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Monday, Oct 26, 2026
New REVIEWS!
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema

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Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker

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The Purple Rose of Cairo (1985) Perfectly captures our love affair with movies (Review)

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Jakob’s Wife (2021) Eternally left-turning Modern Vampire Movie (Review)

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The Friends of Eddie Coyle (1973) One of the Ultimate Anti-Gangster Movies (Review)

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Finis Terrae (1929) An Early Example of Realism in Film

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Haunted Ulster Live (2023) Ghostwatch… with Laughs (Review)

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Head Count (2023) A joyfully nostalgic crime thriller that recalls the late 90s glory days (Review)

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The Game Trilogy (1978/9) Classic Japanese Carnage with a Huge Slice of Cool (Review)

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Iceman: The Time Traveller (2018) Bewildering Blockbusters And The Cost Of Globalisation (Review)

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The Dunwich Horror (1970) Lovecraft via 1960s New Age Hippie Psychadelia (Review)

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Movies & Documentaries

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Raising Cain (1992) John Lithgow’s Sandbox and the unexpected Director’s Cut (Review)

Rob Simpson 01/02/2017
Raising Cain (1992) John Lithgow’s Sandbox and the unexpected Director’s Cut (Review)

In Noah Baumbach and Jake Paltrow’s disarmingly forthright documentary, De Palma, its subject talks about the highs and lows of his career. In that one man and his camera documentary, there is one sentence that perfectly encapsulates how modest a man Brian De Palma is. He along with other directors do […]

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Varieté (1925) Emil Jannings and trapeze scene that defies a century (Review)

Aidan Fatkin 01/02/2017
Varieté (1925) Emil Jannings and trapeze scene that defies a century (Review)

If you type in the term “Unchained camera” into the Wikipedia search bar, you’ll come across a very brief article where it hints that F. W. Murnau, one of the finest directors to come out of the German expressionist film movement, was the creator of an innovation called the “Unchained […]

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Someday My Prince Will Come (2005) / Philip and His Seven Wives (2006): Two Films by Marc Isaacs

Mark Cunliffe 31/01/2017
Someday My Prince Will Come (2005) / Philip and His Seven Wives (2006): Two Films by Marc Isaacs

This welcome Second Run DVD release comprises two early films from the excellent British documentary filmmaker Marc Isaacs entitled Someday My Prince Will Come (2005) and Philip and His Seven Wives (2006). On the first inspection, they could be considered strange bedfellows with very little shared between each film other […]

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Bring Me the Head of Alfredo Garcia (1974) Sam Peckinpah’s favourite film he directed, us? not so much (Review)

Rob Simpson 26/01/2017
Bring Me the Head of Alfredo Garcia (1974) Sam Peckinpah’s favourite film he directed, us? not so much (Review)

 Acclaim and success are very different beasts when considering the director, sometimes neither matter and the films they made that chimed with them the most have been overlooked or lost in the shuffle. While he has gone down in cinematic legend with the Wild Bunch and Straw Dogs, it was […]

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The Glass Shield (1994) underneath the popcorn-movie surface is a nuanced, astute neo-noir (Review)

Graham Williamson 25/01/2017
The Glass Shield (1994) underneath the popcorn-movie surface is a nuanced, astute neo-noir (Review)

African-American cinema’s relationship to the American mainstream is kind of like Halley’s comet; it’s always there, it’s just not always visible.  Charles Burnett’s career has lasted long enough to intersect with two major movements in black cinema; he may yet connect with the ongoing one.  After all, a lot of the […]

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The Cabinet of Dr Caligari (1920) the first horror film ever that truly chills (Review)

Graham Williamson 24/01/2017
The Cabinet of Dr Caligari (1920) the first horror film ever that truly chills (Review)

The film with the wonky sets?  Yes, the film with the wonky sets – but Robert Wiene’s silent horror landmark has so much more to offer, and that’s never been as apparent as it will be when you watch Eureka Masters of Cinema’s new loaded-up Blu-Ray.  As well as a […]

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His Girl Friday (1940) One of the finest comedies ever directed (Review)

Rob Simpson 21/01/2017
His Girl Friday (1940) One of the finest comedies ever directed (Review)

As Howard Hawk’s His Girl Friday opens, we are graced with a silent film style inter-title that announces that the following takes place in a world where Journalists have become an unscrupulous kind who care little of the people around them. What now reads as on-the-nose satire, back in 1934 […]

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Call of Heroes (2016) Historical Martial Arts romp with a dark edge (review)

Rob Simpson 04/01/2017
Call of Heroes (2016) Historical Martial Arts romp with a dark edge (review)

Hong Kong Legends was a beacon for fans of martial arts cinema, even though they focused on Golden Harvest and overlooked the Shaw Brothers, their early DVD exploits provided ample chance for us fans to see films that we wouldn’t have otherwise. With their unfortunate demise, Cine Asia rose to […]

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The Man Between (1953) A tense prototype for the behind enemy lines political thriller (Review)

Rob Simpson 03/01/2017
The Man Between (1953) A tense prototype for the behind enemy lines political thriller (Review)

The cooperative forces of the internet and a golden age of home video have put the idea of filmmakers known for one film to bed. Carol Reed was one such director. He was celebrated for the Third Man but with the strength of the Blu-ray market, the likes of Fallen […]

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The Emigrants (1971) / The New Land (1972) (Review)

Graham Williamson 27/12/2016
The Emigrants (1971) / The New Land (1972) (Review)

In its native America, the Criterion Collection earned its reputation for desirable, extras-packed editions of arthouse classics over whole decades, disc by disc. When it expanded to Region 2 in April this year, it wasn’t an unknown quantity – cinephiles with region-free players had been spreading the word for years. […]

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