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Monday, Oct 26, 2026
New REVIEWS!
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema

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1

Hacked: A Double Entendre of Rage-Fueled Karma (2025) A chaotic act of cinematic payback

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Shady (2012): Remarkable Japanese Micro-Budget Coming of Age Thriller (Review)

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The Firemen’s Ball (1967) A good fun satire on totalitarianism? (Review)

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Yellow Submarine

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12 Angry Men (1957) Endlessly influential and one of the most parodied films of all time (Review

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Tomorrow I’ll Wake Up and Scald Myself with Tea(1977) A fantastic, vicious attack on the modern age of serious science fiction (Review)

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City of the Living Dead (1980) Gratuitously cruel and inappropriately violent fun (Review)

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Exit (2014) A subtle showcase for Shiang-chyi Chen (Review)

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The Deep House (2021) A fascinating branch into Creepy Underwater Horror (Blu-Ray Review)

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The Strangers (2008) One performance shy of the Modern Answer to Home Invasion Movies (Review)

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Flowers of Shanghai (1998) a Beautiful, Languid Taiwanese Movie for the patient viewer (Review)

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The End (2025) Opening night at the end of the world in barmy musical morality tale

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Movies & Documentaries

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Touchez Pas au Grisbi (1954) Jean Gabin and Jacques Becker’s Radical Chic (Review)

Graham Williamson 14/08/2017
Touchez Pas au Grisbi (1954) Jean Gabin and Jacques Becker’s Radical Chic (Review)

There’s an anecdote Martin Scorsese often tells about his childhood that turns up in some variant or other in most of his gangster films. It concerns the future director walking around Little Italy with his mother, noticing that some people seemed to be wearing better clothes and driving better cars […]

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Dunkirk – a very loud introduction to war

Luke Shepherd 10/08/2017

Leaving the cinema after watching Dunkirk, you’d forgive your brain for thinking that you had just gotten off a rollercoaster. The relentless pace at which the movie depicts the frightening realities of war is as thrilling an experience — if not the biggest thrill — offered by any war movie […]

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Heal the Living (2016) An admirable but soul-crushing medical drama (Review)

Aidan Fatkin 09/08/2017
Heal the Living (2016) An admirable but soul-crushing medical drama (Review)

For some, Katell Quillévéré’s third feature film, ‘Heal the Living’, has slotted itself nicely in the honourable mentions for a film of the year in 2017. As of writing, Mark Kermode just put out his annual mid-term report of his favourite films from January – June where ‘Heal the Living’ […]

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Wolf Warrior II (2017) Flag waving aside, this is the perfect antidote to modern action cinema (Review)

Rob Simpson 07/08/2017 2
Wolf Warrior II (2017) Flag waving aside, this is the perfect antidote to modern action cinema (Review)

How American cinema has changed since the 1980s, I’ll use the action film as the conduit to make this point. Back then we had ridiculously over the top, jingoistic, star vehicles centred around a handful of names. Now, those films are shot and financed exclusively in Europe, the quality of […]

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Westfront 1918 & Kameradschaft (1930/1) One of Germany’s best at the peak of his powers (Review)

Aidan Fatkin 02/08/2017
Westfront 1918 & Kameradschaft (1930/1) One of Germany’s best at the peak of his powers (Review)

During the late 1920’s to the early 1930’s, G. W. Pabst’s directorial career was on fire. In 1929, he crafted three films. The two Louise Brooks movies that made him synonymous with silent film, ‘Pandora’s Box’ and ‘Diary of a Lost Girl’, and the mountaineering movie starring Leni [Yes, THAT […]

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J’Accuse (1938) World War I Historical Epic with Silent Film and Grindhouse Brio (Review)

Graham Williamson 26/07/2017 2
J’Accuse (1938) World War I Historical Epic with Silent Film and Grindhouse Brio (Review)

In literature, the phrase J’accuse is most associated with Émile Zola, who used it for the title of an essay accusing the French government of corruption and anti-Semitism in the case of Alfred Dreyfus. (Dreyfus, a Jewish artillery officer, was charged with treason in a clumsy attempt to cover up […]

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The Sorrow and the Pity (1969) A gruelling and essential World War II documentary (Review)

Aidan Fatkin 19/07/2017
The Sorrow and the Pity (1969) A gruelling and essential World War II documentary (Review)

We British have a very simple way of boiling down WWII in our school history lessons. We were the good-hearted nation prone to stop any violent conflict. The Nazis showed up and did evil things, we went to war with them and we won. But for the documentary filmmaker, Marcel […]

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Aquarius (2016) Sonia Braga towers over this bloated love affair with the home space (Review)

Mark Cunliffe 19/07/2017
Aquarius (2016) Sonia Braga towers over this bloated love affair with the home space (Review)

What I will say about Aquarius, the latest film from Brazilian filmmaker Kleber Mendonça Filho is that it is an absorbing, detailed and considerate character study of its female protagonist – and more, that protagonist happens to be a woman in her mid-sixties. There really isn’t enough major roles or stories […]

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The Levelling (2016) An incredible, sympathetic film to the plight of the modern farmer (Review)

Graham Williamson 17/07/2017
The Levelling (2016) An incredible, sympathetic film to the plight of the modern farmer (Review)

It would be wrong to say British film hasn’t dealt with the countryside, but it certainly hasn’t dealt with it in any depth. For the first half-century or so of British cinema it might as well have been a painted backdrop, just some pretty, quintessentially British scenery against which melodramas […]

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Stormy Monday (1988) Mike Figgis’s Anti-American moody noir (Review)

Graham Williamson 11/07/2017
Stormy Monday (1988) Mike Figgis’s Anti-American moody noir (Review)

It would probably be impossible to make a genuinely anti-American film; as with rock and roll, the USA has contributed so much to the history of the art form that any political stance has to be tempered by the sheer cultural debt. Mike Figgis’s debut film Stormy Monday, now reissued […]

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