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Wednesday, Oct 21, 2026
New REVIEWS!
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema

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Movies & Documentaries

  • From the Festivals

Bambi: The Reckoning (Frightfest 2025) Public domain horror that (almost) finds its footing

Simon Ramshaw 31/08/2025
Bambi: The Reckoning (Frightfest 2025) Public domain horror that (almost) finds its footing

The public domain gold rush is alive and well from one side of the globe to another, with low-budget filmmakers picking away at the mummified remains of fresh ideas from nearly a century ago. The US seems content with pedalling out three cursed Popeye films in one year, as well […]

  • From the Festivals

A Serbian Documentary (Frightfest 2025) – A one-sided dive into cinematic controversy

James Rodrigues 31/08/2025
A Serbian Documentary (Frightfest 2025) – A one-sided dive into cinematic controversy

Within the horror genre, there is one film whose notoriety extends into legend. Even if you have not seen the film, you damn well know about A Serbian Film. Banned in 46 countries, the 2010 feature is considered one of the most censored movies in history, and it is the […]

  • From the Festivals

The Haunting at Jack the Ripper’s House (Frightfest 2025)

Vincent Gaine 31/08/2025
The Haunting at Jack the Ripper’s House (Frightfest 2025)

“Screen life” or “livestream” films have become prominent in contemporary horror, and from Unfriended to Deathstream to Dashcam, this concept has many of the same ideas as found footage. Viewers are vicariously put in the position of the characters, and therefore experience a sense of immediacy – the trend reflecting […]

  • From the Festivals

Frightfest 2025, Day 3 & 4 (Redux Redux, The Descent, Mother of Flies & More)

Rob Simpson 31/08/2025
Frightfest 2025, Day 3 & 4 (Redux Redux, The Descent, Mother of Flies & More)

This final entry will mush together my third & fourth days, as I only watched 2 movies on the Monday before heading into the labyrinthine underground system and my long coach journey home. My third day started by skipping the first movie, sometimes you just have to. As good as […]

  • From the Festivals

The Red Mask (Frightfest 2025) – A meta-slasher with a sharpness.

James Rodrigues 29/08/2025
The Red Mask (Frightfest 2025) – A meta-slasher with a sharpness.

Fandoms are a troublesome thing, to say the least. While there’s an allure in finding like-minded people that you can share your mutual love, the experience is ruined by the hatred spewed by dickheads who consider their entitlement a priority. The Red Mask opens with that hatred in action, resulting […]

  • From the Festivals

Above the Knee (Frightfest 2025): Bone Crackingly Intense Psychological Horror

Mike Leitch 29/08/2025
Above the Knee (Frightfest 2025): Bone Crackingly Intense Psychological Horror

After his previous film, Good Boy, got such a great reception at Frightfest in 2023, Viljar Bøe returns with his latest film – a story that once again explores the dark psychological depths that the human mind can fall into. Amir (played by Freddy Singh, who also worked on the […]

  • From the Festivals

Portal to Hell (Frightfest 2025) – A hellish good time

James Rodrigues 29/08/2025
Portal to Hell (Frightfest 2025) – A hellish good time

Working from home as a debt collector, Dunn (Trey Holland) spends his days receiving torrents of abuse from calling people that owe medical debt. His remaining time is filled speaking to his dying neighbour, Mr. Bobshank (Keith David), dreaming of romancing a cute lady in his building, and spending time […]

  • From the Festivals

Frightfest 2025, Day 2 (Feat. The Red Mask, Marshmallow, Crushed & More)

Rob Simpson 29/08/2025
Frightfest 2025, Day 2 (Feat. The Red Mask, Marshmallow, Crushed & More)

Day 1 of this style of article will always have the most storytelling, after all, transport and the stories therein have more meat on the bones than me regaling you, repeatedly, about my sleeping arrangements, recalling how battered and bruised I am from climbing down from and up to my […]

  • Movies & Documentaries
  • Reviews

Harvest (2024): A Nightmarish Look at the Past, or a Prescient Look at the Future? 

Mark Cunliffe 28/08/2025 1
Harvest (2024): A Nightmarish Look at the Past, or a Prescient Look at the Future? 

Based on a novel by Jim Crace, Harvest marks the English-language debut of Athina Rachel Tsangari. It was released to UK cinemas in July of this year and is currently available to stream on Mubi. The film is a curious, absorbing tale, set over seven hallucinatory days, in a village with no name, in an […]

  • Movies & Documentaries
  • Reviews

Take From Me (2025) Solemn Indie Horror Full of Promise & Heart

Ethan Lyon 28/08/2025
Take From Me (2025) Solemn Indie Horror Full of Promise & Heart

At one point during Take From Me, the enigmatic Elizabeth asks our dishevelled lead John “Are you addicted to death?” Horror and addiction have been bedfellows since the genre turned reflexive in the 60s and 70s. Perhaps the greatest of these is Ferrara’s The Addiction, a uniquely personal take on […]

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