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Tuesday, Oct 27, 2026
New REVIEWS!
Ghost in the Cell (2026) A Kind Heart Under the Gore and Slap-Happy Combat
High Road to China (1983) A Boy’s Own Adventure
Survive Style 5 (2004) The Return of a Stone Cold Cult Classic Weirdo
The Shout (1978): cryptic, constantly rewarding folk horror classic
Eastern Trails – The Western at DEFA (1967-75): go east, young man!
Hush (2016) Mike Flanagan’s Early Suspenseful Horror, Reimagined
Trick or Treat (1986) THE Rock N’ Roll High Camp Comedy Horror Classic
Sexy Beast 4K (2000) Sweltering Heat & Subversive Gangsters
Semolina Pilchard (2026) A fearless independent Crime Thriller, Liverpool-Style
The Black Rock (2026) Impressive Micro-Budget WWII Drama
Histoire(s) du cinéma (1988-1998) review 2: the extras (1982-2024)
Treasures from the Golestan Film Studio (1961-1974): the union that birthed Iranian cinema

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Picnic at Hanging Rock (1975) A Beguiling & Intriguing work that put Australian Movies on the Map (Review)

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Cure (1997) Modern Horror Masterpiece about Evil’s absolute power to indoctrinate

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The Dead Don’t Hurt (2023) Classic Western Fare with a Wistful Edge (Review)

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Concrete Utopia (2023) Bleak and Brutal But Riveting Modern Dystopia (Review)

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Merry Christmas, Mr. Lawrence (1983) The Sexual or the Spiritual? (Review)

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Masculin Féminin (1966): further adventures of Jean-Luc Godard (Review)

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Trouble Every Day (2001) Laying the foundations for New French Extremity

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Rebel (2022) A Devastating Descent Into The Poisonous Spiral Of War And Propaganda (Review)

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Doctor Jekyll (2023): Entertaining Reinterpretation of Classic Story (Review)

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My Drywall Cocoon (SXSW 2023)(Review)

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Crowhurst (2017) if you prefer your biopics a little more obscure and experimental (Review)

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The End (2025) Opening night at the end of the world in barmy musical morality tale

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What’s New, Pussycat? – Carry On-Like entry into Woody Allen’s mammoth filmography (Review)

Ewan Gleadow 10/12/2019
What’s New, Pussycat? – Carry On-Like entry into Woody Allen’s mammoth filmography (Review)

With a talented trio of Peter O’Toole, Peter Sellers and an introduction of Woody Allen, it’s a genuine surprise that What’s New, Pussycat? tanks this badly and this quickly. The 1965 piece pools together an impressive cast of comedy greats and acting legends, yet everyone involved comes off as, at the very least, […]

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A Fistful of Dynamite: You Say You Want a Revolution? (Review)

Mark Cunliffe 03/12/2019
A Fistful of Dynamite: You Say You Want a Revolution? (Review)

Once upon a time in Paris (on March 22nd, 1968 to be exact) a number of far-left groups comprising of students and artists gathered together to occupy the administration building of Paris Nanterre University to protest against class discrimination and political bureaucracy. The police were subsequently called and the protesters […]

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The African Queen: A thrilling ride down a shallow river (Review)

Ewan Gleadow 29/11/2019
The African Queen: A thrilling ride down a shallow river (Review)

John Huston has swiftly become a fascination of mine. His directing style and visibility in some of cinema’s finest and best-remembered projects has elevated him to a status that kept his direction relevant for the forty years of his career and forty more after he’s passed away. His work on […]

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The Fate of Lee Khan (1973) When a Kung-Fu Movie isn’t a “Kung Fu Movie”

Rob Simpson 28/11/2019
The Fate of Lee Khan (1973) When a Kung-Fu Movie isn’t a “Kung Fu Movie”

Dragon Inn is one of the greatest martial arts films of all time, and it’s follow up from King Hu, A Touch of Zen – one of the genre’s greatest epics. The problem is, how do you follow a film as acclaimed as A Touch of Zen when critics love […]

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Moonrise Kingdom: Revel in the artificiality! (Review)

Graham Williamson 27/11/2019
Moonrise Kingdom: Revel in the artificiality! (Review)

Wes Anderson’s films always have a sense of existing outside of time, in an indefinably old-fashioned present. It makes a perverse sort of sense, then, that when he finally made one set in the 1960s it stood out for not having the Kinks and the Rolling Stones on the soundtrack. […]

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The Emperor’s Naked Army Marches On: A visceral indictment of war (Review)

Aidan Fatkin 11/11/2019
The Emperor’s Naked Army Marches On: A visceral indictment of war (Review)

Picture this. You’re one of a few surviving members of a World War Two Garrison stationed in New Guinea. It’s Japan in the late ‘80s, and you’ve gotten out bed after a horrific nightmare from the trauma of the war. Guilt, shame, and horror fester your mind: you’ve done something […]

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A Good Woman is Hard to Find (2019): But Well Worth Seeking Out (Review)

Mark Cunliffe 25/10/2019
A Good Woman is Hard to Find (2019): But Well Worth Seeking Out (Review)

In a supermarket on a sink estate in Belfast, a young single mother named Sarah is performing the weekly shop with her two small children. In her hand is a shopping list with all the necessities required for the family. However, when they reach the tills, Sarah is mortified to […]

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And Soon the Darkness (1970): the horror of language barriers? (Review)

Rob Simpson 18/10/2019
And Soon the Darkness (1970): the horror of language barriers? (Review)

Stop me if you’ve heard this one before. Two young English girls, Jane (Pamela Franklin) and Cathy (Michele Dotrice) have gone on a biking holiday to France, and not the parts of France you’d normally holiday, this is the back end of beyond with nothing for miles but fields and […]

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Fright (1971): Suburban 1970s Horror, British Style (Review)

Rob Simpson 15/10/2019
Fright (1971): Suburban 1970s Horror, British Style (Review)

Every Bank Holiday, every Christmas break, you’ll be painfully aware of Peter Collinson’s most successful film as a director – the Italian Job. Like William Girdler (Grizzly, The Manitou), he died way too young and left behind a fascinating body of work far more compelling than that which he is […]

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Angel Heart: Dark Intrigue and Sinister Seduction (Review)

Mark Cunliffe 14/10/2019
Angel Heart: Dark Intrigue and Sinister Seduction (Review)

It’s a lonely place for someone like me over on Letterboxd just now. Whilst the bulk of the community celebrate the Halloween season with the Hooptober Horror Film Challenge I, never much of a joiner-inner, continue to watch whatever takes my fancy. It’s not that I don’t appreciate a good […]

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