) Host to the Best Extra Feature of 2017? (Review)

Let’s get the big issue out of the way first: Eureka’s new Blu-ray release of Manina, the Lighthouse-Keeper’s Daughter by Willy Rozier boasts the most unexpected and delightful extra feature of the year. It actually pertains not to the title feature, but to another Rozier film included as a bonus, […]

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Body Heat (1981) Double Indemnity Reinvisioned as a Sexy 80s Neo-Noir (Review)

Sarah Hayton 14/11/2017
Body Heat (1981) Double Indemnity Reinvisioned as a Sexy 80s Neo-Noir (Review)

Body Heat opens on the scene of a distant burning restaurant as a witness, Ned Racine (William Hurt), watches from a bedroom window. As a kid, his family were regular diners there. Now, he sardonically speculates that the arsonist is one of his corrupt clients. Behind him, a lover berates […]

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A Clockwork Orange (1971) One of the 1970s most controversial masterpieces (Review)

Mark Cunliffe 13/11/2017
A Clockwork Orange (1971) One of the 1970s most controversial masterpieces (Review)

I guess A Clockwork Orange is something akin to a movie buff’s ‘Where were you when Kennedy was shot?’ moment. Every self-respecting film devotee from the UK is likely to recall the first time they watched Stanley Kubrick’s controversial masterpiece and, if you’re of a certain age, chances are you […]

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The Wall (2017) a War movie with an element of Carpenteresque B movie about it (Review)

Mark Cunliffe 04/11/2017
The Wall (2017) a War movie with an element of Carpenteresque B movie about it (Review)

Thankfully not a film about Trump’s intentions regarding the US/Mexico border, The Wall is, in fact, a tense, psychological war movie from director Doug Liman. The Wall is essentially a three-hander (though in truth the vast chunk of its running time sees it operate more or less as a two-hander) […]

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Voice of the Moon (1990) The Master, Federico Fellini’s Final Film (Review)

Graham Williamson 02/11/2017
Voice of the Moon (1990) The Master, Federico Fellini’s Final Film (Review)

By an odd coincidence, 1990 saw the release of two films called Voice of the Moon, one of which saw the beginning of a directorial career, the other saw the end of it. The first was a short documentary by Richard Stanley about his travels in Soviet-occupied Afghanistan, the second […]

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House of Wax (1953) An early Vincent Price classic that paved the way for many years to come (Review)

Rob Simpson 01/11/2017
House of Wax (1953) An early Vincent Price classic that paved the way for many years to come (Review)

James Cameron has a lot to answer for, off the back of Avatar’s success film fans have been subjected to a decade of shoehorned 3D features. Luckily the trend has subsided outside of a biggest of superhero mega-blockbusters, otherwise, 3D has left the building. This decade wasn’t the first cycle, […]

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The Crazies (1973) Romero obliterates small-town America in harsh anti-military satire (Review)

Rob Simpson 30/10/2017
The Crazies (1973) Romero obliterates small-town America in harsh anti-military satire (Review)

As with any Romero film, The Crazies is a politically charged satire that uses the language of the genre to take stock of what is happening in the world – with war and science fiction the tools adopted. Unlike other war films, Romero tracks both sides in Evans City, Pennsylvania. […]

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JD’s Revenge (1976) In touch with its culture, and has ideas that transcend its budget (Review)

Graham Williamson 27/10/2017
JD’s Revenge (1976) In touch with its culture, and has ideas that transcend its budget (Review)

One of the many rare and cherishable things about Jordan Peele’s Get Out was that it was a horror movie with an African-American lead that nevertheless wasn’t pitched or marketed as the black version of any pre-existing horror film. After Night of the Living Dead, which should have been the […]

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The Villainess (2017) Bravura actioner containing two of the best scenes of the past decade (Review)

Rob Simpson 26/10/2017
The Villainess (2017) Bravura actioner containing two of the best scenes of the past decade (Review)

2017 has been a watershed year for Korean cinema. Park Chan-Wook, Kim Jee-Woon, and Joon Ho-Bong returned with the latter directing one of the largest budgets for a Netflix original. Beyond that upper echelon, cult aficionados Arrow Video have finally engaged with Korean cinema by releasing the acclaimed action film, […]

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The Gorgon (1964) Hammer’s Terence Fisher tackles Greek Mythology (Review)

Graham Williamson 26/10/2017
The Gorgon (1964) Hammer’s Terence Fisher tackles Greek Mythology (Review)

The most famous monsters in Hammer Studios’ repertoire were essentially the same ones Universal had hit paydirt with in the 1930s: Dracula, Frankenstein’s Monster, the mummy.  But Hammer had plenty of other things to shock and disturb audiences with – zombies, Satanists, aliens, man-lizards and, at the end of the studio’s […]

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