Skip to content
Tuesday, Jul 28, 2026
New REVIEWS!
The Odyssey (2026) Grounded & Terrifying, Nolan’s Boldest Adaptation to Date
Alice Doesn’t Live Here Anymore 4K (1974) – an underrated work from a legendary filmmaker
The Caretaker (2025) Bittersweet, Awkward, and Quietly Unsettling
The Boxer (1977) Rocky by quality, not by name
The Mortuary Assistant (2026) A Horror Game’s Logic Trapped in a Linear Film
Cold Prey (2006-2010) A Rare Nordic slasher Trilogy gets its due
Nirvanna the Band the Show the Movie (2025)(II) – Long-gestating gutbuster from Canada’s finest pranksters
Love is the Monster (2026) A Handsome, Horny, Hopelessly Chaotic Horror
Madhouse (1974) The Price is Right
Kraken (2026) A tale of tension, patience, and a creature waiting in the wings
Signal One (2026) A small‑scale sci‑fi that refuses to stay small
Empire of the Ants (1977) The Surprising Liminality of a B.I.G Killer Ant Movie

The Geek Show

Reviews, Podcasts and More by Geeks, for Geeks

  • About
  • Movies & Docs
    • Film Festivals
  • Pop Culture
    • Doctor Who
    • Twin Peaks
    • From the Geek Show Team
  • Podcasts
    • All Of Us Are Lost
    • Pop Screen
    • The Geek Show
    • UNCUT
  • Patreon
  • YouTube
  • Get In Touch
  • Join Us

Trending Now

1

ReBorn (2016) Tak Sakaguchi’s return is a case of mixed blessings (Review)

22/03/2018
2

What Remains (2022) A Bummer Scandi-noir from the Skarsgårds (Review)

05/07/2024
3

Censor (2021) Edit this disc-set into your reality (Review)

31/01/2022
4

Two Rode Together (1961) The John Ford Western nobody talks about (Review)

14/03/2017
5

The Exorcism (2024) Russell Crowe Goes Method in Meta-horror Mix-up (Review)

20/06/2024
6

The Civil Dead (2022) A Mumblecore Shaggy Dog Story with None of the Downsides (Review)

18/01/2024
7

Rolling Thunder Revue (2019) One for the Martin Scorsese & Bob Dylan completists (Review)

22/01/2021
8

Possessor (2020): Prestige Treatment for Gory Modern Classic (Review)

29/03/2024
9

Underworld Chronicles (1996-2002) Three Films, One Filmmaker, Zero Rules – Takashi Miike

06/04/2026
10

How You Live Your Story: Selected Works by Kevin Jerome Everson (2005-2020)(Review)

09/11/2020
11

Black Panther: Wakanda Forever (2022) The Social & Political Consciousness of the MCU (Cinema Review)

14/11/2022
12

Yokai Monsters Collection (1968/2005)(Review)

01/11/2021
  • Home
  • Reviews
  • Page 112

Reviews

  • Movies & Documentaries
  • Reviews

Redcon-1 (2018) the micro-budget zombie film with ants in its pants (Review)

Rob Simpson 28/09/2018
Redcon-1 (2018) the micro-budget zombie film with ants in its pants (Review)

Here we go again, Redcon-1. A thousand different websites for a thousand different zombie movies all say the same thing, this is one monster who has been exhausted way past the breaking point. In other news, rain is wet. I mock but in the past twenty years, you could probably […]

  • Movies & Documentaries
  • Reviews

Madame (2017) A comedy of upper-class errors (Review)

Sarah Hayton 18/09/2018
Madame (2017) A comedy of upper-class errors (Review)

Ah, Paris: City of Romance. You can tell from the get-go that our lead couple are artsy types. He wears Truman Capote glasses and she simply must cycle through the streets of Paree, an accordion trilling in her mind. So is our introduction to Anne and Bob Fredericks (Toni Colette […]

  • Movies & Documentaries
  • Reviews

Last Year at Marienbad (1961) … and the mystery of movie watching (Review)

Mark Cunliffe 17/09/2018
Last Year at Marienbad (1961) … and the mystery of movie watching (Review)

Alan Resnais’ Last Year at Marienbad is a film that poses many questions and offers very little answers. Having watched it, it seems only fitting therefore that I’m left with a question of my own (well two if you include ‘can I write a review about it without sounding pretentious?’) and […]

  • Movies & Documentaries
  • Reviews

Iceman (2018) Payback in the Palaeolithic (Review)

Graham Williamson 17/09/2018
Iceman (2018) Payback in the Palaeolithic (Review)

As a child of the ‘90s, it’s great to see the media icons of my youth returning to the spotlight. After comebacks from Jeff Goldblum and Janet Jackson, it’s Ötzi the Iceman’s turn. His hollow eyes and emaciated frame were inescapable in 1991, when his five-thousand-year-old corpse was found in […]

  • Movies & Documentaries
  • Reviews

Salvador (1986) Fear & Loathing in Central America (Review)

Mark Cunliffe 12/09/2018
Salvador (1986) Fear & Loathing in Central America (Review)

Between 1980 and 1992, El Salvador was ravaged by a civil war between left-wing guerrilla groups and a right-wing military administration supported by the US government of the newly elected president, Ronald Reagan. Fearful that left-wing prominence would ensure the spread of Communism into North America, Reaganite foreign policy sanctioned […]

  • Movies & Documentaries
  • Reviews

Revenge (2017): a haunting subversion of rape-revenge tropes (Review)

Ashley Lane 06/09/2018
Revenge (2017): a haunting subversion of rape-revenge tropes (Review)

Jen has gone with her very wealthy boyfriend, Richard, to his isolated retreat in the wilderness where they can enjoy a couple of days away from others – particularly his wife. On the second day there, Richard’s two friends Stan and Dimitri turn up; they are a day early for […]

  • Movies & Documentaries
  • Reviews

Bad Samaritan (2018) and the sin of being entertaining (Review)

Rob Simpson 04/09/2018
Bad Samaritan (2018) and the sin of being entertaining (Review)

With the democratisation of filmmaking and the move to digital distribution, something refreshing is happening with American cinema. There has been a slow crawl away from New York and Los Angeles and out into ‘real America’.  Dean Devlin in his follow up to Geostorm, Bad Samaritan sets events in Portland, Oregon. […]

  • Movies & Documentaries
  • Reviews

I Vitelloni (1953) Early Fellini with glimmers of his magic touch (Review)

Aidan Fatkin 03/09/2018
I Vitelloni (1953) Early Fellini with glimmers of his magic touch (Review)

Federico Fellini’s second solo feature, I Vitelloni, is set in an Italian seaside town and delves into the lifestyles of five young men all at separate crossroads. However, and I will say this right off the bat, I Vitelloni isn’t a character study – the film studies Italian society through […]

  • Movies & Documentaries
  • Reviews

How to Talk to Girls at Parties (2018) less “Croydon, 1977” and more “Instagram, 1977” (Review)

Mark Cunliffe 03/09/2018
How to Talk to Girls at Parties (2018) less “Croydon, 1977” and more “Instagram, 1977” (Review)

“Ever get the feeling you’ve been cheated?” Thus said Johnny Rotten in January, 1978 at the conclusion of the Sex Pistols’ one and only US tour. A weary, wounded rhetorical question that served as the condemnation from within of the punk movement. Three days later and the band were no more. […]

  • Movies & Documentaries
  • Reviews

Cold War (2018) Feels like Hollywood pre-code, unapologetically entertaining (Review)

George Hardy 31/08/2018
Cold War (2018) Feels like Hollywood pre-code, unapologetically entertaining (Review)

He’s a musician, or maybe a musicologist, lightly burdened by Marcello Mastroianni-style ennui, touring post-war Poland, barely introduced in an opening montage as one of two government-appointed scouts listening to a series of home-grown Polish folk music talent. Maybe he’s holding some auditions, maybe he’s learning their traditions. We see […]

Posts navigation

Older posts
Newer posts
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}