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Friday, Jul 24, 2026
New REVIEWS!
The Caretaker (2025) Bittersweet, Awkward, and Quietly Unsettling
The Boxer (1977) Rocky by quality, not by name
The Mortuary Assistant (2026) A Horror Game’s Logic Trapped in a Linear Film
Cold Prey (2006-2010) A Rare Nordic slasher Trilogy gets its due
Nirvanna the Band the Show the Movie (2025)(II) – Long-gestating gutbuster from Canada’s finest pranksters
Love is the Monster (2026) A Handsome, Horny, Hopelessly Chaotic Horror
Madhouse (1974) The Price is Right
Kraken (2026) A tale of tension, patience, and a creature waiting in the wings
Signal One (2026) A small‑scale sci‑fi that refuses to stay small
Empire of the Ants (1977) The Surprising Liminality of a B.I.G Killer Ant Movie
Familiar Touch (2024): dementia drama without the melodrama
Affection (2026): A Familiar but Disturbing Twist on Memory-loss Thriller

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Movies & Documentaries

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Late Night with the Devil (2023) Old Standard Freshened In Engaging and Thrilling Ways (Review)

Alex Paine 22/03/2024
Late Night with the Devil (2023) Old Standard Freshened In Engaging and Thrilling Ways (Review)

It’s no secret that found-footage is an often-derided format for horror films, and aside from some very good exceptions (Blair Witch, Cloverfield, Chronicle, etc), the whole gimmick of a family member or friend recording every strange occurrence until they drop the camera out of terror is extremely played-out. Inevitably, eyes […]

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Damsel (2024) – Millie Bobby Brown Showcase Only Delivers Some Of The Goods (SPOILER Review)

Alex Paine 19/03/2024
Damsel (2024) – Millie Bobby Brown Showcase Only Delivers Some Of The Goods (SPOILER Review)

There is no denying that Millie Bobby Brown is one of the biggest stars of my entire generation. Hell, I’m less than a year younger than her and I’ve been seeing her face stamped on everything ever since the first series of Stranger Things blew up back in 2016. Stranger […]

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Green Room (2015) N*zi Punks F*ck Off in 4K (Review)

Jimmy Dean 19/03/2024
Green Room (2015) N*zi Punks F*ck Off in 4K (Review)

One of the reasons I enjoy writing is because I want to share my love of films with other people. I’ve always taken pride in introducing friends, family, and now strangers, to movies that have changed my life. The reverse is also incredibly special, when someone shares one of their […]

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Bodyguard Kiba 1&2 (1973) Never a bad thing when it comes to Sonny Chiba (Review)

Ben Jones 18/03/2024
Bodyguard Kiba 1&2 (1973) Never a bad thing when it comes to Sonny Chiba (Review)

Adapted from the action manga by Ikki Kajiwara, the Bodyguard Kiba movies were another series in a long line which were starring vehicles for arguably the most charismatic actor on Japan at the time, one Shinichi “Sonny” Chiba. Having made a steady stream of movies since 1959 for TOEI, working […]

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Doctor Jekyll (2023): Entertaining Reinterpretation of Classic Story (Review)

Mike Leitch 17/03/2024
Doctor Jekyll (2023): Entertaining Reinterpretation of Classic Story (Review)

The world premiere of Doctor Jekyll at Frightfest 2023 (which I was able to attend) began with director Joe Stephenson announcing he was about to go into a meeting to find out whether Hammer would still be producers on the movie. By the end of the screening, it was confirmed […]

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Room at the Top (1959): The Birth of British New Wave Cinema (Review)

Mark Cunliffe 15/03/2024
Room at the Top (1959): The Birth of British New Wave Cinema (Review)

Released to Blu-ray this week by Studio Canal’s Vintage Classics label is the feature that effectively gave birth to the British film industry’s New Wave period of the 1960s, Jack Clayton’s 1959 movie Room at the Top, starring Laurence Harvey and Simone Signoret. The opening shot of Harvey’s threadbare socks […]

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The Roaring Twenties (1939) How Systemic Failure Created a Gangster (Review)

Jimmy Dean 14/03/2024 1
The Roaring Twenties (1939) How Systemic Failure Created a Gangster (Review)

Criterion’s stunning UHD Blu-Ray release of The Roaring Twenties allows audiences to rediscover a film that marked the end of the golden age of gangster films. Made in 1939, long after the success of Little Caesar (1931), Public Enemy (1931), and Scarface (1932), Raoul Walsh’s film is a fascinating, nostalgic […]

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Dogman (2023) Character actor gets plenty to chew on in strange shaggy dog story (Review)

Simon Ramshaw 13/03/2024
Dogman (2023) Character actor gets plenty to chew on in strange shaggy dog story (Review)

There are many enticing puns a film like Dogman can provoke. The waft of a “dog’s dinner” is a tempting angle to take if the film is a complete mess, and if it’s just plain poor, a reviewer could do a This is Spinal Tap-style Shark Sandwich/”Shit Sandwich” quip and […]

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One Percenter (2023): Japanese Fall Guy delivers eighty-five minutes of mayhem (Review)

Graham Williamson 12/03/2024
One Percenter (2023): Japanese Fall Guy delivers eighty-five minutes of mayhem (Review)

For some people, films about film-making are insufferable exercises in navel-gazing, nothing more than a way for self-absorbed artistes to force us to experience their creative angst. Yet there is a long history of this kind of meta-film within that least pretentious of genres, action. There’s a pretty simple reason […]

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Padre Pio (2022) Hollywood pariah plays pious friar in pandering prayer for pity (Review)

Simon Ramshaw 11/03/2024
Padre Pio (2022) Hollywood pariah plays pious friar in pandering prayer for pity (Review)

Tales of redemption can come in many forms. The Bible is full of them, from Noah to Moses, depicting flawed individuals picking themselves up and striding into the divine light of the Lord. Hollywood redemption stories are a different kettle of fish. Since 2017, the culture has changed, and victims […]

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