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Tuesday, Jul 28, 2026
New REVIEWS!
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker
The Caretaker (2025) Bittersweet, Awkward, and Quietly Unsettling
The Boxer (1977) Rocky by quality, not by name
The Mortuary Assistant (2026) A Horror Game’s Logic Trapped in a Linear Film
Cold Prey (2006-2010) A Rare Nordic slasher Trilogy gets its due
Nirvanna the Band the Show the Movie (2025)(II) – Long-gestating gutbuster from Canada’s finest pranksters
Love is the Monster (2026) A Handsome, Horny, Hopelessly Chaotic Horror
Madhouse (1974) The Price is Right
Kraken (2026) A tale of tension, patience, and a creature waiting in the wings
Signal One (2026) A small‑scale sci‑fi that refuses to stay small
Empire of the Ants (1977) The Surprising Liminality of a B.I.G Killer Ant Movie

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Reviews

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The Man Who Killed Hitler and Then the Bigfoot: 21st-century tall tales (Review)

Graham Williamson 07/05/2019
The Man Who Killed Hitler and Then the Bigfoot: 21st-century tall tales (Review)

Normally when a film’s auteur identity is ascribed to a producer it’s because said producer is a major Hollywood player. We know what a Jerry Bruckheimer film looks like, as surely as previous generations knew what a David O Selznick film looks like. In the independent realm, the director is […]

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Shakespeare Wallah: Merchant Ivory Opulence missing a certain something (Review)

Mark Cunliffe 30/04/2019
Shakespeare Wallah: Merchant Ivory Opulence missing a certain something (Review)

Made in 1965, Shakespeare Wallah was the second collaboration from Merchant Ivory and the first to really garner some international attention. Written by regular Merchant Ivory scribe Ruth Prawer Jhabvala, the film was one of the earliest English-language speaking roles for acclaimed Bollywood actor Shashi Kapoor and marked the screen […]

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Dragged Across Concrete: a tense thriller, a hard pill to swallow (Review)

Aidan Fatkin 30/04/2019
Dragged Across Concrete: a tense thriller, a hard pill to swallow (Review)

S. Craig Zahler has been a director who I have been banging the drum for since adoring his hybrid horror-western, Bone Tomahawk. Zahler’s hard-knuckled follow-up, Brawl in Cell Block 99, also landed in my Best of the Year list for 2017. As for Zahler’s third outing as director and writer, […]

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Everybody in Our Family: Atmospheric, touching and defiantly small-scale (Review)

Graham Williamson 29/04/2019
Everybody in Our Family: Atmospheric, touching and defiantly small-scale (Review)

Previously, the only film by the Romanian director Radu Jude to receive a general release in the UK is Aferim!, an eccentric, stylized take on Western genre tropes that slowly reveals itself to be a commentary on a historical atrocity little-known outside Eastern Europe. Now, Second Run have released his […]

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Prospect (2019): The sci-fi wannabe that coulda been (Review)

Mick Snowden 29/04/2019
Prospect (2019): The sci-fi wannabe that coulda been (Review)

The press release that accompanied this indie sci-fi film heralds it as the best since Moon (Duncan Jones, 2009). That film, a decade ago, reminded us exactly what sci-fi is all about. Taking a human circumstance, and imagining what toll the future takes upon it. Prospect (directed by Christopher Caldwell […]

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Anna and the Apocalypse: equal parts toe-tapping and head-smashing (Review)

Graham Williamson 26/04/2019
Anna and the Apocalypse: equal parts toe-tapping and head-smashing (Review)

For many unsuspecting viewers, the first shock in Anna and the Apocalypse will come before a single zombie has turned up: five minutes in, the characters start singing. Despite horror arguably having a stronger relationship with original music than any other genre – go ahead, imagine Halloween or Suspiria without […]

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Cujo: Supernatural Canine you probably misremembered (Review)

Mick Snowden 25/04/2019
Cujo: Supernatural Canine you probably misremembered (Review)

Stephen King, I think it is fair to say, is one of the undisputed masters of the Horror and Supernatural genres. Sales of his 70 books top the 300 million mark, and if something odd is happening in the state of Maine, then Stephen King is probably the author. Cinematically, […]

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Scared Stiff: Midnight Madness undone in 60 seconds (Review)

Rob Simpson 24/04/2019
Scared Stiff: Midnight Madness undone in 60 seconds (Review)

Over the years of covering home video releases, I have discovered some new favourites; equally, I have been subject to some of the worst films I’ve ever seen. One of the latter was Doom Asylum, a film so inept I was speechless. The director of that film was Richard Friedman, […]

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Donbass: Episodes of lunacy in Eastern Ukraine (Review)

Ashley Lane 23/04/2019
Donbass: Episodes of lunacy in Eastern Ukraine (Review)

Welcome to the Donbass region of eastern Ukraine. It’s under the control of the separatists, and the lot of the inhabitants is not a happy one. If you haven’t been bombed out of your home, you’ve probably been injured in a bus attack, or blackmailed by the police, or subjected […]

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The Witch Part 1, The Subversion: …and the Girl who bridged two South Korea’s (Review)

Rob Simpson 23/04/2019
The Witch Part 1, The Subversion: …and the Girl who bridged two South Korea’s (Review)

The Witch Part 1: the Subversion is the latest directorial effort from the man behind New World and I saw the Devil writer, Park Hoon-Jung, and it is unlike either of those high profile movies. New World is a prominent gangster epic (of comparable stature to A Dirty Carnival), I […]

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