I find it hard to review Dawson City: Frozen Time without writing about the background context behind Bill Morrison’s visually euphoric documentary. In 1978, construction workers unearthed a long lost silent film collection from a subarctic swimming pool in a Yukon mining village, not far from the titular Dawson City, […]
Reviews
Boy Erased (2018) Not Quite Erased, But Not Fully Drawn (Review)
One of the defining depictions of evil on film, for me, is Robert Mitchum’s character in Night of the Hunter. It’s the way he balances menace and clumsiness, a wolf who is also a Wile E. Coyote, slipping on bottles and suffering head injuries and yowling as his fingers jam […]
Climax (2018) Gasper Noe: The Dark Lord of Dance (Review)
So, Climax, we finally meet. Since breaking into the arthouse scene in 2002, Gasper Noe and controversy have never been far apart. In 2002 he gave the world a brutal and unsympathetic tale of rape in Irreversible, following that up in 2009 he directed Enter the Void and with that, […]
Can You Ever Forgive Me? (2018) the actor Melissa McCarthy always threatened to be (Review)
We live in an age where swathes of journalists get laid off at the drop of a hat, and where the idea of writing for a living seems more fantastic with every passing day. Writers get used to practicing a kind of stoic optimism: with no (monetary) reward or any […]
Iceman: The Time Traveller (2018) Bewildering Blockbusters And The Cost Of Globalisation (Review)
This is not what those fearing Hollywood being usurped by China had in mind. Iceman the time traveller – the new Blockbuster starring Simon Yam & Donnie Yen – is inept on almost every conceivable level, much to the point where it would be all too easy to tear this […]
Opera (1987) Argento Is No Ordinary Horror Director And [This] No Ordinary Horror Film (Review)
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Cult Films have quickly made a name for themselves in the home release market as Italian cinema specialists – but very much at the Fellini/De Sica end of that country’s output, which on the surface makes them a strange choice to reissue Dario Argento’s brutal horror Opera on Blu-Ray. Those […]
Josie (2018): … To Be Bad You Have To Recognise That You’re Bad (Review)
As my colleague Rob Simpson keeps having to point out, a film doesn’t need likeable characters to be good. It doesn’t even need smart characters. There’s a whole subgenre of noir fiction from Jim Thompson through to the Coen brothers which takes knuckle-dragging characters doing repellent things and alchemises them into […]
Texas Adios (1966) A glimpse of the Spaghetti Westerns yet to come (Review)
Say one thing for Texas Adios, the 1966 spaghetti Western reissued on Blu-Ray by Arrow Video; it doesn’t hang around. A friend of mine likes to needle me by describing Westerns as a genre where you spend eighty minutes waiting for one action scene, but Texas Adios’s first action scene […]
Once Upon a Time in China Trilogy (1991-93) The Birth of Jet Li’s Super Stardom (Review)
The 1990s was a tumultuous time for Hong Kong Martial Arts cinema. Its favourite son, Jackie Chan, was too big to fail as such he was doing whatever he wanted on Golden Harvest’s payroll, Sammo Hung was closer to a director than the action star that made his name, Yuen […]
De Niro & De Palma: The Early Films (1968-70)(Review)
The world is very aware of who Robert De Niro is, he is held by many to be one of the greatest actors of his (very good) generation, if not all time. Brian De Palma is a bit more of a complicated character much to the point where you can […]