When Maciek Hamela was shooting this documentary on the roads between Ukraine and Poland there was probably still hope that this would remain a relatively short-lived war. Indeed, several of Hamela’s passengers – refugees carried in his volunteer’s van from urban and rural areas across the nation – often speak […]
From the Festivals
7 Keys (SXSW 2024): Stylish Execution of High Concept British Thriller (Review)
Receiving its world premiere at SXSW, Joy Wilkinson makes her feature film debut as writer and director with 7 Keys, having found success in theatre, television, and radio. Immediately, she shows confidence in executing her vision with the opening shots of houses and flats around London, each one tinged with […]
Horror Story – (Kinoteka 2024)(Review)
As the feature debut of writer-director Adrian Apanel, Horror Story pulls off a nice little magic trick. When fresh-faced finance graduate Tomek (Jakub Zajac), rents a room in a crumbling boarding house that’s straight out of the horror cinema interior decorating textbook, we expect things to go full-blown supernatural (or […]
In Flames (Glasgow Frightfest 2024)(Review)
Fifteen or so years ago a movie called In Flames would’ve conjured up images of Scandanavian terror, full of blacks and dark blues, probably quite nihilistic, where an unlucky group were victim to supernatural terrors from beyond. Admittedly, part of that hypothetical may be influenced by sharing a name with a Swedish […]
Danger Zone (Kinoteka 2024) (Review)
It’s the kind of sentiment you expect to hear on stage at the Kodak Theater around this time of year: “It’s important to learn from the suffering of other people”. Except this time it’s not coming from the mouth of someone who’s just made an Oscar-winning film, it’s said by […]
Au 8ème Jour (SXSW 2024) – Wonderfully Unique and Gorgeously Atmospheric (Review)
One of the many short films that SXSW are showcasing is the French animated student film Au 8ème Jour, or On The 8th Day, an eight-minute short depicting the creation and sudden collapse of a planet we can only assume to be similar to Earth. Many filmmakers in recent years […]
Doppelganger. The Double (2023) (Kinoteka 2024)
Here’s useful viewing for anyone wondering what the attitude of the Polish public towards the USSR might be almost forty five years on from the forming of Solidarity. Doppelganger. The Double is a new thriller from film-maker Jan Holoubek that’s set between the late-seventies and mid-eighties, and is currently showing […]
Birdeater (SXSW 2024)(Review)
In spite of what its title and country of origin might suggest, not a single spider appears in Birdeater (2023), the feature debut of Australian directing duo Jack Clark and Jim Weir; the webs of predatory entrapment that its characters become tangled in are of the metaphorical variety, constructed using […]
Mom (Glasgow Frightfest 2024)(Review)
Fresh from the birth of their son, Meredith (Emily Hampshire) and Jared (Francois Arnaud), come home to settle in to life as a family, but a restless force has its eyes on the new parents, and the latest addition. Introducing Mom, the feature length debut from Adam O’Brien, getting its World […]
The Well (Glasgow Frightfest 2024)(Review)
In the Well, sent on behalf of her father to restore a classic painting following a fire, budding art restorer Lisa (Lauren LaVera) becomes entangled in a centuries-old ritual involving murder, sacrifice, and dark magic. Fresh off the worldwide success of Terrifier 2, Lauren LaVera takes the lead in this […]